菲利普·德拉斯洛 最受喜爱的画作是 Andrew W. Mellon (1932)。 紧随其后的是读者最熟悉的 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn 和 Professor Johann Nepomuk Oser (1904) 画作。 我们的目录收录了 菲利普·德拉斯洛 的 216 件作品：以下是其中最著名的 100 件，每件作品均包含创作年份、馆藏机构及其艺术特色。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…
Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.
Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…
The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
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The subject turns her face toward the viewer, a soft profile emerging from a shadow of ochre and deep brown. She wears a gown of luminous teal and…
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Philip de László presents Julian Byng, 1st Viscount Byng of Vimy, in this formal oil portrait executed about 1933. The subject, a high-ranking British Army officer, is rendered…
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This oil portrait depicts Arthur James Balfour, 1st Earl of Balfour. The subject lived from 1848 to 1930. The painting was executed by the artist Philip de László.
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The room feels quiet, held in a stillness that only the weight of authority can command. Seated within the dark, structured embrace of an ornate throne, Pope Pius…
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Philip de László captures the presence of John Loader Maffey, 1st Baron Rugby, in this 1923 oil on canvas. The subject sits with a quiet, dignified weight, his…
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William Richard Morris, Viscount Nuffield, is the subject of this 1937 portrait by Philip de László. Created in England, the work captures the likeness of the English motor…
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This oil on canvas portrait, titled Sir Thomas Gardner Horridge, was executed by the artist Philip de László. The work depicts Sir Thomas Gardner Horridge, who held the…
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In this 1927 portrait, we find ourselves face-to-face with Victoria Eugenie of Battenberg, captured in a moment of quiet, somber dignity. The composition is intimate, a vertical bust-length…
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Step closer to observe the quiet authority held within this vertical portrait. Here, King Alfonso XIII is captured in 1927, presented in a three-quarter length pose that feels…
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In this 1922 oil on canvas, Philip de László captures the likeness of Edward Drummond Libbey. The subject sits with a quiet, settled presence, his form defined by…
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The oil on canvas work titled Edwin Charles Clark, Professor of Civil Law was executed by the artist Philip de László. This portrait depicts Edwin Charles Clark, a…
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The Portrait of John H. McFadden by Philip de László is a three-quarter length oil painting. The subject is positioned slightly off-center, facing the viewer directly with a…
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In this 1927 portrait, Philip de László presents King Alfonso XIII in a moment of quiet dignity. The subject is depicted in military attire, a choice that speaks…
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In this 1929 oil on canvas, Philip de László captures Clara Cook Kellogg, a woman defined by the quiet gravity of her social standing. She sits as a…
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Philip de László presents Richard Burdon Haldane, Viscount Haldane, a portrait executed in 1928. The subject, Richard Burdon Haldane, 1st Viscount Haldane, was a prominent figure in British…
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This oil on canvas portrait depicts Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne. Painted by Philip de László in 1920, the work captures the subject in formal…
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The brush captures Sir (Samuel) Luke Fildes in a moment of quiet dignity. Painted by Philip de László in 1914, this portrait brings the sitter into a direct,…
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The gaze of Sir William Pulteney Pulteney meets the viewer through this formal oil portrait, a work that captures the man in a moment of quiet, authoritative stillness.…
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In the year 1911, Philip de László painted Portrait of a Lady and her Daughter (Portrait of Anya and Lanya). The canvas captures two figures of high standing,…
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In this 1930 oil on canvas, Philip de László presents a formal portrait of Iphigenia Wise Ochs. Painted in London, Greater London, England, United Kingdom, the work captures…
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In this 1921 oil on canvas, Philip de László presents a formal study of Arthur Hamilton Lee, 1st Viscount Lee of Fareham. The sitter, born in 1868, is…
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This oil on canvas, titled Portrait of Marshal Lyautey, was executed by the artist Philip de László in 1929. It presents a formal study of Maréchal Louis Hubert…
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In this 1926 oil on canvas, Philip de László captures the likeness of Adolph Simon Ochs. Painted in New York City, United States, the work presents the subject…
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This oil on canvas portrait, titled Sir (William Matthew) Flinders Petrie, was executed by the artist Philip de László in 1934. The work depicts the archaeologist in his…
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In the quiet light of 1902, Philip Alexius De László captures a private moment in this Portrait of a Lady and her Daughter. The scene unfolds from a…
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A Glimpse into Aristocratic Life: Vita Sackville-West by Philip de László This captivating oil on canvas portrait, "Vita Sackville-West," painted in 1910 by the renowned Philip Alexius de…
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#2 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn
#4 Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)
#5 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh
#7 Self-Portrait
#9 Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky
这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 菲利普·德拉斯洛 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 11 | Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy |
 匈牙利國家美術館 |
布达佩斯 | 9 | Self-Portrait, The Storyteller, At Vesper Bell |
 国家肖像画廊 |
华盛顿特区 | 7 | Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs |
 普拉多博物馆 |
马德里 | 4 | Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII |
 柯尔德美术馆 |
伦敦 | 4 | Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham |
 冬宫博物馆 |
圣彼得堡 | 2 | Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter |
 奥赛博物馆 |
巴黎 | 2 | Portrait of Marshal Lyautey, Countess Anna de Noailles |
 华沙国家博物馆 |
华沙 | 2 | Lady with a pearl earring, Portrait of a lady in a large hat |
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the…
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the…
Andrew W. Mellon (1932)，其次是 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn 和 Professor Johann Nepomuk Oser (1904)。
菲利普·德拉斯洛出生于1869，享年63岁：Andrew W. Mellon创作于1932年。
Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky 及 Sir George Henschel (Isidor Georg Henschel)。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 216 件 菲利普·德拉斯洛 的作品，日期从 1891 到 1937。
多见于 国家肖像美术馆 (伦敦), 匈牙利國家美術館 (布达佩斯) 及 国家肖像画廊 (华盛顿特区)；上表列出了各博物馆及其馆藏作品。
在 1910s 时期，该页面 100 件作品中有 42 件出自该时期，其中包含 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh。
此处的早期画布作品为 The Storyteller (1891)；最晚为 William Richard Morris, Viscount Nuffield (1937)。
Man (25), Portrait (15) 及 Woman (9)，共计 100 件作品。
Oil On Canvas，应用于本页 100 件作品中的 25 件。
正如本页面的画作所展示的，Academic realism 及 Realism。
国家肖像美术馆, 伦敦收藏了本页中11件作品，其中包括Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) 及 Julian Byng, 1st Viscount Byng of Vimy。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
1869年4月30日，菲利普·亚历克修斯·德·拉斯洛（Philip Alexius de László）出生于匈牙利的布达佩斯，原名富洛普·劳布（Fülöp Laub）。他出身平凡，父母阿道夫与约汉娜·劳布分别是犹太裔的裁缝与缝纫女工。这段早年的生活背景，或许为他日后对织物纹理的敏锐捕捉埋下了伏笔。在追求艺术梦想的道路上，他最初曾跟随摄影师学习，这段经历磨炼了他观察光影的眼力。随后，他考入了布达佩斯国立美术学院，师从贝特兰·塞凯伊（Bertalan Székely）与卡洛伊·洛茨（Károly Lotz）。此后，他在慕尼黑与巴黎的深造，进一步拓宽了他的艺术视野，使其艺术风格逐渐走向成熟。
德拉斯洛早期的作品便展现出对细节的敏锐洞察力以及对写实主义日益精湛的掌控。他的艺术根基植根于学院派传统，同时也深受19世纪末至20世纪初肖像画流行趋势的影响。他很快便脱颖而出，因为他不仅能捕捉模特的容貌特征，更能通过笔触传达出人物的性格特质与社会地位。1900年成为了他艺术生涯的关键转折点，当时他创作的教皇利奥十三世肖像在巴黎国际博览会上荣获大金奖，这一成就让他一举奠定了享誉国际的声望。
在巴黎取得成功后，德拉斯洛于1903年移居维也纳，并于1907年在伦敦定居，直至终老。他成为了欧洲精英阶层争相追捧的肖像画家，其客户名单涵盖了君主、贵族、工业家、科学家以及各界显赫人物。
1900年，德拉斯洛迎来了人生重要的时刻，他与出身显赫银行家族的露西·马德琳·金尼迎结为连理。两人育有六名子女，并留下了十七位孙辈。在经历过对天主教的早期向往后，他在婚后皈依了圣公会。尽管他已获得英国国籍并在英国建立了稳固的生活，但在第一次世界大战期间（1917-1918年），由于其奥地利背景引发的猜疑，他曾面临被关押的困境，那是一段充满艰辛的岁月。
德拉斯洛的艺术风格以写实、细腻的细节处理以及鲜艳的色彩运用为显著特征。他极其擅长表现织物的质感、珠宝的光泽以及皮肤的色调，使画面充满了生命力。他的肖像画往往传递出一种优雅、高贵且富有社会地位的氛围。虽然他以肖像创作闻名于世，但其作品中也不乏风景与风俗画的探索。
菲利普·德·拉斯洛的作品为我们洞察19世纪末至20世纪初欧洲上流社会的日常生活与面貌提供了珍贵的窗口。他的肖像画如同历史文献，捕捉了一个特定时代的社会动态。尽管有时会被批评过于专注于社交名流的描绘，但他那无可辩驳的技术造诣和捕捉人物灵魂的能力，使其艺术地位无可撼动。他的作品总量接近4000件（含素描），目前相关的作品全集编纂工作正在进行中。1937年11月22日，他于伦敦逝世，作为那个时代最杰出的肖像画家之一，他留下了永恒的艺术遗产。
