在斯特凡诺·吉奥瓦尼的所有画作中，Madonna of Humility (1432)最为著名；它现收藏于柏林的柏林州立博物馆。 紧随其后的是 Virgin with Child and Four Saints (detail) (1435) 和 Saint Francis and the Poor Knight, and Francis's Vision (1437)。 在我们的目录中，斯特凡诺·吉奥瓦尼 的 56 件作品里，这 56 件是最负盛名的，每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
This vertical and narrow tempera painting on a wood panel, created in 1430, depicts St. Nicholas of Bari in a formal, iconographic pose. The subject is presented as…
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The air within the grand hall feels heavy with a sacred stillness, as if time itself has paused to witness this celestial assembly. At the heart of the…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few works capture the profound intimacy of spiritual transcendence as exquisitely as Sassetta’s The Ecstasy of St. Francis…
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The air feels heavy with the weight of impending tragedy as a crowded procession moves steadily from left to right across the panel. Jesus walks at the center…
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The scene captures the precise instant of Judas's kiss, a moment of profound spiritual and human tension. Within a crowded, shallow space, the figures are compressed together, creating…
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The Madonna of Humility emerges from the golden light of the early fifteenth century, a sacred vision rendered by the hand of Sassetta. Dating to about 1432, this…
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St. Anthony of Padua is a religious panel painting executed by the Sienese artist Sassetta. Known to history as Stefano di Giovanni, the painter was a central figure…
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The painting presents a formal, hierarchical arrangement of figures set against a luminous gold background. At the center, the Madonna is enthroned, her form draped in a mantle…
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The figure of Saint Matthew emerges from a shimmering expanse of gold leaf, his presence commanding a quiet, sacred space. He stands with a dignified stillness, an elderly…
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The heavens open in a rhythmic surge of light and shadow. At the center of this vertical movement, the Virgin Mary ascends, her form caught in a moment…
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is a work by Sassetta (Stefano Di Giovanni), executed between 1437 and 1444. It forms part of a larger cycle, specifically the fifth of eight scenes illustrating the…
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The air in the room seems to settle around the figures, held in a stillness that feels heavy with grace. A woman sits with a gentle, grounded presence,…
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In the quietude of the early fifteenth century, the Sienese master Sassetta captured a moment of profound spiritual intimacy that continues to resonate across the centuries. St Thomas…
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The artwork titled Damnation of the Soul of the Miser of Citerna was executed by the artist Sassetta. This specific panel originated in 1437. It was created as…
The Ecstasy of St Francis is a renowned painting by the Italian artist Sassetta (Stefano Di Giovanni), created in 1437. This tempera on panel artwork, measuring 190 x…
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The image presents a detailed view of a section of a tempera on wood panel painting from 1423. In the foreground, several open books rest upon a wooden…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few moments capture the intersection of the earthly and the divine as poignantly as Stefano di Giovanni’s The…
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In the delicate brushstrokes of Sassetta, specifically within this exquisite detail from the Virgin with Child and Four Saints, we find ourselves transported to the heart of the…
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In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s Virgin and Child…
Stefano di Giovanni, known as Sassetta, gifted us with “The Blessed Ranieri Frees the Poor from a Jail in Florence,” a captivating panel painted around 1444 that transcends…
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Stefano di Giovanni, known to art history as Sassetta, gifted us with a profoundly moving and technically brilliant depiction of “St. Thomas Before the Cross” in 1423 –…
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Stefano di Giovanni, known as Sassetta, was a pivotal figure in the transition from late Gothic to early Renaissance painting in Siena during the 15th century. His work…
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The Last Supper by Sassetta (Stefano Di Giovanni) is a remarkable painting that showcases the artist's skill in capturing complex emotional states and conveying religious narratives. Created in…
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The painting St Anthony the Hermit Tortured by the Devils by Sassetta (Stefano Di Giovanni) is a remarkable work of art that showcases the artist's skill in capturing…
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A Moment of Reverence: Sassetta’s St Thomas Inspired by the Dove The painting “St Thomas Inspired by the Dove of the Holy Ghost,” attributed to Sassetta (Stefano di…
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The Madonna sits upon a throne of red and gold, her skin pale against the heavy weight of her garments. She holds the infant Christ, whose small limbs…
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Stefano di Giovanni’s “The Meeting of St. Anthony and St. Paul,” painted around 1440, isn't merely a religious depiction; it’s a profound meditation on faith, solitude, and the…
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To gaze upon Sassetta's "The Journey of the Magi" is to step directly into the luminous heart of the early Italian Renaissance. This exquisite panel, dating from 1435,…
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Stefano di Giovanni, known universally as Sassetta, stands as a pivotal figure in the burgeoning artistic landscape of Siena during the Quattrocento – a period marked by an…
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A Moment of Severance Saint Francis renounces his Earthly Father captures a pivotal moment of spiritual transition through a structured, multi-arched architectural framework. The composition uses pink-toned arches…
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In the quiet sanctity of the Sienese Renaissance, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility with Four Saints. Created…
In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s The Virgin and…
将这份光影带回家 →这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 斯特凡诺·吉奥瓦尼 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家美术馆 |
伦敦 | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 布达佩斯美术博物馆 |
布达佩斯 | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
科尔托纳 | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 国家美术馆 |
华盛顿 | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 卢浮宫 |
巴黎 | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
锡耶纳 | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 底特律艺术学院 |
底特律 | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 大都会艺术博物馆 |
纽约 | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432,…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444.…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally…
Madonna of Humility (1432)，柏林州立博物馆, 柏林。其后是Virgin with Child and Four Saints (detail) (1435)和Saint Francis and the Poor Knight, and Francis's Vision (1437)。
斯特凡诺·吉奥瓦尼出生于1392，享年40岁：Madonna of Humility创作于1432年。
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret 及 Saint Apollonia。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 56 件 斯特凡诺·吉奥瓦尼 的作品，日期从 1412 到 1450。
多见于 国家美术馆 (伦敦), 布达佩斯美术博物馆 (布达佩斯) 及 Museo Diocesano (科尔托纳)；上表列出了各博物馆及其馆藏作品。
在 1430s 时期，该页面 56 件作品中有 27 件出自该时期，其中包含 Madonna of Humility。
此处的早期画布作品为 Saint John the Evangelist (1412)；最晚为 Saint Francis before the Sultan (1450)。
People (10), Gold background (9) 及 Woman (7)，共计 56 件作品。
Tempera On Panel，应用于本页 56 件作品中的 27 件。
正如本页面的画作所展示的，Early renaissance。
国家美术馆, 伦敦收藏了本页中6件作品，其中包括Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis 及 Saint Francis before the Sultan。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
在意大利四世纪（Quattrocento）那段光辉灿烂的岁月里，很少有名字能像Stefano di Giovanni——即历史上更为亲切地被称为Sassetta——那样，如此深刻地唤起人们对从中世纪向现代过渡时期的细腻感怀。作为锡耶纳画派的关键人物，他的艺术成就构筑了一座深邃的桥梁，连接着晚期哥特式的装饰性优雅与文艺复禄时期蓬勃兴起的写实主义。尽管他生命的准确起源仍笼罩在历史的迷雾之中——学者们仍在争论他究竟出生于锡耶纳还是科尔托纳——但他对托斯卡纳艺术景观的影响是无可置疑的。他的作品承载着锡耶纳那富有节奏感且抒情般的灵魂，却又散发着一种全新的、观察式的生命力，暗示着这位艺术家正深度参与着他那个时代的变革浪潮。
Sassetta 的创作历程是一场精妙的融合。他拥有一种罕见的能力，既能致敬以繁复细节和精神深度为特征的传统锡耶纳风格，又能同时吸收来自佛罗伦萨的革命性创新。在他在空间关系掌控力以及光影运用上的演进中，可以感受到Masaccio、Masolino 以及 Gentile da Fabriano 等大师的影响。他并非仅仅是模仿这些新技术；相反，他将它们有机地整合在一起，为画中人物注入了一种自然主义的光泽，使光线能够令人信服地塑造形体，并在他的构图中创造出一种凝聚且富有呼吸感的空间。
Sassetta 的作品集是他精湛叙事绘画技巧的明证，在这里，每一笔触都服务于更高的精神追求。他的作品往往充当着通往神圣世界的窗口，利用考究的色调和富有节奏感的构图，引导观者穿梭于神圣的历史之中。在如最后的晚餐等杰作中，他展现了捕捉复杂情感状态的非凡技艺，通过使用大地色系和严谨的透视法，将深邃的宗教叙事植根于一种可感知的、庄重肃穆的现实之中。他能够平衡哥特传统的装饰美感与新兴的人文戏剧感，这使得他的祭坛画面板具有一种独特的迷人魅力。
除了规模较小的画板之外，Sassetta 还通过那些定义了当时宗教景观的重要祭坛画和多联画赢得了极高的声誉。他最显著的艺术成就包括：
Sassetta 的历史意义在于他既是守护者，也是创新者。他确保了锡耶纳画派独特的身份并未在佛罗伦萨的主导地位面前消失，而是通过演进吸收了写实与深度的全新语言。他的绘画并非仅仅是旧时代的遗物；它们是旧世界与新世界之间生动的对话。通过对光线的细腻处理、对象征性图像学的精通以及对作品主体深刻的同理心，Sassetta 在意大利艺术史上留下了不可磨灭的印记，确立了其作为锡耶纳文艺复兴时期最重要代表人物之一的地位。
