1
救生筏上的梅杜萨号幸存者
让-路易·安德烈·特奥多尔·热里卡尔的这部巨作不仅仅是对一场海上灾难的描绘；它是一次对人类绝望、政治丑闻以及自然崇高力量的直观探索。这幅完成于1819年的画布尺寸巨大（491 x 716 cm），超越了人体比例，它永恒地记录了1816年法国护卫舰“麦杜萨号”沉没后那段令人心碎的余波——这场悲剧源于渎职与腐败，曾令整个法国社会为之震惊。
泰奥多尔·杰利柯, 1791 – 1824
泰奥多尔·杰利柯: The 100 Best-Known Paintings
Of all 泰奥多尔·杰利柯's paintings, 救生筏上的梅杜萨号幸存者 (1818) is the most famous; it hangs in the 卢浮宫, 巴黎. Close behind come Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815). Among the 183 works by 泰奥多尔·杰利柯 in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
- Born · died
- 1791 – 1824, 鲁昂
- Movement
- Romantic painting
- Works in our catalogue
- 183
- Most famous
- 救生筏上的梅杜萨号幸存者 (1818)
- Most works at
- 卢浮宫
泰奥多尔·杰利柯's 10 most celebrated paintings
2
Nymph and Satyr (Jupiter and Antiope)
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
3
The Oath of Brutus after the Death of Lucretia
The Oath of Brutus after the Death of Lucretia is an oil on canvas by Théodore Géricault. This history painting captures a moment of heavy, political consequence. The artist, Théodore Géricault, rendered the scene with a focus on the weight of human resolve. It emerged from his studio about 1815.
4
Lions in a Mountainous Landscape
This vigorous painting of six lions in a remote, spectrally illuminated lair—possibly intended to evoke the Atlas Mountains of Morocco—is an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect.…
5
The Kiss
Théodore Géricault's "The Kiss," painted in 1816, isn’t merely a depiction of lovers entwined; it’s a visceral embodiment of the burgeoning Romantic movement’s fascination with raw emotion, dramatic intensity, and the sublime. This arresting work, housed within the Thyssen-Bornemisza Museum in Madrid, transcends simple representation to become a profound meditation on passion, vulnerability, and the very essence of human connection. Géricault, already a figure known for his unflinching portrayals of…
6
Wounded Soldiers Retrating from Russia
A Symphony of Suffering: Géricault’s “Wounded Soldiers Retrating from Russia” Jean-Louis André Théodore Géricault's "Wounded Soldiers Retrating from Russia" is not merely a painting; it’s a visceral embodiment of the horrors and human cost of war, rendered with an unprecedented level of realism and emotional intensity for its time. Completed in 1814, this monumental canvas—measuring a commanding 250 x 206 cm—captures a pivotal moment during Napoleon's disastrous invasion of Russia,…
7
Study of Feet and Hands
Jean-Louis André Théodore Géricault's "Study of Feet and Hands," painted in 1818, isn’t a grand statement of Romantic drama like his monumental “The Raft of the Medusa.” Instead, it offers a profoundly intimate glimpse into the artist’s meticulous process and a poignant meditation on the human form. This unassuming oil painting—measuring a modest 52 x 64 cm—is far more than just a preparatory sketch; it's a concentrated distillation of Géricault’s…
8
The Raft of the Medusa (detail)
Jean-Louis André Théodore Géricault's "The Raft of the Medusa," a monumental detail from his 1818 painting, isn’t merely a depiction of shipwreck; it’s a visceral plunge into the depths of human suffering and political indictment. The scene, rendered with a dramatic intensity characteristic of Romanticism, captures the harrowing aftermath of the French frigate *Medusa*'s wreck off the coast of Mauritania in 1816. This disaster, largely attributed to the incompetence and…
10
The Wreck
Théodore Géricault's "The Wreck," painted in 1821, isn’t merely a seascape; it’s a visceral confrontation with the sublime—a raw depiction of humanity’s vulnerability against the overwhelming force of nature. Born amidst the turbulent currents of post-revolutionary France, Géricault, a figure both lauded and controversial within the burgeoning Romantic movement, channeled his own anxieties and the era's fascination with dramatic events into this monumental canvas. The painting immediately commands attention not…
泰奥多尔·杰利柯 paintings ranked 11 to 100
#11
The Horse Race
Jean-Louis André Théodore Géricault's "The Horse Race," painted in 1816, isn’t merely a depiction of a sporting event; it’s a visceral embodiment of Romanticism’s core tenets – passion,…
Order this canvas →
#12
Swiss Guard and Wounded Veteran
Jean-Louis André Théodore Géricault's "Swiss Guard and Wounded Veteran," painted in 1819, is not merely a historical depiction; it’s a profound meditation on duty, sacrifice, and the lingering…
Have it painted by hand →
#13
Mazeppa
Théodore Géricault's "Mazeppa," painted in 1823, isn’t merely a depiction of a dramatic legend; it’s a visceral embodiment of Romantic turmoil—a raw exploration of suffering, resilience, and the…
Have it painted by hand →
#14
Two Horses
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature…
Have it painted by hand →
#15
A Turk (Mustapha)
Jean-Louis André Théodore Géricault's "A Turk (Mustapha)," painted in 1820, is not merely a portrait; it’s a carefully constructed tableau of exoticism, melancholy, and the burgeoning Romantic sensibility…
Have it painted by hand →
#16
A Carabinier with his Horse
In the quiet intensity of Jean-Louis André Théodore Géricault’s 1814 masterpiece, "A Carabinier with His Horse," we encounter more than a mere military portrait; we witness a profound…
Order this canvas →
#17
Riderless Horse Races (detail)
A Moment Frozen in Time: Géricault’s “Riderless Horse Races” Jean-Louis André Théodore Géricault's "Riderless Horse Races (detail)" is not merely a depiction of a sporting event; it’s a…
Bring this light home →
#18
Boxers
A Tempestuous Vision: Géricault’s “Boxers” Jean-Louis André Théodore Géricault's "Boxers," completed in 1818, isn’t merely a depiction of a boxing match; it’s a visceral embodiment of Romanticism’s fascination…
Bring this light home →
#19
Horse Market: Five Horses at the Stake
Jean-Louis André Théodore Géricault's "Horse Market: Five Horses at the Stake," painted in 1817, is not merely a depiction of livestock; it’s a visceral embodiment of Parisian life…
Bring this light home →
#20
The Epsom Derby
Jean-Louis André Théodore Géricault's "The Epsom Derby," painted in 1821, isn’t merely a depiction of horse racing; it’s a visceral embodiment of Romanticism’s fascination with drama, movement, and…
Have it painted by hand →
#21
Mounted Trumpeters of Napoleon's Imperial Guard
Three riders surge through a heavy, shadowed atmosphere, their presence defined by the sudden flash of scarlet and gold. A dappled grey horse occupies the center, its muscular…
Bring this light home →
#22
Three Lovers
Théodore Géricault captured a private, feverish moment in Three Lovers. This small oil sketch, created about 1817–1820, offers a rare glimpse into the artist's more intimate preoccupations. It…
Bring this light home →
#23
Portrait of Simon Bonnesoeur-Bourginire
A single man emerges from a dark, indistinct background of umber and black. He is positioned slightly off-center, his gaze meeting the viewer with a subtle, knowing expression.…
Bring this light home →
#24
Equestrian portrait of Wincenty Krasiński.
In this 1814 oil on canvas, we find ourselves witnessing a singular moment of intense energy. The composition centers on Wincenty Krasiński, a military figure captured in a…
Bring this light home →
#25
The Wounded Cuirassier, study
This dramatic oil study, created in 1814, captures a wounded cavalryman in a moment of intense exhaustion or struggle. The composition is defined by a strong diagonal movement…
Order this canvas →
#26
Lion devouring a horse
Théodore Géricault's "Lion Devouring a Horse," painted in 1819, isn’t merely a depiction of predatory action; it’s a visceral exploration of power, mortality, and the primal instincts that…
Bring this light home →
#27
Français Étude de bras et de main realisé par Géricault por son oeuvre Le Radeau de la Méduse
The oil on canvas known as Français Étude de bras et de main realisé par Géricault por son oeuvre Le Radeau de la Méduse captures a singular, quiet…
Order this canvas →
#28
Untitled (ARJCHM)
In the annals of art history, few works command the room with such visceral intensity as Théodore Géricault’s The Raft of the Medusa. This monumental oil on canvas…
Bring this light home →
#29
Scene from the Epidemic of Yellow Fever in Cadiz
This oil on canvas painting, created in 1819, presents a somber and dramatic scene of suffering within a dimly lit interior. The composition is structured around an arched…
Have it painted by hand →
#32
Portrait of a Young Man
A young man emerges from a deep, indistinct darkness, his presence felt through the sudden, sharp clarity of light hitting his features. He sits in a quiet, intimate…
Bring this light home →
#33
A study for a nude.
A study for a nude. emerges from the shadows as a powerful presence by Théodore Géricault. Created about 1801, this oil on canvas captures a singular moment of…
Bring this light home →
#34
Study of a Model
This oil on canvas portrait study presents a close-up, three-quarter view of a Black man's head and shoulders. The subject is positioned slightly off-center, looking toward the viewer…
Have it painted by hand →
#35
The Martyrdom of Saint Peter
The Martyrdom of Saint Peter is an oil on canvas by Théodore Géricault. Created about 1814, the work captures a moment of profound tension. The physical presence of…
Have it painted by hand →
#36
The Wreck
In the annals of French Romanticism, few works command the visceral attention of Théodore Géricault’s The Wreck as profoundly as this haunting seascape. Painted in 1824, a year…
Bring this light home →
#38
Mater dolorosa, Copy after Ribera
Mater dolorosa, Copy after Ribera is a religious oil painting by the French artist Théodore Géricault. Created about 1811–1815, the work reflects the artist's engagement with the traditions…
Order this canvas →
#39
Lion in Repose
Jean-Louis André Théodore Géricault’s “Lion in Repose,” painted circa 1820-1823, isn’t merely a depiction of an animal; it’s a profound meditation on power, vulnerability, and the very nature…
Order this canvas →
#71
Portrait of a Negro
Dating from 1800, Jean-Louis André Théodore Géricault’s “Portrait of a Negro” is more than just a depiction of an individual; it’s a poignant statement born from the turbulent…
Order this canvas →
#73
Portrait d'homme
Portrait d'homme is an oil on canvas work attributed to the French Romantic painter Théodore Géricault. While historically categorized under various titles, including a mistaken identification as a…
Order this canvas →
#74
Equestrian Portrait of Charles V
Equestrian Portrait of Charles V is an oil on canvas work executed by the French Romantic painter Théodore Géricault. Created in 1814, the piece focuses on the figure…
Order this canvas →
#75
Chestnut horse in a stable
In this 1814 oil painting, we find ourselves in the quiet, dim interior of a stable. The focus is entirely on a single chestnut horse, captured in profile…
Order this canvas →
#76
Horses of the Auvergne
In the quiet, monochromatic depths of Théodore Géricault’s 1822 lithograph, Horses of the Auvergne, we are transported to a rugged, mist-shrouded corner of France. This evocative work serves…
Bring this light home →
#77
A Prancing Grey Horse
A single light grey horse occupies the center of this oil painting, captured in a rearing pose. The animal's body is angled vertically, its muscular flanks and neck…
Order this canvas →
#78
Sheet of Figure Studies
To gaze upon Jean-Louis André Théodore Géricault’s "Sheet of Figure Studies" is not merely to look at painted forms; it is to witness the very act of human…
Bring this light home →
#79
Portrait of an Artist in His Studio
Jean-Louis André Théodore Géricault's “Portrait of an Artist in His Studio,” completed in 1820, is more than a simple depiction of a young man seated before his easel;…
Order this canvas →
#80
An Officer of the Chasseurs Commanding a Charge
In the annals of French Romanticism, few works capture the raw, unbridled energy of the Napoleonic era as viscerally as Théodore Géricault’s 1812 masterpiece, An Officer of the…
Have it painted by hand →
#81
Study of a nude man
The oil on canvas known as Study of a nude man emerges from the shadows, a powerful presence that commands the viewer's immediate attention. This work, created by…
Order this canvas →
#82
The Plaster Kiln
In the quiet, brooding landscapes of nineteenth-century France, few works capture the raw, unvarnished essence of pastoral life as poignantly as Théodore Géricault’s “The Plaster Kiln.” Completed in…
Bring this light home →
#87
The Woman with Gambling Mania, ca
In the quiet, tension-filled atmosphere of Théodore Géricault’s The Woman with Gambling Mania, we are invited into a private drama that feels as immediate today as it did…
Bring this light home →
泰奥多尔·杰利柯's canvases, period by period
Early Period
1811 – 1822 · 14 works in this list
Mature Period
1812 – 1824 · 31 works in this list
Early Romantic
1809 – 1820 · 3 works in this listWhat 泰奥多尔·杰利柯 painted most
The four subjects that return most often on these canvases, each with its best-loved example.
Man 12 works
Portrait 9 works
Horse 8 works
Where 泰奥多尔·杰利柯's canvases hang
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by 泰奥多尔·杰利柯 | Paintings from this list |
|---|---|---|---|
 卢浮宫 |
巴黎 | 20 | 救生筏上的梅杜萨号幸存者, The Raft of the Medusa (detail), Leda and the Swan |
 香提伊城堡 |
尚蒂伊 | 6 | Mazeppa, Boxers, Lion devouring a horse |
 J·保罗·盖蒂博物馆 |
洛杉矶 | 3 | Three Lovers, Study of a Model, The Race of the Riderless Horses |
 华沙国家博物馆 |
华沙 | 3 | Equestrian portrait of Wincenty Krasiński., A study for a nude., Study of a nude man |
 Burrell Collection |
格拉斯哥 | 8 | The Trumpeter of the Lancers of the Guard, A Prancing Grey Horse |
 法布尔博物馆 |
蒙彼利埃 | 4 | Study of Feet and Hands, Portrait d'homme |
 Petit Palais |
巴黎 | 3 | The Scotsman, Italian Landscape with Tomb |
 提森·博爾涅米薩博物館 |
馬德里 | 2 | The Kiss, The Horse Race |
Decade by decade: 泰奥多尔·杰利柯's most celebrated canvas
-
1800s
Canvas 14 of 100
Two Horses
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature…
-
1810s
Ranked 1 of 100救生筏上的梅杜萨号幸存者
让-路易·安德烈·特奥多尔·热里卡尔的这部巨作不仅仅是对一场海上灾难的描绘；它是一次对人类绝望、政治丑闻以及自然崇高力量的直观探索。这幅完成于1819年的画布尺寸巨大（491 x 716 cm），超越了人体比例，它永恒地记录了1816年法国护卫舰“麦杜萨号”沉没后那段令人心碎的余波——这场悲剧源于渎职与腐败，曾令整个法国社会为之震惊。
-
1820s
Ranked 2 of 100Nymph and Satyr (Jupiter and Antiope)
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene;…
Your questions on 泰奥多尔·杰利柯's paintings, answered
Which is the most celebrated painting by 泰奥多尔·杰利柯?Read the answer
救生筏上的梅杜萨号幸存者 (1818), 卢浮宫, 巴黎. Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815) follow.
How old was 泰奥多尔·杰利柯 at the time of 救生筏上的梅杜萨号幸存者?Read the answer
泰奥多尔·杰利柯, born in 1791, was 27 years old: 救生筏上的梅杜萨号幸存者 dates from 1818.
Which ten paintings is 泰奥多尔·杰利柯 most famous for?Read the answer
救生筏上的梅杜萨号幸存者, Nymph and Satyr (Jupiter and Antiope), The Oath of Brutus after the Death of Lucretia, Lions in a Mountainous Landscape, The Kiss, Wounded Soldiers Retrating from Russia, Study of Feet and Hands, The Raft of the Medusa (detail), Leda and the Swan and The Wreck. Each canvas in the ranking above comes with its year and its museum.
How many paintings by 泰奥多尔·杰利柯 are known?Read the answer
183 works by 泰奥多尔·杰利柯 are in our catalogue, dated 1800 to 1824.
Which museums hold 泰奥多尔·杰利柯's best-known canvases?Read the answer
Mostly in 卢浮宫 (巴黎), 香提伊城堡 (尚蒂伊) and J·保罗·盖蒂博物馆 (洛杉矶); the list above names each museum and its canvases.
In which years did 泰奥多尔·杰利柯 paint the most celebrated canvases?Read the answer
In 1810s, which gave 67 of the 100 works on this page, 救生筏上的梅杜萨号幸存者 among them.
What are the first and the last of 泰奥多尔·杰利柯's famous canvases?Read the answer
The earliest canvas here is Portrait of a Negro (1800); the latest is The Wreck (1824).
Which subjects return most often in 泰奥多尔·杰利柯's paintings?Read the answer
Man (12), Portrait (9) and Horse (8), across the 100 works on this page.
What did 泰奥多尔·杰利柯 usually paint with?Read the answer
Oil On Canvas, used in 26 of the 100 works on this page.
To which art movement does 泰奥多尔·杰利柯 belong?Read the answer
Romantic painting, as the canvases on this page show.
What can I see by 泰奥多尔·杰利柯 at the 卢浮宫?Read the answer
The 卢浮宫, 巴黎 holds 14 of the works on this page, among them 救生筏上的梅杜萨号幸存者, The Raft of the Medusa (detail) and Leda and the Swan.
Can I order a hand-painted copy of a painting by 泰奥多尔·杰利柯?Read the answer
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
泰奥多尔·杰利柯: the painter's story
燃烧的浪漫主义：热里埃·热里科的一生
热里埃·热里科，一个与法国浪漫主义精神交融的名字，诞生于一个变革时代的边缘。1791年，他降临于鲁昂，早年的生活浸润在革命的回声和拿破仑雄心壮志的浪潮之中。虽然继承了家族舒适的生活——包括一家烟草企业——但热里科的命运并非法律或商业，而是在艺术表达的世界中。最初师从卡尔·韦内特，一位精通英国体育绘画的大师，这赋予了他敏锐的解剖学和运动观察力，尤其体现在他对马匹的描绘上。然而，他随后与皮埃尔-纳西斯·格兰的研究，为他奠定了古典构图的基础，尽管热里科不安的精神很快驱使他独立探索卢浮宫的殿堂。卢浮宫作为学院：大师间的对话
从1810年到1815年，卢浮宫成为了热里科真正的学院。他沉浸在老大师——鲁本斯、提香、委拉斯开兹和伦勃朗的作品中，并非仅仅模仿他们的技巧，而是与他们的艺术哲学进行深刻的对话。这段时期对于塑造他独特的风格至关重要，其特点是戏剧性的明暗对比、动态的构图以及强烈的感染力，使他与同时代的人们区分开来。他并非简单地复制；他吸收了这些大师的精髓，内化了他们对光线、阴影和人体的处理方式。这种自主式的教育培养了一种独特的艺术声音，很快将挑战盛行的新古典主义惯例。他的早期作品，如《冲锋猎兵》(1812)，已经暗示着这种新兴的敏感性，展现出大胆的执行力和对鲁本斯充满活力的画布的回忆。他继续探索马术主题，磨练了他描绘马匹的力量和优雅的技能——这个主题贯穿了他的整个职业生涯。《木筏上的梅杜莎》：人类苦难的纪念碑
热里科的名字与《木筏上的梅杜莎》(1818-1819)密不可分，这幅巨大的画布超越了单纯的历史描绘，成为对人类脆弱性和社会不公的尖锐控诉。灵感来源于1816年法国护卫舰“梅杜莎”号沉船的真实故事，由于疏忽和无能导致其乘客遭受难以想象的苦难，这幅画是对绝望、希望和绝望的生动写照。热里科进行了细致的研究，采访幸存者，在医院研究尸体，甚至建造了木筏的模型以确保准确性。由此产生的作品并非仅仅是悲剧的描绘；它是一种沉浸式的体验，让观众直面人类苦难的残酷现实。构图围绕着两个金字塔结构——一个代表绝望和死亡，另一个体现希望和潜在的救援——创造了一种动态的张力，吸引着观众的视线。这幅画在1819年沙龙展出时引起了争议，引发了政治辩论，并巩固了热里科作为一位大胆而非常规艺术家的声誉。这幅画的影响超越了艺术界，成为政府无能和人类在面对难以想象的困境中韧性的象征。超越悲剧：军事主题与艺术遗产
虽然《木筏上的梅杜莎》是他最著名的成就，但热里科的艺术创作范围超出了这幅杰作。《受伤的龙骑兵》(1814)和《埃普索姆赛马》(1821)等作品表明他对军事主题的持续关注，展现出对戏剧性和表现力的追求。这些画作揭示了他继续探索人类在压力下的情感，通常专注于冲突给身体和心理带来的创伤。他还涉足肖像画和石版画，进一步扩展了他的艺术创作范围。不幸的是，热里科因疾病于1824年英年早逝，享年32岁——多年来饱受骑马事故和慢性结核感染的折磨。他过早的去世剥夺了艺术界一位才华横溢的天才，但他对后世艺术家——特别是欧仁·德拉克洛瓦的影响是深远的。他被铭记为浪漫主义的先驱，一位敢于直面艰难真相并将他的作品注入强大情感共鸣的艺术家，这种共鸣至今仍吸引着观众。他的青铜雕像躺在他的墓碑上，手持画笔，位于巴黎佩尔·拉谢斯公墓，上方是一幅描绘《木筏上的梅杜莎》中令人心碎场景的低浮雕，这恰如其分地纪念了一位毕生致力于捕捉人类状况复杂性和矛盾的艺术家。关键特征与影响
- 浪漫主义：热里科被认为是第一批法国浪漫主义画家之一，远离新古典主义理想，转向情感强度和戏剧性表达。
- 戏剧性的构图：他的画作以其动态的构图而闻名，经常利用对角线和对比光影来创造运动感和张力。
- 现实主义与研究：热里科致力于现实主义，进行广泛的研究——包括研究尸体和采访幸存者——以确保作品的准确性和情感冲击力。
- 老大师的影响：他从巴洛克大师鲁本斯、提香和委拉斯开兹那里汲取灵感，采用他们戏剧性照明和表现力笔触的技巧。
- 关注人类苦难：他的艺术经常描绘悲剧、绝望和人类经历的黑暗面，反映了浪漫主义对强烈情感的迷恋。