汤姆·罗伯茨 最受喜爱的作品是《Slumbering sea, Mentone (1887)》，现收藏于墨尔本的维多利亚州国立美术馆。 紧随其后的是读者最熟悉的 Self portrait (1924) 和 Portrait of Louis Abrahams (1886) 画作。 我们的目录收录了 汤姆·罗伯茨 的 40 件作品：以下是其中最著名的 40 件，每件作品均包含创作年份、馆藏机构及其艺术特色。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Elizabeth Sarah (Lillie) Roberts（née Williamson，1860–1928），是一位杰出的澳大利亚艺术家和木工工艺师。她于1880年代初在墨尔本国家美术学院学习艺术，随后在欧洲进行了一段旅行生涯。 她曾多次参加维多利亚艺术家协会的展览，并在1888年至1892年期间创作了作品。 她与澳大利亚艺术界有着深厚的联系，并对澳大利亚艺术的发展产生了重要影响。
To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…
In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…
In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…
James T Donovan (1861–1922), journalist, Catholic historian and amateur singer, was born into an Irish Catholic family in Sydney. His father had a shop that was the first…
订购此油画 →
James Reading Fairfax (1834-1919), son of Sydney Morning Herald founder John Fairfax (1804-1877), was the second Fairfax boy to join his father
订购此油画 →
In this 1890 oil on canvas, Tom Roberts captures the presence of Edward Trenchard. The man sits within a stately, traditional interior, surrounded by the quiet dignity of…
由手工绘制 →
In the gentle embrace of 1888, Tom Roberts captured a moment of profound serenity in An autumn morning, Milson. This exquisite landscape serves as more than just a…
将这份光影带回家 →
In the vast canon of Australian Impressionism, few works capture the ephemeral magic of a moment as poignantly as Tom Roberts’ Harbourscape. This remarkably small oil panel, a…
将这份光影带回家 →
Tom Roberts' "Holiday Sketch at Coogee," painted in 1888, isn’t merely a depiction of a seaside scene; it’s a vibrant distillation of the Australian light and a pivotal…
由手工绘制 →
The work titled Cloud study is a small, intimate piece by the artist Tom Roberts. Measuring 12.1 x 20.7cm, it exists as a quiet fragment of observation. The…
将这份光影带回家 →
Tom Roberts’s painting of the opening of the first Australian Federal Parliament at the Exhibition Building in Melbourne in 1901 contains 269 individual portraits. Roberts was paid nearly…
将这份光影带回家 →
In the golden light of the late nineteenth century, Tom Roberts captured more than just a moment in time; he immortalized the very soul of a burgeoning nation.…
订购此油画 →
In the quiet, evocative depths of Tom Roberts’ Coming South (1886), we are invited to step aboard a vessel suspended between two worlds. This masterful oil on canvas…
将这份光影带回家 →
In this large oil on canvas, we find ourselves transported to the monumental architecture of the Temple of Dendera in Upper Egypt. The scene is populated by a…
由手工绘制 →这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 汤姆·罗伯茨 的作品 | 此列表中的画作 |
|---|---|---|---|
 新南威爾士藝術畫廊 |
悉尼 | 15 | Self portrait, Adagio, Fog, Thames Embankment |
 国家肖像画廊 |
堪培拉 | 7 | Practising the Minuet (Miss Hilda Spong), 罗伯特·布尔斯夫人肖像, Sir William Charles Windeyer |
 维多利亚州国立美术馆 |
墨尔本 | 5 | Slumbering sea, Mentone, Edward Trenchard, Cloud study |
 澳大利亚国立美术馆 |
堪培拉 | 4 | Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape |
 Museum of New Zealand Te Papa Tongarewa |
惠灵顿 | 2 | Hutt Valley, In Quarantine, Wellington |
 南澳大利亚美术馆 |
阿德莱德 | 1 | Andante |
 皇家收藏馆 |
伦敦 | 1 | The Big Picture |
 布里斯托博物馆与美术馆 |
布里斯托 | 1 | The Temple of Dendera, Upper Egypt |
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and…
Elizabeth Sarah (Lillie) Roberts（née Williamson，1860–1928），是一位杰出的澳大利亚艺术家和木工工艺师。她于1880年代初在墨尔本国家美术学院学习艺术，随后在欧洲进行了一段旅行生涯。 她曾多次参加维多利亚艺术家协会的展览，并在1888年至1892年期间创作了作品。 她与澳大利亚艺术界有着深厚的联系，并对澳大利亚艺术的发展产生了重要影响。
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the…
Slumbering sea, Mentone (1887)，维多利亚州国立美术馆, 墨尔本。其后是Self portrait (1924)和Portrait of Louis Abrahams (1886)。
汤姆·罗伯茨出生于1856，享年31岁：Slumbering sea, Mentone创作于1887年。
Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), 罗伯特·布尔斯夫人肖像, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) 及 Fog, Thames Embankment。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 40 件 汤姆·罗伯茨 的作品，日期从 1883 到 1927。
多见于 新南威爾士藝術畫廊 (悉尼), 国家肖像画廊 (堪培拉) 及 维多利亚州国立美术馆 (墨尔本)；上表列出了各博物馆及其馆藏作品。
在 1890s 时期，该页面 40 件作品中有 12 件出自该时期，其中包含 Adagio。
此处的早期画布作品为 Rejected (1883)；最晚为 Bailed up (1927)。
Landscape (6), Australia (4) 及 Boats (3)，共计 40 件作品。
Oil On Canvas，应用于本页 40 件作品中的 5 件。
正如本页面的画作所展示的，Impressionism 及 Australian impressionism。
新南威爾士藝術畫廊, 悉尼收藏了本页中15件作品，其中包括Self portrait, Adagio 及 Fog, Thames Embankment。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
