在William Tasker的所有画作中,Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)最为著名;它现收藏于纽黑文的耶鲁英国艺术中心。 紧随其后的是 The Liverpool and National Steeplechase at Aintree, 1843 (1843) 和 National Defense (1921)。 在我们的目录中,William Tasker 的 3 件作品里,这 3 件是最负盛名的,每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | William Tasker 的作品 | 此列表中的画作 |
|---|---|---|---|
| 纽黑文 | 2 | Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843 | |
| 纽约 | 1 | National Defense |
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839),耶鲁英国艺术中心, 纽黑文。其后是The Liverpool and National Steeplechase at Aintree, 1843 (1843)和National Defense (1921)。
我们的目录中收录了 3 件 William Tasker 的作品,日期从 1839 到 1921。
多见于 耶鲁英国艺术中心 (纽黑文) 及 大都会艺术博物馆 (纽约);上表列出了各博物馆及其馆藏作品。
此处的早期画布作品为 Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839);最晚为 National Defense (1921)。
耶鲁英国艺术中心, 纽黑文收藏了本页中2件作品,其中包括Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester 及 The Liverpool and National Steeplechase at Aintree, 1843。
Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.
His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.
Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:
In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.
By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.