أتيليه — شحن مجاني لجميع أنحاء العالم — التوصيل خلال ٢–٦ أسابيع
      بيتر بارلر, 1330 – 1399

      بيتر بارلر's 4 Most Famous Paintings

      Self-portrait (1379) is the painting بيتر بارلر is best remembered for; it belongs to the كاتدرائية القديس فيت, براغ. Head of Charles IV (1375) and تذكير ذاتي (1379) complete the trio of best-loved canvases. Our catalogue counts 4 works by بيتر بارلر. Here are the 4 most famous, with the year, the museum and the story of each canvas.

      تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      بورتريه لـ بيتر بارلر
      بيتر بارلر · 1330 – 1399
      تاريخ الميلاد · تاريخ الوفاة
      1330 – 1399, شوابيش غيموند
      الأعمال الموجودة في كتالوجنا
      4
      الأكثر شهرة
      Self-portrait (1379)
      أكبر عدد من الأعمال في
      كاتدرائية القديس فيت

      The ten best-loved paintings by بيتر بارلر

      تذكير ذاتي (1379) للفنان بيتر بارلر
      3

      تذكير ذاتي

      1379 · ألوان أكريليك على كانفاس مشدود · كاتدرائية القديس فيت, براغ

      تأليف بيتر بارلر الذاتي: تحفة فنية تجسد روح العصور الوسطى المتأخرة تعتبر لوحة تأليف بيتر بارلر الذاتي، التي أنشأها في عام 1379، إحدى أهم الأعمال الفنية التي تعكس جمال وتراث فن العصور الوسطى المتأخرة في أوروبا الغربية، وتحديدًا في جمهورية التشيك التي كانت جزءًا من الإمبراطورية الرومانية المقدسة آنذاك. هذه اللوحة ليست مجرد صورة لشخص الفنان نفسه، بل هي استعراض دقيق لأسلوب بارلر الفني والجمالي الذي يمثل قمة التوازن بين…

      Where بيتر بارلر's canvases hang

      المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

      المتحف المدينة أعمال بيتر بارلر لوحات من هذه القائمة
      كاتدرائية القديس فيت, براغكاتدرائية القديس فيت براغ 3 Self-portrait, Head of Charles IV, تذكير ذاتي
      كاتدرائية سانت فيتوس, براغكاتدرائية سانت فيتوس براغ 1 Tomb of Ottokar II

      بيتر بارلر's most famous canvases, one year after another

      بيتر بارلر's dated canvases on this page run from 1375 to 1379, only 5 years: here they are, year after year.

      1. 1375
        Head of Charles IV (1375) للفنان بيتر بارلر
        Ranked 2 of 4

        Head of Charles IV

        العمر 45 · كاتدرائية القديس فيت
      2. 1379
        Self-portrait (1379) للفنان بيتر بارلر
        Canvas 1 of 4

        Self-portrait

        العمر 49 · كاتدرائية القديس فيت
      3. 1379
        تذكير ذاتي (1379) للفنان بيتر بارلر
        Canvas 3 of 4

        تذكير ذاتي

        العمر 49 · كاتدرائية القديس فيت

        تأليف بيتر بارلر الذاتي: تحفة فنية تجسد روح العصور الوسطى المتأخرة تعتبر لوحة تأليف بيتر بارلر الذاتي، التي أنشأها في عام 1379، إحدى أهم الأعمال الفنية التي تعكس…

      بيتر بارلر's canvases, question by question

      Which canvas is بيتر بارلر most remembered for?Read the answer

      Self-portrait (1379), كاتدرائية القديس فيت, براغ. Head of Charles IV (1375) and تذكير ذاتي (1379) follow.

      Self-portrait: how old was بيتر بارلر when it was painted?Read the answer

      بيتر بارلر, born in 1330, was 49 years old: Self-portrait dates from 1379.

      How many paintings did بيتر بارلر create?Read the answer

      4 works by بيتر بارلر are in our catalogue, dated 1375 to 1379.

      Where do بيتر بارلر's most famous canvases hang today?Read the answer

      Mostly in كاتدرائية القديس فيت (براغ) و كاتدرائية سانت فيتوس (براغ); the list above names each museum and its canvases.

      When did بيتر بارلر paint the most famous canvases?Read the answer

      In 1379, which gave 2 of the 4 works on this page, Self-portrait among them.

      Which famous بيتر بارلر canvas came first, and which came last?Read the answer

      The earliest canvas here is Head of Charles IV (1375); the latest is Self-portrait (1379).

      Which paintings by بيتر بارلر are held by the كاتدرائية القديس فيت?Read the answer

      The كاتدرائية القديس فيت, براغ holds 3 of the works on this page, among them Self-portrait, Head of Charles IV و تذكير ذاتي.

      Where can I buy a reproduction of a بيتر بارلر painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: بيتر بارلر

      A Master of Stone and Spirit

      In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.

      The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.

      The Artistry of the Parler Dynasty

      Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.

      His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:

      • The development of intricate net vaulting systems that revolutionized cathedral interiors.
      • A shift toward greater naturalism in sculptural portraiture, capturing human emotion and detail.
      • The establishment of a lasting architectural legacy within the Bohemian landscape.
      • The integration of structural engineering with high-level decorative artistry.

      Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.

      جميع أعمال 4 لـ بيتر بارلر →