Isaac Newton (1702) هي اللوحة التي اشتهر بها جودفري نيللر. Portrait of Pyotr Potyomkin (1682) و William Russell, 1st Duke of Bedford (1690) يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 372 من أعمال جودفري نيللر. إليكم 100 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
A single figure emerges from a void of deep, atmospheric darkness. Anthony Leigh stands in the center of a vertical silence, draped in heavy, voluminous black garments that…
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The room falls away into a deep, indistinct darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled with…
اطلبها مرسومة يدوياً →
The man gazes out from a soft, oval vignette, his presence commanding the space through a dramatic interplay of light and shadow. He is draped in the heavy,…
اطلبها مرسومة يدوياً →
A man emerges from a void of shadow. Edward Southwell meets the viewer with a steady, unblinking stare that pierces the darkness of the background. His hair, a…
اطلبها مرسومة يدوياً →
This portrait depicts Sidney Godolphin, 1st Earl of Godolphin. The subject was a British Tory statesman who held the office of Lord High Treasurer from 8 May 1702…
اجعل هذا الضوء جزءاً من منزلك →
This portrait of Aubrey de Vere, 20th Earl of Oxford, was executed by Sir Godfrey Kneller, Bt. around 1690. The sitter, who lived from 1627 to 1703, is…
اطلبها مرسومة يدوياً →
This portrait presents Charles Seymour, 6th Duke of Somerset. The subject is a single male figure, captured in a moment of quiet, poised dignity. Godfrey Kneller rendered this…
اطلبها مرسومة يدوياً →
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
اطلبها مرسومة يدوياً →
The gaze of Arthur Maynwaring meets the viewer through this oil on canvas, a work captured by the hand of Sir Godfrey Kneller, Bt. around 1710. He appears…
اطلبها مرسومة يدوياً →
This three-quarter length portrait by Godfrey Kneller depicts William Pulteney, 1st Earl of Bath, a statesman. Painted in 1717, the work is identified as NPG 3194. It belongs…
اجعل هذا الضوء جزءاً من منزلك →
In the sweeping theatricality of the English Baroque, few works capture the intersection of political power and maritime discovery as profoundly as Sir Godfrey Kneller’s 1692 masterpiece, “Edward…
اجعل هذا الضوء جزءاً من منزلك →
This portrait depicts King George I, a figure associated with thirty different portraits. The work is a replica of a painting from 1714, executed by the artist Godfrey…
اجعل هذا الضوء جزءاً من منزلك →
المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال جودفري نيللر | لوحات من هذه القائمة |
|---|---|---|---|
 المعرض الوطني للصور |
لندن | 73 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 قصر هامبتون كورت |
لندن | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 Royal Collection |
لندن | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 National Maritime Museum |
لندن | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
نورويتش | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 Scottish National Portrait Gallery |
إدنبرة | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 Yale Center for British Art |
نيو هيفن | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his…
Isaac Newton (1702)، يليه Portrait of Pyotr Potyomkin (1682) وWilliam Russell, 1st Duke of Bedford (1690).
ولد جودفري نيللر في 1646 وكان عمره 56 عاماً: يعود تاريخ Isaac Newton إلى 1702.
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend و Charles Fitzroy, 2nd Duke of Grafton. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.
يوجد في كتالوجنا 372 من أعمال جودفري نيللر، وتتراوح تواريخها من 1666 إلى 1717.
توجد معظمها في المعرض الوطني للصور (لندن), قصر هامبتون كورت (لندن) و Royal Collection (لندن)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
في 1690s، التي قدمت 38 من أصل 100 من الأعمال في هذه الصفحة، كان هناك William Russell, 1st Duke of Bedford من بينها.
أقدم لوحة قماشية هنا هي Portrait of Johann Philipp Schönborn, elector of Mainz (1666)؛ وأحدثها هي Richard Lumley, 2nd Earl of Scarbrough (1717).
Man (19), Wig (9) و Dark background (8)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، مستخدم في 19 من أصل 100 من الأعمال في هذه الصفحة.
Baroque style، كما تظهر اللوحات في هذه الصفحة.
يضم المعرض الوطني للصور, لندن عدد 24 من الأعمال المعروضة في هذه الصفحة، من بينها William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton و Richard Lumley, 2nd Earl of Scarbrough.
نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.
