من بين جميع لوحات هنري لامب، تُعد William Loudon Mollison (1851–1929), Master (1915–1929) (1926) هي الأكثر شهرة؛ وهي معروضة في Clare College، كامبريدج. ويأتي في المرتبة التالية كل من Henry Lamb (1950) و Major Mahomed Akbar Khan, Commanding Officer, 29 Mule Coy, Royal Indian Army Service Corps (1941). من بين 126 من أعمال هنري لامب في كتالوجنا، تُعد هذه 100 الأعمال هي الأكثر شهرة، حيث نُعرض كل واحدة منها مع تاريخها، والمتحف الذي تنتمي إليه، وقصتها.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026.
The air in the room seems to settle around the figure of William Loudon Mollison, a man whose presence commands a silent respect. He sits before us, a scholar and a leader, his gaze meeting the viewer with a steady, contemplative weight. There is a profound stillness in his expression, a sense of a mind occupied by the complexities of life and the responsibilities of his station. The portrait captures…
Henry Lamb's 1925 oil on canvas, “Ernest George Hardy,” is more than just a likeness; it’s a carefully constructed meditation on age, experience, and the quiet dignity of a life well-lived. The painting immediately draws the viewer in with its warm, earthy palette dominated by rich reds, deep browns, and subtle greens – colors that evoke both the warmth of a hearth and the somber hues of twilight. Lamb masterfully…
This compelling painting captures Sir Michael Ernest Sadler, a figure synonymous with intellectual gravity and institutional authority during the early twentieth century. The subject is rendered with a palpable sense of presence; he stands poised near an open doorway, a compositional choice that immediately suggests transition—a moment caught between one space and another, much like a pivotal academic career itself. Dressed in the formal attire of his time, complete with…
This compelling portrait captures Ernest Alfred Benians in 1944, presenting him as an embodiment of learned authority. The subject is seated formally, dressed in the sober attire of a gentleman accustomed to intellectual pursuits—a suit and tie that speak of established convention. His posture, with hands crossed over his lap, suggests contemplation and quiet confidence. He occupies the foreground, grounded by the sturdy presence of the chair upon which he…
In the evocative oil painting The Overhaul, created in 1941 by the versatile Henry Lamb, we are transported into the heart of a bustling hangar, where the raw…
In this 1932 portrait, we find Lady Pansy Lamb seated upon a bed, her hands clasped gently before her chest. There is a profound sense of stillness in…
This 1934 portrait by Henry Lamb depicts Kenneth Norman Bell, a man captured in a moment of quiet contemplation. The subject is seated in a chair, positioned toward…
Henry Lamb's "A Bristol Committee," painted in 1921, isn’t merely a depiction of a boardroom meeting; it’s a carefully constructed tableau of power, deliberation, and the quiet weight…
In the quiet intensity of Trooper Juneau, Canadian Forces, we are invited into a moment of profound stillness amidst the turbulence of 1941. This evocative portrait by the…
Henry Lamb’s captivating portrait, Girl Knitting, Portrait of Felicia, the Artist's Younger Daughter, invites the viewer into an intimate sphere of domestic tranquility. The scene is deceptively simple:…
In the quiet gravity of 1942, amidst the global upheaval of the Second World War, Henry Lamb captured more than just a likeness; he captured a soul at…
In the quiet intimacy of Henry Lamb’s 1946 portrait, Manon, we encounter more than just a painted figure; we step into a poignant echo of the Belle Époque.…
A Glimpse into Grace: Henry Lamb's Portrait of Mrs. Kennedy Henry Lamb’s “Mrs. Kennedy,” painted in 1938, is more than just a portrait; it’s a window into an…
Breton Youth: A Portrait of Quiet Dignity Amidst Impressionistic Shadows Henry Lamb’s “Breton Youth,” completed in 1910, stands as a testament to the enduring power of portraiture and…
Henry Lamb's 1913 painting, "The Commoner," isn’t merely a likeness; it’s a carefully constructed embodiment of the burgeoning ideals surrounding American citizenship and reform during a pivotal moment…
In the quiet intensity of Corporal Albert Bull, 40th Battalion RTR, we are invited into a profound encounter with a man caught between the duties of war and…
المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.
#3 Major Mahomed Akbar Khan, Commanding Officer, 29 Mule Coy, Royal Indian Army Service Corps
#22 Air Marshal the Honourable Sir Ralph Cochrane (1895–1977), KBE, Aide de Camp to His Majesty the King
#75 An Instructor at the Army and Royal Air Force Co Operation School
#76 Gunner W. C. Macaloney, Royal Canadian Artillery
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال هنري لامب | لوحات من هذه القائمة |
|---|---|---|---|
 Government Art Collection |
لندن | 10 | A Spotter, Heavy AA, Canadian Forces, Trooper Owen, 40th Battalion RTR, Trooper Juneau, Canadian Forces |
 Balliol College |
أكسفورد | 2 | Kenneth Norman Bell (1884–1951), Scholar (1903), Fellow and Tutor in Modern History (1919–1941), Founding Secretary of the Balliol Society (1927–1950), George Lawrence Kennedy (1882–1954), Commoner (1901), Designed and Built Holywell Manor (1931–1932) |
 Bristol Museum - Art Gallery |
بريستول | 2 | A Bristol Committee, Pay at the Canadian Armoured Division |
 Wadham College |
أكسفورد | 2 | Lady Pansey Lamb, née Pakenham (1904–1999), Interior Designer |
 متحف فيتزويليام |
Cambridge | 2 | Lytton Strachey |
 Clare College |
كامبريدج | 1 | William Loudon Mollison (1851–1929), Master (1915–1929) |
 Jesus College |
أكسفورد | 1 | Ernest George Hardy (1852–1925) |
 The Stanley - Audrey Burton Gallery |
Leeds | 1 | Sir Michael Ernest Sadler (1861–1943), KCSI, CB, LLD, DLitt, Vice Chancellor of the University of Leeds (1911–1923) |
The air in the room seems to settle around the figure of William Loudon Mollison, a man whose presence commands a silent respect. He sits before us, a…
William Loudon Mollison (1851–1929), Master (1915–1929) (1926)، Clare College, كامبريدج. يليهما Henry Lamb (1950) وMajor Mahomed Akbar Khan, Commanding Officer, 29 Mule Coy, Royal Indian Army Service Corps (1941).
ولد هنري لامب في 1883 وكان عمره 43 عاماً: يعود تاريخ William Loudon Mollison (1851–1929), Master (1915–1929) إلى 1926.
William Loudon Mollison (1851–1929), Master (1915–1929), Henry Lamb, Major Mahomed Akbar Khan, Commanding Officer, 29 Mule Coy, Royal Indian Army Service Corps, Ernest George Hardy (1852–1925), Sir Michael Ernest Sadler (1861–1943), KCSI, CB, LLD, DLitt, Vice Chancellor of the University of Leeds (1911–1923), Ernest Alfred Benians (1880–1952), Fellow, Master (1933), Francis Jones, 75, High Street, Poole, Dorset, Robert Ranulph Marett (1866–1943) و A Spotter, Heavy AA, Canadian Forces. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.
يوجد في كتالوجنا 126 من أعمال هنري لامب، وتتراوح تواريخها من 1909 إلى 1950.
توجد معظمها في Government Art Collection (لندن), Balliol College (أكسفورد) و Bristol Museum - Art Gallery (بريستول)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
في 1940s، التي قدمت 57 من أصل 100 من الأعمال في هذه الصفحة، كان هناك Major Mahomed Akbar Khan, Commanding Officer, 29 Mule Coy, Royal Indian Army Service Corps من بينها.
أقدم لوحة قماشية هنا هي Thundery Weather, Kennack Sands (1909)؛ وأحدثها هي Henry Lamb (1950).
Portrait (15), Portraiture (7) و British art (6)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Canvas، مستخدم في 11 من أصل 100 من الأعمال في هذه الصفحة.
Post-impressionism و Contemporary realism، كما تظهر اللوحات في هذه الصفحة.
يضم Government Art Collection, لندن عدد 9 من الأعمال المعروضة في هذه الصفحة، من بينها A Spotter, Heavy AA, Canadian Forces, Trooper Owen, 40th Battalion RTR و Trooper Juneau, Canadian Forces.
