Trevi Fountain (1841) هي اللوحة التي اشتهر بها جون راسكين. Ravine at Maglans, Valley of Cluse (1849) و Aiguille Charmoz, Chamounix (1849) يكملان ثلاثية اللوحات الأكثر شهرة. يحتوي دليلنا على 95 من أعمال جون راسكين. إليكم 95 من أشهرها، مع ذكر سنة الإنتاج، والمتحف، والقصة وراء كل لوحة.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً على قماش كتان، أو كطباعة فنية فاخرة بالمقاس الذي تختاره.
In this evocative depiction of the Trevi Fountain, we are transported to the heart of Rome during a pivotal moment in the nineteenth century. The painting captures the monumental Baroque masterpiece not merely as a static architectural feat, but as a living, breathing entity. Through John Ruskin’s observant eye, the fountain emerges from its stone surroundings with a sense of profound vitality. The composition is anchored by the majestic presence…
The painting Ravine at Maglans, Valley of Cluse presents a dramatic mountainous landscape characterized by rugged, rocky terrain. The composition is defined by a sense of movement and dynamism, guiding the viewer's eye through the expansive scenery. Within this natural setting, a large bird is depicted in the foreground, appearing to fly over the mountains, while several smaller birds are scattered throughout the scene, providing a sense of depth.
The watercolor depicts the rugged terrain of the Aiguille Charmoz in the Chamounix region. Snow-capped mountain peaks rise into a pale sky, their jagged edges defined by varying shades of white and grey. Below these summits, the slopes are populated by numerous figures, at least thirteen in total, scattered across the incline. These individuals appear in various positions, some situated in the foreground and others positioned further up the mountain…
During the visits of 1849-50 and 1851-52 Ruskin spent two winters collecting material for The Stones of Venice, a work which proved to be very influential within the development of Victorian architecture.This architectural notebook, known as the ‘Door Book,’ is one of the series of ten which Ruskin used to record details and measurements of aspects of architectural features, carefully cross referencing them with worksheets and drawings. The smaller notebooks…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was to him “the central building of the world,” then the basilica of St Mark came as close as it stands in reality, “the most magical and most mysterious of churches.” It provided the subject for dozens of drawings in connection with The…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative powers. Created in 1866, this watercolor serves as a breathtaking window into the heart of Switzerland, capturing not merely a landscape, but a fleeting moment of atmospheric perfection. The composition centers on the imposing architectural grandeur of the town walls, where the…
In the delicate, precise lines of John Ruskin’s 1845 work, Ca d'Oro, we find more than just a depiction of Venetian architecture; we encounter a poignant eulogy for a fading era. Created during a transformative and turbulent period in Venice, this piece captures the Casa d’Oro at a moment of profound vulnerability. As Ruskin traversed the canals in 1845, he was not merely an observer of beauty but a witness…
In the quiet, observant moments of 1848, amidst a journey through the heart of northern France, John Ruskin captured more than just architecture; he captured the very soul…
اجعل هذا الضوء جزءاً من منزلك →
In the quiet, silvered tones of this exquisite drawing, we find ourselves transported to the upper reaches of Venice's Grand Canal during the winter of 1876. This piece,…
اطلبها مرسومة يدوياً →
In 1840/1841 the Ruskins undertake a tour of France, Italy and Switzerland. After spending most of December in Rome they arrive in Naples on the 9th January 1841…
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Ruskin travelled with his parents through France and Italy on a tour between autumn and winter 1840 and spring of 1841. Working their way along the coast of…
اطلبها مرسومة يدوياً →
Following his visit in 1845, Ruskin provided a number of notes on Italian art and architecture for the third edition of Murray’s Handbook for Travellers in Northern Italy,…
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Inscribed in black ink:
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Inscribed: J. Ruskin56. Sketch by a Cleark of the WorksJ. EmslieAndre & Sleigh, Sc.The illustration plate, ‘Sketch by a Clerk of the Works’, is taken from the end…
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This panorama of the Jura captures the essence of the view. Ruskin loved travelling in the Jura mountains, and often thought of what it would be like to…
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Ruskin was perennially interested in the appearance and action of clouds, recording in drawings unusual effects both at home and abroad. Part VII of Modern Painters, volume V…
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In their tour of 1838 the Ruskins extended their normal route into Scotland to explore the land of Sir Walter Scott. The date on this drawing conflicts with…
اجعل هذا الضوء جزءاً من منزلك →
Ruskin made dozens of large-scale drawings like this during the 1840-41 tour to Italy with his parents, basing his style on the work of the topographical artist David…
اجعل هذا الضوء جزءاً من منزلك →
This volume of diary notebook begins in 1846. Primarily an account of his tour abroad, devoted to architecture and detailing his journey with his parents through France and…
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In contrast with the medieval sculpted capitals on the Ducal Palace, Ruskin thought the later Renaissance carvings “base.” He made an exception for the 36th and final capital,…
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Abbeville had been one of Ruskin’s favourite haunts since his first visit on the continental tour of 1835. He particularly admired the late Gothic style in evidence at…
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This drawing depicts what is now the Guildhall Museum, on the corner of Fisher Street and the Greenmarket. Dating from the late fourteenth or early fifteeenth century, this…
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In an early tour of Switzerland taken in 1835, Ruskin described the scene at Lucerne: ‘the whole chain of mountains round the lake, from Righi to the magnificent…
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Ruskin’s decision to return to Venice for the winter of 1876-7 was partly motivated by a plan to revise The Stones of Venice, ‘gathering bits up’ again of…
اطلبها مرسومة يدوياً →
Possibly dating from the spring of 1846, this study shows the whole façade of a palace on the lower reach of the Grand Canal, between the Accademia and…
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Of all aspects of medieval architecture, Ruskin delighted most in what he termed the Gothic workman’s “peculiar fondness for the forms of Vegetation.” This he found both in…
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Ruskin’s Alpine Reverie: A Study in Texture and Moral Vision John Ruskin's "Chamouni, Rocks and Vegetation," painted in 1854, stands as a testament to the Pre-Raphaelite movement’s fascination…
اطلب هذه اللوحة →المواضيع الأربعة الأكثر تكراراً في هذه اللوحات، مع تقديم أفضل الأمثلة لكل منها.
المتاحف الـ 5 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال جون راسكين | لوحات من هذه القائمة |
|---|---|---|---|
 Birmingham Museum and Art Gallery |
برمنغهام | 16 | Dumbarton Castle, Coal Merchant's House in Market Street, Croydon, View of the Bay of Naples and Vesuvius |
 Abbot Hall Art Gallery |
Kendall | 2 | Dawn, Coniston, Chamouni, Rocks and Vegetation |
 متحف إيزابيلا ستيوارت غاردنر |
بوسطن | 1 | The Casa Loredan, Venice |
 المتحف الوطني في وارسو |
وارسو | 1 | The Walls of Lucerne |
 متحف إنديانابوليس للفنون |
إنديانابوليس | 1 | Bernese Oberland |
In this evocative depiction of the Trevi Fountain, we are transported to the heart of Rome during a pivotal moment in the nineteenth century. The painting captures the…
In the delicate interplay of light and pigment that defines The Walls of Lucerne, we encounter the profound mastery of John Ruskin at the height of his creative…
Ruskin’s largest and most famous architectural watercolour, this was the most important product of his stay in Venice over the winter of 1876-77. If the Ducal Palace was…
Trevi Fountain (1841)، يليه Ravine at Maglans, Valley of Cluse (1849) وAiguille Charmoz, Chamounix (1849).
ولد جون راسكين في 1819 وكان عمره 22 عاماً: يعود تاريخ Trevi Fountain إلى 1841.
Trevi Fountain, Ravine at Maglans, Valley of Cluse, Aiguille Charmoz, Chamounix, The Casa Loredan, Venice, Architectural Notebook ‘Door Book’ (p21), Mont Dauphiny, near Chartreuse, Fribourg, North West Porch of St Mark, The Walls of Lucerne و Ca d. ترفق مع كل لوحة في التصنيف أعلاه سنة رسمها والمتحف الذي تنتمي إليه.
يوجد في كتالوجنا 95 من أعمال جون راسكين، وتتراوح تواريخها من 1835 إلى 1882.
توجد معظمها في Birmingham Museum and Art Gallery (برمنغهام), Abbot Hall Art Gallery (Kendall) و متحف إيزابيلا ستيوارت غاردنر (بوسطن)؛ وتدرج القائمة أعلاه كل متحف ولوحاته.
في 1840s، التي قدمت 28 من أصل 95 من الأعمال في هذه الصفحة، كان هناك Trevi Fountain من بينها.
أقدم لوحة قماشية هنا هي Coal Merchant's House in Market Street, Croydon (1835)؛ وأحدثها هي Detail of Carved Pillar from East Door, Baptistery, Pisa (1882).
Landscape (7), Mountains (5) و People (4)، عبر 95 من الأعمال في هذه الصفحة.
Drawing، مستخدم في 3 من أصل 95 من الأعمال في هذه الصفحة.
Romanticism، كما تظهر اللوحات في هذه الصفحة.
يضم Birmingham Museum and Art Gallery, برمنغهام عدد 16 من الأعمال المعروضة في هذه الصفحة، من بينها Dumbarton Castle, Coal Merchant's House in Market Street, Croydon و View of the Bay of Naples and Vesuvius.
نعم. يمكن طلب كل لوحة في هذه الصفحة من صفحتها الخاصة، سواء كنسخة زيتية مرسومة يدوياً، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.
