The best-loved painting by Pierre Roy is Composition with Weights and Measures (1932), which hangs in the متحف إسرائيل, القدس. Still Life (1938) and Invitation to the Voyage (Invitation au voyage) (1929) come next among the canvases readers know best. Our catalogue holds 3 works by Pierre Roy: here are the 3 most famous, each with its year, its museum and what makes it memorable.
تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Pierre Roy | لوحات من هذه القائمة |
|---|---|---|---|
| القدس | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) | |
| شيكاغو | 1 | Still Life |
Some ten years of painting, 1929 to 1938, hold the dated canvases of Pierre Roy on this page: walk through them year by year.
Composition with Weights and Measures (1932), متحف إسرائيل, القدس. Still Life (1938) and Invitation to the Voyage (Invitation au voyage) (1929) follow.
Pierre Roy, born in 1880, was 52 years old: Composition with Weights and Measures dates from 1932.
3 works by Pierre Roy are in our catalogue, dated 1929 to 1938.
Mostly in متحف إسرائيل (القدس) و معهد شيكاغو للفنون (شيكاغو); the list above names each museum and its canvases.
The earliest canvas here is Invitation to the Voyage (Invitation au voyage) (1929); the latest is Still Life (1938).
Surrealism, as the canvases on this page show.
The متحف إسرائيل, القدس holds 2 of the works on this page, among them Composition with Weights and Measures و Invitation to the Voyage (Invitation au voyage).
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.