Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.
Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Objednat ručně malovanou reprodukci
Přepnout na digitální verzi obrazu)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Zadejte šířku a výšku, které potřebujete pro váš rám nebo stěnu. Tisk lze pouze oříznout, nikdy však nelze zvětšit obraz nad jeho původní rozměr, proto při výběru jiného formátu dochází ke ztrátě části obrazu. Před samotným tiskem vám zašleme digitální náhled k schválení. Obraz zobrazený na této stránce nenabízí skutečný výřez — ten uvidíte pouze v náhledu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (23 říjen)
Sunflower Seeds
Velikost reprodukce
„Sunflower Seeds“ od Ai Weiwei vykazuje Monochromatic intenzitu barev.
Stránka Rentgenové snímky díla „Sunflower Seeds“ od Ai Weiwei představuje interaktivní prohlížeč, který vám umožňuje procházet jedenácty optickými vrstvami obrazu díla, včetně pohledu ve stylu rentgenu.
Dílo „Sunflower Seeds“ od Ai Weiwei vzniklo v roce 2010.
Ai Weiwei, born in Beijing in 1957, stands as one of the most recognizable and controversial figures in contemporary Chinese art. His upbringing amidst the stark realities of rural northwest China—marked by his father’s exile under Mao Zedong’s regime—shaped his worldview and fueled a lifelong commitment to artistic expression as a vehicle for social critique. From an early age, Weiwei demonstrated an innate fascination with sculpture and design, honing his skills through formal education at Tsinghua University before embarking on a career that would propel him into the global spotlight. His life has been a continuous dialogue between the personal and the political, where the boundaries of art and activism are perpetually blurred.
Weiwei’s initial artistic endeavors focused on minimalist sculptural forms—often utilizing industrial materials like steel and concrete—reflecting a deliberate rejection of traditional Chinese aesthetics. This stylistic choice was not merely aesthetic; it symbolized his desire to challenge established conventions and forge his own path within the evolving landscape of Chinese art. Influenced by the conceptual rigor of artists such as Donald Judd and Sol LeWitt, he embraced principles that prioritized ideas over visual ornamentation. His early works explored themes of fragmentation and repetition, mirroring deep-seated anxieties about societal uniformity and governmental control—a preoccupation that would become the heartbeat of his entire artistic practice.
The trajectory of Weiwei’s career shifted dramatically in the late 1990s as he began engaging in activism against corruption within China's education system. This transformation was catalyzed by the devastating "Tofu Dreg Schools" scandal, where a massive earthquake exposed systemic negligence and bribery in school construction. Galvanized by this tragedy, Weiwei utilized his artistic platform to expose injustices and amplify marginalized voices, turning his studio into a site of investigation and protest. His work transitioned from purely formal explorations into profound social investigations, often involving the collection of data, names, and evidence to hold power to account.
This period marked the rise of his monumental installations that command global attention. One of his most iconic achievements, Sunflower Seeds (2010), featured millions of handcrafted porcelain seeds spread across the floor of the Tate Modern. This work served as a powerful metaphor for the relationship between the individual and the masses, reflecting on themes of mass production, Chinese craftsmanship, and the weight of history. Through such large-scale installations, he forces the viewer to confront the sheer scale of human existence and the fragility of the individual within a vast, often indifferent, political machine.
Beyond his physical sculptures, Ai Weiwei has mastered the use of photography and digital media to document contemporary struggles. His ability to weave together the personal narrative with global crises—such as the refugee crisis or the erosion of freedom of speech—has cemented his status as a global icon of resistance. His work does not merely exist in galleries; it exists in the streets, on social media, and in the very conscience of the international community.
The historical significance of Ai Weiwei lies in his refusal to remain silent. His career serves as a testament to the power of the artist as a witness. Through his diverse body of work, we see:
1957 - , China