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      Involute II

      Kč 5855

      Ručně malovaná olejová reprodukce

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      Dokončit

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      Corner sample of the WhiteWrap canvas edge finish, stretched on masivní dřevo bars
      Bílé okraje Kč1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on masivní dřevo bars
      Rozostřené okraje Kč1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on masivní dřevo bars
      Prodloužené okraje Kč1
      Corner sample of the P118B picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
      P118B Kč10
      Corner sample of the P118H picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
      P118H Kč10
      Corner sample of the P118W picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
      P118W Kč10
      Corner sample of the P438Z picture frame: tvarovaný polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Kč10
      Corner sample of the P508JH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P508JH Kč12
      Corner sample of the P508YH picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P508YH Kč12
      Corner sample of the P805H picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
      P805H Kč10
      Corner sample of the P805Z picture frame: tvarovaný polystyren, 5 cm wide and 3.5 cm thick
      P805Z Kč10
      Corner sample of the P919BZ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Kč10
      Corner sample of the P919G picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P919G Kč10
      Corner sample of the P919XJ picture frame: tvarovaný polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Kč10
      Corner sample of the P959ZH picture frame: tvarovaný polystyren, 5 cm wide and 3 cm thick
      P959ZH Kč10
      Corner sample of the P968JZ picture frame: tvarovaný polystyren, 6 cm wide and 4 cm thick
      P968JZ Kč12
      Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W106C Kč8
      Corner sample of the W218G picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218G Kč10
      Corner sample of the W218JH picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218JH Kč8
      Corner sample of the W218Y picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218Y Kč10
      Corner sample of the W307PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W307PJ Kč10
      Corner sample of the W316G picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316G Kč10
      Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316PJ Kč8
      Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316Y Kč10
      Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W398PJ Kč8
      Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
      W4111J Kč10
      Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500HY Kč15
      Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500JH Kč15
      Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
      W692G Kč12
      Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W849H Kč8
      Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
      W940BG Kč15
      Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
      W953PJ Kč8
      Corner sample of the H24-GOLD picture frame: řezané dřevo s gessu, 10 cm wide and 6 cm thick
      H24-GOLD Kč30
      Corner sample of the H24-SILVER picture frame: řezané dřevo s gessu, 10 cm wide and 6 cm thick
      H24-SILVER Kč30
      Corner sample of the H36-GOLD picture frame: řezané dřevo s gessu, 15 cm wide and 6.5 cm thick
      H36-GOLD Kč45
      Corner sample of the H36-SILVER picture frame: řezané dřevo s gessu, 15 cm wide and 6.5 cm thick
      H36-SILVER Kč45

      Dodáváno v ochranné tubě, připraveno k vlastním rámování.

      U rozměrů nad 105 cm je rám zasíláno jako sada pro profesionálního rámovače — přečtěte si podrobnosti.

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      volitelné
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      Po přijetí objednávky vám tým TopImpressionists.com pošle e-mail s instrukcemi a poskytne náhled návrhu

      Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (8 listopad). Bez kompromisů v kvalitě.

      Ochranný lak

      Popisek díla

      Detaily ryté bronzové plakety

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaily průhledné akrylové desky

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaily černé akrylové destičky

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Celková cena Kč 5855

      Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm

      • Zdarma celosvětová expresní doprava
      • Vysoce kvalitní lněné plátno
      • Kompletní pojištění přepravy
      • Záruka vrácení celního poplatku
      • Záruka věrného barevného souladu
      • 100dení lhůta pro vrácení zboží (pouze při vadách výroby)
      • 100% záruka vrácení peněz
      • Sleva při více objednávkách

      Popis sbírného předmětu

      Objevte fascinující sochu Involuce II od Barbary Hepworthové – moderní umělecké dílo s hlubokým významem a elegantním designem. Prozkoumejte její tvar, materiál a inspiraci.

      Biografie umělce

      Barbara Hepworthová (1903–1975) byla průkopnicí moderního britského sochařství. Její díla – včetně 'Oval Form' & 'Two Forms' – kombinují surrealismus a abstrakci. Objevte její dědictví na Muzeu Hepworth Wakefield.

      O malbě

      Involute II – A Dance of Form and Void by Barbara Hepworth

      Dame Barbara Hepworth’s Involute II, crafted in 1956, isn't merely a sculpture; it’s an invitation to contemplate the very essence of form and space. This remarkable piece, executed in bronze with a subtle green-brown patina, immediately draws the eye with its monumental scale – though the exact dimensions remain unknown, its presence commands attention. Hepworth, a pivotal figure in 20th-century British art, masterfully employed abstraction to explore themes of human experience and the relationship between the internal and external worlds. Her work during this period, particularly her exploration of voids and openings, represents a profound shift away from traditional sculptural representation towards a more intuitive and emotionally resonant approach.

      The sculpture’s title itself – Involute – hints at its geometric core: it derives from a mathematical term describing a specific type of spiral curve. However, to reduce Hepworth's creation to mere geometry would be a grave oversight. The fluid, undulating form of the bronze ball, punctuated by a carefully considered hole, evokes a sense of perpetual motion and dynamic equilibrium. It’s as if the sculpture is constantly in flux, suggesting both containment and expansion, stillness and movement simultaneously. This duality is characteristic of Hepworth's oeuvre – she sought to capture not just the appearance of an object but also its underlying energy and potential.

      The Language of Form: Technique and Materials

      Hepworth’s technique was deeply rooted in her exploration of materials, a process that informed every aspect of her work. She began by creating detailed plaster models, meticulously shaping them with hand tools before transferring the forms to bronze through a complex casting process. This method allowed her to retain the tactile qualities and subtle nuances of her initial sketches – the slight imperfections, the delicate textures – which are beautifully preserved in the final bronze sculpture. The rough surface, achieved through careful abrasion, is not merely aesthetic; it’s integral to the work's expressive power, inviting viewers to engage with its physicality.

      The choice of bronze itself was deliberate. Hepworth recognized its capacity for capturing both solidity and fluidity – a crucial element in her exploration of form. The green-brown patina, achieved through controlled oxidation during the casting process, adds depth and richness to the surface, subtly altering the perception of light and shadow. It’s a testament to her mastery of materials that she could transform a relatively inert metal into such a dynamic and evocative work.

      A Dialogue with Space: Symbolism and Context

      Involute II is more than just an object; it's a meditation on the relationship between form and space. Hepworth’s fascination with voids – the deliberate creation of openings within her sculptures – stemmed from a desire to challenge traditional notions of representation. The hole in this piece isn’t simply a negative space; it actively shapes the surrounding volume, creating an interplay of light and shadow that draws the eye inward. It suggests a sense of mystery and invitation, prompting viewers to consider the unseen dimensions of the sculpture.

      Hepworth's work during the 1950s was deeply influenced by Surrealism and Abstraction-Création, movements that sought to liberate art from representational constraints. Her exploration of form, space, and the human condition resonated with a broader cultural shift towards abstraction and a renewed interest in exploring inner experience. The sculpture’s placement on a pedestal further emphasizes its status as an independent work of art, inviting contemplation and reflection.

      A Legacy of Innovation: Hepworth's Enduring Influence

      Barbara Hepworth remains one of the most significant sculptors of the 20th century. Her pioneering approach to abstraction, her masterful manipulation of materials, and her profound engagement with themes of form and space continue to inspire artists today. Involute II stands as a powerful example of her artistic vision – a testament to her ability to transform simple forms into works of enduring beauty and emotional resonance. Reproductions of this iconic sculpture offer a unique opportunity to bring Hepworth’s profound insights into your own home or studio, allowing you to experience the magic of her art firsthand.

      Otázky a odpovědi

      Z jakého materiálu je dílo "Involute II" vyrobeno a v jakém je stylu?

      V díle "Involute II" se setkává technika Bronz sismem Modern Sculpture.

      Jaká je vnímaná jasnost díla „Involute II“ od Barbara Hepworthová?

      Celkově je dílo „Involute II“ hodnoceno jako zářivý. Vnímaná jasnost popisuje, jak světlé nebo tmavé se dílo jeví.

      Který prostor nejlépe ladí s barvami díla „Involute II“ od Barbara Hepworthová?

      Barvy v paletě Neutrální tóny díla „Involute II“ od Barbara Hepworthová ladí s doporučeným prostorem: Obývací pokoj.

      Rychlá fakta a umělecký kvíz

      Rychlé informace

      • Location: Soukromá sbírka
      • Title: Involute II
      • Movement: Modernismus
      • Dimensions: Neznámé
      • Year: 1956
      • Notable elements: Vnitřní dutina

      Artový kvíz

      U každé otázky je pouze jedna správná odpověď.

      Otázka 1:
      Jak se nazývá socha, kterou zobrazuje fotografie?
      Otázka 2:
      Kdo je umělec, který vytvořil sochu Involute II?
      Otázka 3:
      V jakém roce byla socha Involute II vytvořena?
      Otázka 4:
      Z jakého materiálu je socha Involute II primárně vyrobena?
      Otázka 5:
      Co naznačuje tvar sochy Involute II, jak je popsáno v popisu?
      O umělci Barbara Hepworthová
      Barbara Hepworthová

      Barbara Hepworthová

      1903 - 1975, Spojené království

      Biografie umělce

      Barbara Hepworth: Pioneer of Organic Abstraction

      Barbara Hepworth (1903–1975) stands as one of the most influential figures in British modern sculpture, a sculptor whose groundbreaking approach fundamentally reshaped artistic expression during the interwar years and beyond. Born Jocelyn Barbara Hepworth in Wakefield, Yorkshire, her formative years were marked by an early fascination with natural forms—particularly the rugged landscapes of her native Yorkshire—which would become central to her artistic vision. Her father, Herbert Hepworth, was a civil engineer for the West Riding County Council, fostering a practical sensibility alongside an appreciation for geometric precision.
      • Early Education & Influences: Hepworth’s education at Wakefield Girls' High School instilled in her a belief in the importance of intellectual curiosity and artistic exploration. Notably, she befriended Henry Moore during her studies at Leeds School of Art, forging a collaborative relationship that would endure throughout their careers. This connection to Moore—a fellow devotee of exploring natural forms through abstraction—proved pivotal in shaping Hepworth’s aesthetic sensibilities.
      • Royal College of Art & Formal Experimentation: Hepworth's enrollment at the Royal College of Art in 1921 represented a decisive step toward establishing herself as an artist. There, she honed her sculptural skills and embraced the burgeoning modernist movement, experimenting with techniques like direct carving—a method championed by Skeaping—that prioritized working directly with raw materials to achieve organic forms.

      Marriage & Artistic Partnership with Ben Nicholson

      Her marriage to sculptor John Skeaping in 1925 solidified her artistic life, providing a supportive environment for collaborative endeavors and fostering a shared commitment to exploring the expressive potential of abstraction. The couple moved into Hampstead’s Mall studio in 1926, where Hepworth and Nicholson cultivated an intense creative dialogue that would define their artistic output for decades. Their relationship was marked by both intellectual stimulation and personal challenges, culminating in divorce in 1933. However, Hepworth continued her partnership with Nicholson until 1951, producing some of her most celebrated works during this period—including the monumental *Pierced Hemisphere I* and *Two Forms*, which embody the core principles of their artistic vision.

      The St Ives Period & Monumental Sculpture

      Following World War II, Hepworth relocated to St Ives, Cornwall, where she established herself as a leading figure in the burgeoning St Ives School of Artists—a collective dedicated to capturing the essence of Cornish landscape and exploring the interplay between form and space. This period witnessed Hepworth’s artistic evolution toward larger-scale sculptures that responded directly to the environment, reflecting her profound connection with nature. Her masterpiece, *Winged Figure*, commissioned by John Lewis for Oxford Street, London, stands as a testament to her ambition and technical prowess—a towering aluminum sculpture that embodies the spirit of modernist abstraction while simultaneously honoring the beauty of the Cornish coastline.

      Legacy & Recognition

      Barbara Hepworth’s contribution to modern art is undeniable. Her pioneering exploration of organic abstraction challenged conventional artistic norms, establishing a new aesthetic language characterized by sensual materiality and geometric precision. She received numerous accolades throughout her life—including Commander of the Order of the British Empire (CBE) in 1958—and was honored as Dame in 1965 for her enduring influence on art history. Today, Hepworth’s sculptures reside in prominent museums worldwide—most notably The Hepworth Wakefield—where they continue to inspire viewers and scholars alike, cementing her place as one of Britain's most revered artists."

      Rychlé informace o umělci Barbara Hepworthová

      • Artistic Movement Or Style: Modernisme
      • Artists Or Movements Influenced By This Artist: ['Abstraction Création']
      • Artists Who Influenced This Artist: ['Henry Moore']
      • Date Of Birth: 10 janvier 1903
      • Full Name: Jocelyn Barbara Hepworth
      • Nationality: Britannique
      • Notable Artworks:
        • Oval Form
        • Deux formes
      • Place Of Birth: Wakefield, Angleterre
      Barbara Hepworthová Involute II () · Včetně rámu: · Ručně malováno olejem na plátně

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