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      Der Ausgang - Karl

      A vibrant Neo-Expressionist masterpiece featuring a distorted figure in bold yellow and blue by Georg Baselitz, offering a powerful presence for any collection that invites you to explore his revolutionary style.

      Explore the powerful & provocative work of Georg Baselitz (b. 1938), a leading Neo-Expressionist known for his upside-down figures, challenging perspectives on German history, destruction, and the artifice of painting. Discover his sculptures & graph

      Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.

      Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.

      Giclée / Umělecký tisk

      Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Objednat ručně malovanou reprodukci Přepnout na digitální verzi obrazu)

      Corner sample of the P118B picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
      P118B Kč10
      Corner sample of the P118H picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
      P118H Kč10
      Corner sample of the P118W picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
      P118W Kč10
      Corner sample of the P438Z picture frame: vylisovaný polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Kč10
      Corner sample of the P508JH picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
      P508JH Kč12
      Corner sample of the P508YH picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
      P508YH Kč12
      Corner sample of the P805H picture frame: vylisovaný polystyren, 5 cm wide and 3.5 cm thick
      P805H Kč10
      Corner sample of the P805Z picture frame: vylisovaný polystyren, 5 cm wide and 3.5 cm thick
      P805Z Kč10
      Corner sample of the P919BZ picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Kč10
      Corner sample of the P919G picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
      P919G Kč10
      Corner sample of the P919XJ picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Kč10
      Corner sample of the P959ZH picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
      P959ZH Kč10
      Corner sample of the P968JZ picture frame: vylisovaný polystyren, 6 cm wide and 4 cm thick
      P968JZ Kč12
      Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W106C Kč8
      Corner sample of the W218G picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218G Kč10
      Corner sample of the W218JH picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218JH Kč8
      Corner sample of the W218Y picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W218Y Kč10
      Corner sample of the W307PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W307PJ Kč10
      Corner sample of the W316G picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316G Kč10
      Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316PJ Kč8
      Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
      W316Y Kč10
      Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W398PJ Kč8
      Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
      W4111J Kč10
      Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500HY Kč15
      Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
      W500JH Kč15
      Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
      W692G Kč12
      Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
      W849H Kč8
      Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
      W940BG Kč15
      Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
      W953PJ Kč8

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      Der Ausgang - Karl

      Giclée / Umělecký tisk

      Velikost reprodukce

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      Celková cena

      Kč 1477


      Biografie umělce

      A Life Forged in the Shadows of History

      Born Hans-Georg Bruno Kern on January 23, 1938, in the small German village of Deutschbaselitz, the artist who would become known to the world as Georg Baselitz was a child of profound transition and upheaval. Growing up in the Upper Lusatia region amidst the literal and metaphorical rubble of World War II, his early consciousness was inextricably linked to themes of destruction, displacement, and the fractured order of a shattered society. This formative environment—marked by the loss of community and the lingering trauma of occupation—became the bedrock of his artistic vision. The devastation he witnessed did not merely provide subject matter; it instilled in him an urgent, lifelong need to question established conventions and to explore the very nature of perception through the lens of a world that had been turned upside down.

      His early artistic inclinations were nurtured by a deep intellectual curiosity and significant cultural encounters. The influence of his father, an elementary school teacher, fostered a disciplined approach to observation, while the profound writings of Jakob Böhme provided a spiritual and philosophical complexity to his worldview. A pivotal moment in his development occurred when he encountered Louis-Ferdinand von Rayski’s Wermsdorfer Wald at a local school assembly. This masterpiece of realism ignited a fascination with capturing visual truth, leading him to produce portraits, religious subjects, and landscapes that, even in his youth, hinted at a more futuristic and unsettling vision.

      The Revolution of Inversion and Neo-Expressionism

      As the art world moved toward the sterile intellectualism of Minimalism and Conceptual Art in the 1960s, Baselitz staged a visceral rebellion. He became a leading voice of Neo-Expressionism, a movement that sought to reclaim the raw power and emotional intensity of figurative painting. However, his contribution was far from a simple return to tradition. In 1969, Baselitz introduced one of the most radical innovations in modern art: the technique of painting his subjects upside down. This deliberate inversion was not a mere gimmick; it was a profound attempt to strip the subject of its representational, content-driven character. By turning the figure on its head, he forced the viewer to confront the artifice of the painting itself—to look past the "what" of the image and focus instead on the texture, color, and the physical reality of the paint on canvas.

      This period saw the emergence of works that challenged the very boundaries of the medium. His compositions often oscillated between recognizable figuration and a chaotic, feverish energy. In monumental pieces like Supper in Dresden, he reimagined historical narratives through a lens of disarray and chromatic collision, using striking shades of pink, blue, and black to create a sense of restless, uncontainable energy. His work during this era functioned as an excavation of the human condition, utilizing distortion to express vulnerability and the inherent instability of memory and identity.

      A Lasting Legacy of Provocation

      Throughout his prolific career, Baselitz’s artistic language has been a complex tapestry woven from myriad influences, ranging from the starkness of Socialist Realism and the dramatic tension of Mannerism to the primal rhythms of African sculpture. This eclectic synthesis allowed him to create a body of work that feels both deeply rooted in German history and universally resonant in its exploration of existential struggle. Whether through his commanding oil paintings, his evocative sculptures, or his intricate graphic works, Baselitz has remained steadfast in his commitment to a style characterized by unsettling honesty.

      The historical significance of Georg Baselitz lies in his ability to transform the trauma of the past into a revolutionary aesthetic for the future. He did not merely document destruction; he used it as a tool to rebuild the language of painting. His achievements include:

      • Redefining Figuration: Breaking the reliance on narrative content through the radical use of inversion.
      • Mastery of Neo-Expressionism: Leading a global revival of emotional, visceral painting in an era of conceptual dominance.
      • Exploration of Identity: Using distorted forms to grapple with the complexities of post-war German identity and the fragility of the human form.
      • Technical Innovation: Integrating diverse cultural influences into a singular, unmistakable artistic voice that continues to influence generations of painters and sculptors.

      Today, Baselitz stands as one of the most influential figures of the twentieth century, a painter whose work remains a powerful testament to the resilience of creativity in the face of chaos.

      Rychlé informace

      • Artistic Movement Or Style: Neo-Expressionism
      • Artists Or Movements Influenced By This Artist:
        • Soviet era illustration art
        • Mannerist period
        • African sculptures
      • Artists Who Influenced This Artist:
        • Louis-Ferdinand von Rayski
        • Jakob Böhme
      • Date Of Birth: 1938
      • Full Name: Georg Baselitz
      • Nationality: German
      • Notable Artworks:
        • Der hirte
        • Supper in Dresden
        • Da. Portrait (Franz Dahlem)
      • Place Of Birth: Deutschbaselitz, Germany
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