Náhled v interiéru
Sdílet
Sdílet
Podrobnosti o díle
Průvodce
Stáhnout
Podobné položky
Rentgenové snímky
Slideshow
StatistikyTea Service
Zobrazit více
Josef Hoffmann (1870-1956) was a pioneering Austrian architect & designer of the Vienna Secession and Wiener Werkstätte. Known for Art Nouveau, geometric forms, functionalism, and his masterpiece, the Stoclet Palace. Explore his iconic furniture, gla
Giclée / Umělecký tisk
Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. (
Koupit ručně malovaný obraz Přepnout na digitální obraz)
Standardní velikost
na zakázku
CM
INCH
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Loading sizes...
šířka
výška
Zadejte šířku a výšku, které potřebujete pro váš rám nebo stěnu. Tisk lze pouze oříznout, nikdy však nelze zvětšit obraz nad jeho původní rozměr, proto při výběru jiného formátu dochází ke ztrátě části obrazu. Před samotným tiskem vám zašleme digitální náhled k schválení. Obraz zobrazený na této stránce nenabízí skutečný výřez — ten uvidíte pouze v náhledu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (28 říjen)
Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Kompletní pojištění přepravy
Záruka vrácení celního poplatku
Záruka věrného barevného souladu
100dení lhůta pro vrácení zboží (pouze při vadách výroby)
100% záruka vrácení peněz
Sleva při více objednávkách
Skleněná varianta je dostupná pouze u rozměrů menších než 110 cm
Tea Service
Giclée / Umělecký tisk
Rozměry reprodukce
-
Celková cena za vybrané možnosti reprodukcí
Kč 1480
The tea service which consists of a samovar, a teapot, a cream jug, and a sugar bowl belongs to the earliest objects made in the Wiener Werkstätte. These pieces of work are characterized by the geometrical contours of the objects. Cubes and squares are essential artistic elements which are a feature of Hoffmann’s style in the early beginnings. Only very few decorations were applied. Frequently, the hammer blows from the craft technique used constituted the only ornament of the austere objects. Colorful cabochon stones, however, were frequently used to break up the block-like shapes. “AB”, the monogram of the owner, was applied to the wall of the items with silver wire.
Otázky a odpovědi
Kde si mohu koupit ručně malovanou reprodukci díla „Tea Service“ od Josef Maria Gustav Hoffmann?
Ručně malované kopie díla „Tea Service“ od Josef Maria Gustav Hoffmann jsou k zakoupení na webu tato webová stránka: ručně malovaná olejová reprodukce na lněném plátně, a to prostřednictvím jeho stránky Ručně malovaná reprodukce.
Je „Tea Service“ od Josef Maria Gustav Hoffmann portrét, krajina nebo čtvercová kompozice?
Formát díla „Tea Service“ je Landscape. Tato informace vám pomůže při plánování umístění reprodukce.
Kde mohu najít umělecká díla podobná dílu „Tea Service“ od Josef Maria Gustav Hoffmann?
Stránka Podobná díla pro dílo „Tea Service“ od Josef Maria Gustav Hoffmann obsahuje související umělecká díla.
Biografie umělce
The lines of a life in Moravia and Vienna
Born in Příbor, Croatia, in 1870, Josef Maria Gustav Hoffmann moved through a world shaped by the heavy textures of his father's textile factory. His early years in Brtnice/Pirnitz were far from the studios he would later inhabit. He sat in classrooms that felt like prisons, eventually finding a different kind of discipline at the Higher School of Arts and Crafts in Brno. By 1892, the focus had shifted to the Academy of Fine Arts Vienna. Under the guidance of Otto Wagner, his hands learned the weight of stone and the precision of a draft. He studied alongside Joseph Maria Olbrich, two figures who would soon look at the old ways of ornament and see something that needed to be stripped away.
The years following his return from Italy were marked by a search for a new language. In 1895, he joined a group known as the Siebener Club, a small gathering that would grow into the Vienna Secession. He did not seek to cover buildings in unnecessary layers of cement or molded shapes. Instead, he looked toward the idea of a harmonious ensemble. His work began to favor the square, the cube, and the stark contrast of black and white surfaces. These were forms he believed were intelligible to everyone.
The workshop and the object
In 1903, alongside Koloman Moser and Fritz Wärndorfer, Hoffmann helped establish the Wiener Werkstätte. This was a place where the boundaries between architecture and daily life blurred. He worked on everything from silver and furniture to bookbindings and textiles. His approach to a tea service, for instance, relied on the geometry of cubes and squares. Often, the only decoration present was the mark left by a hammer blow during the crafting process. In some pieces, small, colorful stones were set into these block-like shapes to break the austerity.
His touch extended to much smaller, more delicate surfaces as well. He designed vases for the glass manufactory Loetz that utilized the Biedermeier technique of Cameo glass. These objects featured layers of multi-colored glass, etched and engraved to reveal patterns of green leaves or vertical ribbons. In 1914, his designs for glass continued to reflect a sober taste, using polished geometric shapes that applied an architectural perspective to a handheld object. Even a chair from 1901, made of carved wood and woven cane, showed this same commitment to a unified aesthetic.
A legacy in stone and structure
Architecture remained the foundation of his practice. The Stoclet Palace in Brussels, built between 1905 and 1911, remains his most recognized structural achievement. It stands as a point where modern architecture and Art Deco meet, characterized by its lack of useless ornament. He also shaped the urban fabric of Vienna through projects like the Karlsplatz station and the design of exhibition spaces that housed the works of Gustav Klimt. His vision was often centered on the concept of the Gesamtkunstwerk, a total work of art where every element of an environment is designed by a single mind to create a unified living space.
Throughout his long career, which lasted until his death in 1956, Hoffmann remained a teacher and a practitioner. He taught at the Kunstgewerbeschule from 1899, passing on the importance of authenticity in materials and the unity of decor to new generations. His work was never about grand pronouncements but about the careful integration of architecture, furniture, and the objects of daily life.
Josef Maria Gustav Hoffmann
1870 - 1956 , Croatia
Rychlé informace o umělci
- Artistic Movement Or Style: Vienna Secession, Art Deco, Modernism
- Artists Or Movements Influenced By This Artist: ['Wiener Werkstätte']
- Date Of Birth: 1870
- Date Of Death: 1956
- Full Name: Josef Maria Gustav Hoffmann
- Nationality: Austrian-Moravian
- Notable Artworks: ['Stoclet Palace']
- Place Of Birth: Příbor, Croatia