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      1745 - 1778

      Na první pohled

      • Died: 1778
      • Lifespan: 33 years
      • Top 3 works:
        • William Shenstone
        • Sarah Delaval, Countess of Tyrconnel (1763 - 1800) with a White Peahen, in a Landscape
        • Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
      • Top-ranked work: William Shenstone
      • Museums on this site:
        • National Portrait Gallery
        • Birmingham Museum and Art Gallery
        • Yale Center for British Art
      • Color intensity: monochromatic

      A Life in Motion

      Edward Alcock moved through the English landscape with a restless energy, leaving a trail of painted faces in his wake. His presence was felt in Liverpool in 1745, where he lived with his mother, and later in a partnership with a carver-and-gilder in 1747. He did not stay in one place for long. By 1757, he was in Bath, and between 1759 and 1760, he was working in Birmingham. He was a man of many towns, a traveler whose hands were always busy with the delicate work of portraits and miniatures. Some described him as a volatile creature, someone who could never quite settle, moving from the streets of Bristol in 1769 toward the busier circles of London by 1778.

      His work was often small, meant to be held in the hand or kept close to the heart. As a miniature painter, he worked on a scale that required a steady hand and a quiet eye. He captured the likenesses of people in a way that felt intimate, whether he was painting a full-length portrait or a small, shell-like miniature. By the end of his life, he was exhibiting his work at the Royal Academy and the Free Society of Artists, finding a place among the established painters of his time while maintaining his ties to the Midlands.

      The Faces He Captured

      The subjects of his paintings offer a glimpse into the social fabric of the eighteenth century. He did not just paint faces; he painted the people who shaped the era. His work remains in collections that preserve the likenesses of those long gone, such as:

      There is a certain weight to these portraits. They are not mere decorations but records of a person's presence. Whether working in the quiet of a studio in Birmingham or the bustling atmosphere of London, Alcock focused on the specific details of his sitters. His ability to move between the grand scale of a full-length portrait and the tiny, intricate world of the miniature shows a versatility that defined his career.

      Otázky a odpovědi

      Kde mohu si prohlédnout všechná umělecká díla autora Edward Alcock?

      Veškerá díla umělce Edward Alcock na tato webová stránka si můžete prohlédnout na jeho stránce Všechná umělecká díla.

      Kde najdu díla umělce Edward Alcock seskupená podle barevné palety?

      Stránka Podle palet seskupuje díla umělce Edward Alcock podle jejich barevných palet.

      Kde mohu vidět díla umělce Edward Alcock v chronologickém pořadí?

      Prohlédněte si časovou osu děl umělce Edward Alcock: na stránce Chronologie děl jsou díla seřazena podle data jejich vzniku.

      Mohu si díla umělce Edward Alcock seřadit podle barvy?

      Díla umělce Edward Alcock si můžete prohlédnout podle barev na jeho stránce Sestavení podle barev.

      Krátký kvíz

      U každé otázky je pouze jedna správná odpověď.

      Otázka 1:
      What type of paintings was Edward Alcock known for?
      Otázka 2:
      In which city was Alcock recorded living in 1757?
      Otázka 3:
      Which poet described Alcock as "the most volatile of all creatures that have not wings"?
      Otázka 4:
      Where is the full-length portrait of William Shenstone, painted by Alcock, currently located?
      Otázka 5:
      In 1747, Alcock went into partnership with whom in Liverpool?