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      Benjamin West, 1738 – 1820

      100 nejslavnějších obrazů autora Benjamin West, seřazených podle popularity

      Nejoblíbenějším dílem autora Benjamin West je Smrt generála Wolfe (1770), které je vystaveno v instituci Art Gallery of Ontario, Toronto. Následují The Last Supper (1786) a The Bard (1778) z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 360 děl umělce Benjamin West: zde je 100 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Benjamin West
      Benjamin West · 1738 – 1820
      Narozen · zemřel
      1738 – 1820, Springfield Township
      Směr
      Neoclassical painting
      Díla v našem katalogu
      360
      Nejslavnější
      Smrt generála Wolfe (1770)
      Nejvíce děl v
      Yale Center for British Art

      Nejlepší 10 obrazů: Benjamin West – plátna, která zná každý

      Smrt generála Wolfe (1770) od Benjamin West
      1

      Smrt generála Wolfe

      1770 · Olej na plátně · Art Gallery of Ontario, Toronto

      Smrt generála Wolfe: Mistrovské dílo historického malířství Historický kontext a význam „Smrt generála Wolfe“ od Benjamina Westa je ikonické malířské dílo, které zachycuje zásadní okamžik dějin – bitvu u Quebecu z 13. září 1759. Tato bitva, součást sedmileté války, rozhodla o osudu francouzských kolonií v Severní Americe. Generál James Wolfe, který dovedl britské vojska k vítězství, byl během konfliktu smrtelně zraněn. Westovo malířství tento okamžik nesmrtelňuje a proměňuje jej v…

      The Last Supper (1786) od Benjamin West
      2

      The Last Supper

      1786 · Oil · Detroit Institute of Arts, Detroit

      Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…

      The Bard (1778) od Benjamin West
      3

      The Bard

      1778 · Oil On Canvas · Tate Britain, Londýn

      Benjamin West's "The Bard," painted in 1778, is more than just a portrait; it’s a carefully constructed meditation on the role of the poet, the weight of classical learning, and perhaps, a subtle reflection of the burgeoning revolutionary spirit taking hold across the Atlantic. Measuring a modest 22 x 29 cm, this oak panel painting currently resides within the hallowed halls of Tate Britain in London, yet its impact resonates…

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ( (1786) od Benjamin West
      4

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (

      1786 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Benjamin West's "Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald" – often referred to as “The Death of the Stag” – is more than just a historical painting; it’s a visceral tableau of courage, loyalty, and the very essence of Highland legend. Completed in 1786, this monumental work, now residing within the Scottish National Gallery, transports us directly into a pivotal…

      St. George and the Dragon (1786) od Benjamin West
      5

      St. George and the Dragon

      1786 · Oil · Reading Public Museum, Reading

      In St. George and the Dragon, Benjamin West orchestrates a scene of intense movement through a precise diagonal arrangement. The knight, mounted upon a rearing white horse, descends from the upper left toward the dragon positioned in the lower right. This structural choice directs the eye through the center of the struggle, emphasizing the momentum of the descent. The composition is tight and immersive, utilizing a close-up perspective that creates…

      Death on a Pale Horse (1796) od Benjamin West
      6

      Death on a Pale Horse

      1796 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…

      The Death of Hyacinth (1771) od Benjamin West
      7

      The Death of Hyacinth

      1771 · Acrylic On Canvas · Philadelphia Museum of Art, Philadelphia

      Benjamin West’s “The Death of Hyacinth,” completed in 1771, stands as a cornerstone of British Romanticism's nascent influence on the American artistic landscape. Currently residing within the Philadelphia Museum of Art, this monumental oil painting transcends mere depiction; it embodies an emotional resonance that continues to captivate viewers centuries later.

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York (1778) od Benjamin West
      8

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York

      1778 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

      Benjamin West’s “Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York” (1778) is more than just a likeness; it's a meticulously crafted tableau vivant offering a rare glimpse into the social dynamics and burgeoning political currents of 18th-century Britain. Housed within the walls of The Hermitage in St. Petersburg, this oil on canvas masterpiece transcends mere portraiture, becoming a study in power, familial connection, and the…

      The Death of Procris (1770) od Benjamin West
      9

      The Death of Procris

      1770 · Oil On Panel · Art Institute of Chicago, Chicago

      The forest air hangs heavy and still, thick with the scent of damp earth and ancient leaves. Within this dark, atmospheric woodland, a profound tragedy unfolds in a single, frozen moment of grief. A woman lies motionless across the lower half of the canvas, her pale skin catching a sharp, theatrical light that seems to pierce through the murky canopy above. She is draped in deep, ultramarine blue fabric, her…

      Více pláten od Benjamin West, od 11 do 100

      Joseph Banks (1773) od Benjamin West
      #11

      Joseph Banks

      1773 · Usher Art Gallery

      The painting Joseph Banks by Benjamin West is a stunning example of Neoclassical art, characterized by its use of classical elements and attention to detail. Created in 1773,…

      Nechte si to namalovat ručně →
      The Death of Chatham (1778) od Benjamin West
      #15

      The Death of Chatham

      1778 · Yale Center for British Art

      The composition anchors itself upon a slumped figure, the center of a collapsing world. This man, likely William Pitt the Elder, rests amidst a crowd of mourning dignitaries.…

      Nechte si to namalovat ručně →
      King Lear (1788) od Benjamin West
      #21

      King Lear

      1788 · Detroit Institute of Arts

      The oil on canvas titled King Lear was executed by the artist Benjamin West in 1788. This work was originally commissioned for the Shakespeare Gallery in London, a…

      Přineste toto světlo k sobě domů →
      Self-Portrait (1818) od Benjamin West
      #22

      Self-Portrait

      1818 · Harvard Art Museums

      Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

      Přineste toto světlo k sobě domů →
      Portrait of a Man (1794) od Benjamin West
      #26

      Portrait of a Man

      1794 · Art Institute of Chicago

      An elderly man sits within a wooden chair, positioned slightly off-center in a three-quarter length pose. He wears a dark, heavy coat featuring visible buttons and a crisp…

      Objednat toto plátno →
      The Artist and His Family (1772) od Benjamin West
      #94

      The Artist and His Family

      1772 · Yale Center for British Art

      In this intimate group portrait, The Artist and His Family, painted by Benjamin West about 1772, captures a quiet moment of domestic connection. The scene brings together the…

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      Plátna umělce Benjamin West podle jednotlivých období

      Co nejčastěji maloval Benjamin West

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Benjamin West

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Benjamin West Obrazy z tohoto seznamu
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael, The Death of Chatham
      Royal Collection, LondýnRoyal Collection Londýn 27 Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346), St. Peter Denying Christ, Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828)
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 The Death of Procris, Queen Philippa at the Battle of Neville's Cross, Portrait of a Man
      National Gallery of Art, WashingtonNational Gallery of Art Washington 10 The Expulsion of Adam and Eve from Paradise, Portrait of Colonel Guy Johnson and Karonghyontye, Cupid, Stung by a Bee, Is Cherished by his Mother
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 7 The Last Supper, Death on a Pale Horse, King Lear
      New York Historical Society, New YorkNew York Historical Society New York 4 Charles Willson Peale (1741–1827), Thetis Bringing the Armor to Achilles
      Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 George Harry Grey, Lord Grey (later the Fifth Earl of Stamford), Cupid Stung by a Bee
      Clevelandské muzeum umění, ClevelandClevelandské muzeum umění Cleveland 3 Elizabeth Shewell West and Her Son, Raphael, British Manufactory; A Sketch

      Nejoblíbenější plátno každého desetiletí od Benjamin West

      1. 1750s
        Portrait of Dr. Enoch Edwards (1750) od Benjamin West
        Plátno 16 z 100

        Portrait of Dr. Enoch Edwards

        Věk 12 – 21 · Brooklynské muzeum

        A single, steady gaze meets the viewer from the shadows of the late eighteenth century. Dr. Enoch Edwards sits in a three-quarter view, his presence defined by the…

      2. 1760s
        Paetus and Arria (1766) od Benjamin West
        Plátno 12 z 100

        Paetus and Arria

        Věk 22 – 31 · Yale Center for British Art

        The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      3. 1770s
        Smrt generála Wolfe (1770) od Benjamin West
        Plátno 1 z 100

        Smrt generála Wolfe

        Věk 32 – 41 · Art Gallery of Ontario

        Smrt generála Wolfe: Mistrovské dílo historického malířství Historický kontext a význam „Smrt generála Wolfe“ od Benjamina Westa je ikonické malířské dílo, které zachycuje zásadní okamžik dějin – bitvu…

      4. 1780s
        The Last Supper (1786) od Benjamin West
        2 z 100

        The Last Supper

        Věk 42 – 51 · Detroit Institute of Arts

        Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith.…

      5. 1790s
        Death on a Pale Horse (1796) od Benjamin West
        Pořadí 6 z 100

        Death on a Pale Horse

        Věk 52 – 61 · Detroit Institute of Arts

        Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety…

      6. 1800s
      7. 1810s
        Self-Portrait (1818) od Benjamin West
        Pořadí 22 z 100

        Self-Portrait

        Věk 72 – 81 · Harvard Art Museums

        Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

      O plátnech umělce Benjamin West: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Benjamin West?Přečtěte si odpověď

      Smrt generála Wolfe (1770), Art Gallery of Ontario, Toronto. Následují The Last Supper (1786) a The Bard (1778).

      Kolik let bylo Benjamin West, když byl/a namalován/a dílo Smrt generála Wolfe?Přečtěte si odpověď

      Benjamin West, narozen 1738, měl 32 let: dílo Smrt generála Wolfe pochází z roku 1770.

      Kterých 10 nejslavnějších obrazů má Benjamin West?Přečtěte si odpověď

      Smrt generála Wolfe, The Last Supper, The Bard, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, St. George and the Dragon, Death on a Pale Horse, The Death of Hyacinth, Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York, The Death of Procris a The Expulsion of Adam and Eve from Paradise. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Benjamin West?Přečtěte si odpověď

      V našem katalogu je 360 děl umělce Benjamin West, datovaných od 1750 do 1818.

      Kde mohu vidět nejznámější plátna umělce Benjamin West?Přečtěte si odpověď

      Většinou v Yale Center for British Art (New Haven), Royal Collection (Londýn) a Art Institute of Chicago (Chicago); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Benjamin West namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1770s, které tvoří 30 z 100 děl na této stránce, mezi nimi i Smrt generála Wolfe.

      Která jsou nejstarší a nejnovější slavná plátna umělce Benjamin West?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Portrait of Dr. Enoch Edwards (1750); nejnovější je z Self-Portrait (1818).

      Co nejčastěji maloval/a Benjamin West?Přečtěte si odpověď

      Man (21), Woman (17) a Horse (7) napříč 100 díly na této stránce.

      Kterou techniku používal(a) Benjamin West nejčastěji?Přečtěte si odpověď

      Oil On Canvas, použito u 33 z 100 děl na této stránce.

      Kterému směru patří obraz autora Benjamin West?Přečtěte si odpověď

      Neoclassical painting, jak dokazují plátna na této stránce.

      Která plátna od Benjamin West visí v Yale Center for British Art?Přečtěte si odpověď

      Muzeum Yale Center for British Art, New Haven se vlastní 13 děl z této stránky, mezi nimiž jsou i Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael a The Death of Chatham.

      Mohu si koupit reprodukci plátna od Benjamin West?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Benjamin West: život v barvách

      A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

      Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

      From Italy to London: Forging a Path to Recognition

      West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He spent several years diligently studying anatomy, perspective, and composition, absorbing the techniques of Italian masters while simultaneously developing a distinctive style that blended classical elegance with a burgeoning sense of individualism. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

      Revolutionizing Historical Painting: Technique and Controversy

      West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in *contemporary* military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. He was known for his meticulous preparatory sketches and his ability to capture dramatic lighting and emotional intensity in his paintings.

      A Lasting Legacy: Shaping Artistic Identity

      Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.
      • He championed a more accessible and emotionally engaging style of historical representation.
      • His studio became a haven for American artists seeking training in Europe.
      • He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.
      West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

      Všechna díla od Benjamin West: 360 →