Z všech obrazů autora Carl Rottmann je nejznámější dílo Marathon (1848); visí v Neue Pinakothek, Mnichov. Hned za nimi následují Cefalu (1830) a River Landscape with Castle Ruins (1820). Z 69 děl umělce Carl Rottmann v našem katalogu je těchto 69 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Carl Anton Joseph Rottmann – Cefalu: A Symphony of Sicilian Light Cefalù, painted by Carl Anton Joseph Rottmann in 1830, isn’t merely a landscape; it's an embodiment of Romantic idealism distilled onto canvas. Rottmann, a German artist deeply influenced by the burgeoning fascination with nature and emotion prevalent during his time, captured not just what he saw – the rugged coastline of Sicily dominated by a colossal limestone rock formation…
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Carl Anton Joseph Rottmann, narozený v roce 1797 v Handschuhsheimu, byl německým malířem, který si získal významné místo mezi představitelémi bavorského romantismu. Jeho dílo je charakteristické kombinací krajinářské reprezentace s dramatickými vyprávěními a inovativním využitím světla – technikou, která Rottmannovi umožnila zachytit nejen krásu přírody, ale i její sílu a emocionální dopad.
Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…
“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.
In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…
Corinth with Akrocorinth – A Bavarian Romantic Vision Carl Anton Joseph Rottmann’s “Corinth with Akrocorinth” is more than just a landscape painting; it's a testament to the burgeoning Romantic spirit of Bavaria in 1847, skillfully executed by one of Heidelberg’s most prominent artists. This monumental canvas (162 x 206 cm) captures a dramatic vista of Mount Olympus and its surrounding terrain—a scene steeped in myth and imbued with an almost…
The painting Olympia by Carl Anton Joseph Rottmann is a stunning example of landscape art, showcasing the artist's ability to capture the beauty and complexity of nature with…
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8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Carl Rottmann | Obrazy z tohoto seznamu |
|---|---|---|---|
 Bavarské státní sbírky malby |
Mnichov | 37 | Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass |
 Lenbachhaus |
Mnichov | 6 | River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus |
 Neue Pinakothek |
Mnichov | 4 | Marathon, Výhled na Éibsee, Κόρινθος και Ακροκόρινθος |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | View of Monte Serone from Civitella, The Island of Delos, The Kopaisee |
 Wallraf-Richartz-Museum |
Köln | 1 | Cefalu |
 Metropolitan Museum of Art |
New York | 1 | The Cemetery at Pronoia near Nauplia |
 Národní galerie v Berlíně |
Berlín | 1 | The Battlefield at Marathon |
 Germanisches Nationalmuseum |
Norimberk | 1 | Hoher Goll in the Alpine Glow |
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of…
Carl Anton Joseph Rottmann – Cefalu: A Symphony of Sicilian Light Cefalù, painted by Carl Anton Joseph Rottmann in 1830, isn’t merely a landscape; it's an embodiment of…
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848,…
Marathon (1848), Neue Pinakothek, Mnichov. Následují Cefalu (1830) a River Landscape with Castle Ruins (1820).
Carl Rottmann, narozen 1797, měl 51 let: dílo Marathon pochází z roku 1848.
Marathon, Cefalu, River Landscape with Castle Ruins, Výhled na Éibsee, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Κόρινθος και Ακροκόρινθος, Ruin of a Chapel near a River with Rising Moon a River Landscape with Church Ruin. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.
V našem katalogu je 69 děl umělce Carl Rottmann, datovaných od 1820 do 1850.
Většinou v Bavarské státní sbírky malby (Mnichov), Lenbachhaus (Mnichov) a Neue Pinakothek (Mnichov); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
V období 1840s, které tvoří 34 z 69 děl na této stránce, mezi nimi i Marathon.
Nejstarší plátno se zde datuje do River Landscape with Castle Ruins (1820); nejnovější je z Nemea (1850).
Landscape (4), Stormy sky (2) a Dramatic scene (2) napříč 69 díly na této stránce.
Oil On Canvas, použito u 3 z 69 děl na této stránce.
Romanticism, jak dokazují plátna na této stránce.
Muzeum Bavarské státní sbírky malby, Mnichov se vlastní 37 děl z této stránky, mezi nimiž jsou i Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna a Sicyon with Parnass.
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.
The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.
Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.
The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:
Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.
