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      Karel Appel, 1921 – 2006

      Karel Appel's 41 Most Famous Paintings

      Square Man, Karel Appel, 1951 (1951) is the painting Karel Appel is best remembered for. Untitled (1960) and Three Figures (1952) complete the trio of best-loved canvases. Our catalogue counts 41 works by Karel Appel. Here are the 41 most famous, with the year, the museum and the story of each canvas.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.

      Portrét Karel Appel
      Karel Appel · 1921 – 2006
      Narozen · zemřel
      1921 – 2006, Amsterdam
      Směr
      Cobra
      Díla v našem katalogu
      41
      Nejslavnější
      Square Man, Karel Appel, 1951 (1951)
      Nejvíce děl v
      Izraelské muzeum

      The ten best-loved paintings by Karel Appel

      Square Man, Karel Appel, 1951 (1951) od Karel Appel
      1

      Square Man, Karel Appel, 1951

      1951 · Oil On Canvas

      Square Man, Karel Appel, 1951 is an oil on canvas painting created by the artist Karel Appel. This work was executed in Paris in 1951. The physical presence of the piece is defined by its nearly square proportions, measuring 120,5 cm in height and 118 cm in width, with a depth of 4 cm.

      Untitled (1960) od Karel Appel
      2

      Untitled

      1960 · Screenprint · Tate Britain, Londýn

      In the landscape of post-war European modernism, few voices resonate with as much raw, unbridled vitality as that of Karel Appel. His 1960 work, Untitled, serves as a breathtaking manifesto of the COBRA movement, an avant-garde collective that sought to strip away the suffocating layers of academic tradition in favor of something far more primal. To encounter this piece is to witness a deliberate rebellion; it is not merely a…

      Karel Appel: canvases 11 to 41 of the ranking

      Untitled (1951) od Karel Appel
      #14

      Untitled

      1951 · Art Institute of Chicago

      The canvas titled Untitled pulses with a raw, immediate energy that marks a significant moment in the career of Karel Appel. Created about 1951, this work emerges from…

      Flying Man (1958) od Karel Appel
      #15

      Flying Man

      1958 · Královské muzeum výtvarného umění Antverpy

      Karel Appel captured a singular moment of movement in his 1958 work, Flying Man. This oil on canvas presents a heavy, textured presence that defies the lightness suggested…

      Untitled (from For Jorn) (1976) od Karel Appel
      #30

      Untitled (from For Jorn)

      1976 · Tate Britain

      A Burst of Joyful Rebellion: Karel Appel’s “Untitled” Karel Appel's "Untitled," a vibrant lithograph from 1976, isn’t merely a painting; it’s an embodiment of the CoBrA movement’s core…

      Parrot Woman with Bird (1963) od Karel Appel
      #40

      Parrot Woman with Bird

      1963

      The Parrot Woman with Bird is a captivating oil on canvas painting created by the renowned Dutch artist Karel Appel in 1963. This colorful piece is now part…

      Uden titel od Karel Appel
      #41

      Uden titel

      Statens Museum for Kunst

      The artwork is titled Uden titel. It is a maleri created by the artist Karel Appel. This specific piece was produced in 1952.

      What Karel Appel painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Karel Appel's canvases hang

      6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Karel Appel Obrazy z tohoto seznamu
      Izraelské muzeum, JeruzalémIzraelské muzeum Jeruzalém 3 Three Figures, Man and Woman (Homme et femme), Head Burst on Red
      Tate Britain, LondýnTate Britain Londýn 2 Untitled, Untitled (from For Jorn)
      Královské muzeum výtvarného umění Antverpy, AntverpyKrálovské muzeum výtvarného umění Antverpy Antverpy 2 Flying Man, Animal and Child on Blue Background
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Untitled
      Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 1 Figure and Suns
      Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 1 Uden titel

      Karel Appel's most famous canvas, decade after decade

      1. 1940s
      2. 1950s
        Square Man, Karel Appel, 1951 (1951) od Karel Appel
        Ranked 1 of 41

        Square Man, Karel Appel, 1951

        Věk 29 – 38

        Square Man, Karel Appel, 1951 is an oil on canvas painting created by the artist Karel Appel. This work was executed in Paris in 1951. The physical presence…

      3. 1960s
        Untitled (1960) od Karel Appel
        Ranked 2 of 41

        Untitled

        Věk 39 – 48 · Tate Britain

        In the landscape of post-war European modernism, few voices resonate with as much raw, unbridled vitality as that of Karel Appel. His 1960 work, Untitled, serves as a…

      4. 1970s
        Untitled (from For Jorn) (1976) od Karel Appel
        30 of 41

        Untitled (from For Jorn)

        Věk 49 – 58 · Tate Britain

        A Burst of Joyful Rebellion: Karel Appel’s “Untitled” Karel Appel's "Untitled," a vibrant lithograph from 1976, isn’t merely a painting; it’s an embodiment of the CoBrA movement’s core…

      Karel Appel's canvases, question by question

      Which canvas is Karel Appel most remembered for?Read the answer

      Square Man, Karel Appel, 1951 (1951), followed by Untitled (1960) and Three Figures (1952).

      Square Man, Karel Appel, 1951: how old was Karel Appel when it was painted?Read the answer

      Karel Appel, born in 1921, was 30 years old: Square Man, Karel Appel, 1951 dates from 1951.

      What are Karel Appel's ten most famous canvases?Read the answer

      Square Man, Karel Appel, 1951, Untitled, Three Figures, Hip, Hip, Hoorah, Questioning Children, Hip, Hip, Hoorah (Hiep, hiep, hoera ), Blauw naakt, Étienne Martin, The Big Ear a Beast. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Karel Appel create?Read the answer

      41 works by Karel Appel are in our catalogue, dated 1949 to 1976.

      Where do Karel Appel's most famous canvases hang today?Read the answer

      Mostly in Izraelské muzeum (Jeruzalém), Tate Britain (Londýn) a Královské muzeum výtvarného umění Antverpy (Antverpy); the list above names each museum and its canvases.

      When did Karel Appel paint the most famous canvases?Read the answer

      In 1950s, which gave 18 of the 41 works on this page, Square Man, Karel Appel, 1951 among them.

      Which famous Karel Appel canvas came first, and which came last?Read the answer

      The earliest canvas here is Hip, Hip, Hoorah (1949); the latest is Untitled (from For Jorn) (1976).

      Which subjects did Karel Appel paint most?Read the answer

      Organic forms (2), Abstract (2) a Color field (2), across the 41 works on this page.

      Which medium appears most in Karel Appel's paintings?Read the answer

      Oil On Canvas, used in 4 of the 41 works on this page.

      Which movement is Karel Appel associated with?Read the answer

      Cobra, as the canvases on this page show.

      Which paintings by Karel Appel are held by the Izraelské muzeum?Read the answer

      The Izraelské muzeum, Jeruzalém holds 3 of the works on this page, among them Three Figures, Man and Woman (Homme et femme) a Head Burst on Red.

      Meet the painter: Karel Appel

      A Life Painted in Bold Strokes: The World of Karel Appel

      Christiaan Karel Appel, known affectionately as ‘Kik’ from childhood, burst onto the post-war art scene like a vibrant explosion of color and energy. Born in Amsterdam in 1921, his early life was steeped in the everyday rhythms of working-class Holland – his father a barber, his lineage tracing back to French Huguenots through his mother. This grounding, however, would soon be superseded by an irrepressible artistic drive that defied convention and ultimately reshaped the landscape of European art. A pivotal moment arrived at age fourteen with his first painting, a still life of fruit, followed shortly after by a paint set and easel gifted by his uncle Karel Chevalier, who also provided early instruction. These gifts weren’t merely tools; they were keys unlocking a world where imagination reigned supreme. The shadow of the Second World War loomed large over Appel’s formative years. Studying at the Rijksakademie van Beeldende Kunsten in Amsterdam during the German occupation proved challenging, yet it was there he forged lifelong bonds with fellow artists Corneille and Constant, friendships that would prove crucial to his artistic evolution. Facing opposition from his parents regarding his chosen path and fearing forced labor under Nazi rule, Appel bravely left home, choosing a life dedicated to art over conformity.

      The CoBrA Revolution: Spontaneity and the Childlike Vision

      Appel’s artistic journey truly ignited with the formation of the CoBrA group in 1948 – an acronym derived from Copenhagen, Brussels, and Amsterdam, representing the movement's core cities. Alongside Corneille, Constant, Jan Nieuwenhuys, and Christian Dotremont, Appel spearheaded a radical departure from established artistic norms. CoBrA wasn’t merely a style; it was a philosophy rooted in spontaneity, experimentation, and a profound embrace of the untamed creativity found in children's art and primitive cultures. Influenced by masters like Pablo Picasso and Henri Matisse, as well as the raw energy of Jean Dubuffet, Appel rejected rigid formalism in favor of intuitive expression. He began sculpting in 1947, utilizing assemblage techniques – constructing works from found materials painted in a bold palette of white, red, yellow, blue, and black. This period saw him involved with the Experimentele Groep, further solidifying his commitment to artistic innovation. The controversial fresco "Questioning Children" (1949), commissioned for Amsterdam City Hall, exemplified CoBrA’s provocative spirit but also sparked public outcry, ultimately leading to its being covered up – a testament to the movement's challenging nature. Appel drew inspiration from Danish and Nordic mythology, weaving these ancient narratives into his increasingly abstract compositions.

      International Horizons: From Paris to New York and Beyond

      Facing resistance to CoBrA’s radical vision in the Netherlands, Appel relocated to Paris in 1950, a city that offered greater artistic freedom and recognition. This marked the beginning of an expansive period of international travel and exposure. He journeyed to Mexico, the USA, Yugoslavia, and Brazil, absorbing diverse cultural influences that enriched his artistic vocabulary. His time in New York City and Florence further broadened his horizons, allowing him to connect with a wider network of artists and collectors. A breakthrough moment arrived in 1954 with his first American gallery exhibition at the Martha Jackson Gallery, followed by the inclusion of "Child and Beast II" (1951) in the influential Museum of Modern Art exhibition “The New Decade” in 1955. Appel’s murals became increasingly prominent during this period, showcasing his ability to translate his dynamic style onto a larger scale. Despite initial challenges, his work experienced a resurgence in popularity in the Netherlands after 1990, with major exhibitions organized by Rudy Fuchs in Amsterdam and Brussels, solidifying his legacy within his homeland.

      A Lasting Legacy: The Karel Appel Foundation and Enduring Influence

      Karel Appel’s impact on post-war European art is undeniable. He established the Karel Appel Foundation to safeguard his artworks and promote public awareness of his oeuvre, ensuring that future generations could experience the power of his vision. A temporary loss of artwork in 2002 underscored the importance of this foundation, with the pieces thankfully recovered in 2012. The foundation now serves as his official estate and image archive, represented in the U.S. by The Artists Rights Society. Appel’s work continues to be exhibited internationally, a testament to its enduring appeal and relevance. He wasn’t simply a painter or sculptor; he was a poet of form and color, a champion of spontaneity, and a fearless innovator who dared to challenge artistic conventions. His legacy lies not only in the vibrant canvases and sculptures he created but also in his unwavering belief in the power of art to express the raw, untamed spirit of human experience. His work remains a significant contribution to post-war European art, particularly within the CoBrA movement. Appel’s influence can be seen in contemporary artists who embrace experimentation and reject traditional boundaries, ensuring that his bold vision continues to inspire for years to come.

      Všechna díla od Karel Appel: 41 →