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      Mary Bealeová, 1633 – 1699

      65 nejslavnějších obrazů autora Mary Bealeová

      King Charles II (1675) je obraz, podle kterého je nejznámější Mary Bealeová; nachází se v National Portrait Gallery, Londýn. Bartholomew Beale (1663) a Portrait of a lady (1680) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 65 děl umělce Mary Bealeová. Zde je 65 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Mary Bealeová
      Mary Bealeová · 1633 – 1699
      Narozen · zemřel
      1633 – 1699, Suffolk
      Směr
      Baroque
      Díla v našem katalogu
      65
      Nejslavnější
      King Charles II (1675)
      Nejvíce děl v
      National Portrait Gallery

      Deset nejoblíbenějších obrazů autora Mary Bealeová

      King Charles II (1675) od Mary Bealeová
      1

      King Charles II

      1675 · Oil On Canvas · National Portrait Gallery, Londýn

      The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

      Bartholomew Beale (1663) od Mary Bealeová
      2

      Bartholomew Beale

      1663 · Oil On Paper · Yale Center for British Art, New Haven

      A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

      Viscountess Frances Hatton (1664) od Mary Bealeová
      4

      Viscountess Frances Hatton

      1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

      In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

      Mary Bealeová: plátna 11 až 65 v žebříčku

      Co nejčastěji maloval Mary Bealeová

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Mary Bealeová

      8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Mary Bealeová Obrazy z tohoto seznamu
      National Portrait Gallery, LondýnNational Portrait Gallery Londýn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
      Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
      Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
      Dulwich Picture Gallery, LondýnDulwich Picture Gallery Londýn 2 Portrait of a Physician, Portrait of a Youth
      Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
      Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

      Nejslavnější plátno umělce Mary Bealeová, dekádu po dekádě

      1. 1650s
      2. 1660s
        Bartholomew Beale (1663) od Mary Bealeová
        Plátno 2 z 65

        Bartholomew Beale

        Věk 27 – 36 · Yale Center for British Art

        A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

      3. 1670s
        King Charles II (1675) od Mary Bealeová
        Plátno 1 z 65

        King Charles II

        Věk 37 – 46 · National Portrait Gallery

        The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

      4. 1680s
        Portrait of a lady (1680) od Mary Bealeová
        Plátno 3 z 65

        Portrait of a lady

        Věk 47 – 56 · National Gallery of Victoria

        Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

      5. 1690s

      Plátna umělce Mary Bealeová otázka po otázce

      Kterým plátnem je Mary Bealeová nejvíce známý/á?Přečtěte si odpověď

      King Charles II (1675), National Portrait Gallery, Londýn. Následují Bartholomew Beale (1663) a Portrait of a lady (1680).

      King Charles II: kolik let bylo Mary Bealeová, když bylo namalováno?Přečtěte si odpověď

      Mary Bealeová, narozen 1633, měl 42 let: dílo King Charles II pochází z roku 1675.

      Kterých deset nejslavnějších obrazů má Mary Bealeová?Přečtěte si odpověď

      King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) a Self-Portrait Holding a Palette. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a Mary Bealeová?Přečtěte si odpověď

      V našem katalogu je 65 děl umělce Mary Bealeová, datovaných od 1659 do 1697.

      Kde se dnes nacházejí nejslavnější plátna umělce Mary Bealeová?Přečtěte si odpověď

      Většinou v National Portrait Gallery (Londýn), Antony House a Sutton House; výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Mary Bealeová namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1680s, které tvoří 10 z 65 děl na této stránce, mezi nimi i Portrait of a lady.

      Které plátno slavného umělce Mary Bealeová vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Anna Maria, Countess of Shrewsbury (1642–1702) (1659); nejnovější je z Portrait of Nell Gwyl (1697).

      Jaká témata maloval Mary Bealeová nejčastěji?Přečtěte si odpověď

      Portraits (14), Royalty (12) a Portrait (6) napříč 65 díly na této stránce.

      Která technika se nejčastěji objevuje v obrazech umělce Mary Bealeová?Přečtěte si odpověď

      Oil On Canvas, použito u 4 z 65 děl na této stránce.

      S jakým směrem je spojen(a) Mary Bealeová?Přečtěte si odpověď

      Baroque, jak dokazují plátna na této stránce.

      Která díla umělce Mary Bealeová se nacházejí v muzeu National Portrait Gallery?Přečtěte si odpověď

      Muzeum National Portrait Gallery, Londýn se vlastní 6 děl z této stránky, mezi nimiž jsou i King Charles II, Thomas Sydenham a Charles Beale the Elder.

      Kde si mohu koupit reprodukci obrazu od Mary Bealeová?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Seznamte se s malířem: Mary Bealeová

      A Life Illuminated: The World of Mary Beale

      Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

      Navigating Convention: Portraiture and Family Life

      In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

      A Baroque Sensibility: Style and Technique

      Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

      Breaking Barriers: Legacy and Historical Significance

      Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like TopImpressionists, TopImpressionists, and others, guaranteeing her enduring presence in the cultural landscape.

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      Quick Facts

      • Artistic movement or style: Baroque
      • Artists or movements influenced by this artist: English portraiture
      • Artists who influenced this artist: Peter Lely, Matthew Snelling
      • Date of birth: 1633
      • Date of death: 1699
      • Full name: Mary Beale

      Quizzes

      • Question: What was a significant role Charles Beale played in his wife’s artistic career?
        • Sir Peter Lely
        • Matthew Snelling
        • Her father, John Cradock
        Correct answer: 2
      • Question: In what style was Mary Beale’s work heavily influenced?
        • Renaissance
        • Baroque
        • Impressionism
        Correct answer: 2

      Všechna díla od Mary Bealeová: 65 →