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      In the Bower

      Dkr 1782

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      Size

      ·
      Standardstørrelse
      speciallavet
      CM
      INCH

      Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.

      bredde
      højde

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      Finish

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt træ bars
      White Dkr1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt træ bars
      Blurside Dkr1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt træ bars
      Extended Dkr1
      Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118B Dkr10
      Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118H Dkr10
      Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118W Dkr10
      Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Dkr10
      Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Dkr12
      Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Dkr12
      Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
      P805H Dkr10
      Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Dkr10
      Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Dkr10
      Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919G Dkr10
      Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Dkr10
      Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P959ZH Dkr10
      Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
      P968JZ Dkr12
      Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
      W106C Dkr8
      Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218G Dkr10
      Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218JH Dkr8
      Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218Y Dkr10
      Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
      W307PJ Dkr10
      Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316G Dkr10
      Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316PJ Dkr8
      Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316Y Dkr10
      Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
      W398PJ Dkr8
      Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
      W4111J Dkr10
      Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
      W500HY Dkr15
      Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
      W500JH Dkr15
      Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
      W692G Dkr12
      Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
      W849H Dkr8
      Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
      W940BG Dkr15
      Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
      W953PJ Dkr8
      Corner sample of the H24-GOLD picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Dkr30
      Corner sample of the H24-SILVER picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Dkr30
      Corner sample of the H36-GOLD picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Dkr45
      Corner sample of the H36-SILVER picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Dkr45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

      optional
      What do the extras include?
      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (30 oktober). Ingen kompromiser med kvaliteten.

      Beskyttende fernis

      Navneskilt

      Detaljer om indgraveret bronzeskilt

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer om gennemsigtig akrylplade

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer om sort akrylplade

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Samlet pris Dkr 1782

      Glasmulighed er kun tilgængelig i størrelser under 110 cm

      • Gratis ekspresforsendelse til hele verden
      • Lærred af linned i høj kvalitet
      • Fuld transportforsikring
      • Garanti for refusion af told og importafgifter
      • Garanti for præcis farvegengivelse
      • 100 dages returret ved fabrikationsfejl
      • 100% fuld returret
      • Mængderabat ved flere køb

      Beskrivelse af samlerobjektet

      Kunstnerbiografi

      Aleksander Gierymski, Gierymski, Polish painter, Realism art, Impressionism Poland, Warsaw artist, 19th century painting, Jewish life Warsaw, Landscape paintings, Pozitivism art

      About the painting
      This genre-type costume scene and a group of plein air studies the artist made while working on the painting, are considered to be some of the best works in Aleksander Gierymski’s oeuvre. They were the artist’s first deliberate attempts to harness his technical craft for the sake of transporting onto canvas his impressions gathered through observing nature. Particularly interesting is Study with a Cylinder, shown opposite, in which we can discern a finesse in the use colour, a consistent painterly approach, and an exquisite rendering of the effects of light as it diffuses through the leaf-covered latticework of the bower. Such a refreshing effect and spontaneity in applying the patches of colour is missing however from the final version of the painting, produced in the studio on the basis of the plein air sketches and re-painted many times. This process undoubtedly had much to do with the final look of In the Arbour. It must have been difficult to create a work with a uniform colour and light structure by laboriously reproducing individual parts which had been first painted outdoors independently of each other, and without the whole picture in mind. Despite the challenges, the artists managed to combine the motifs he had observed in nature into a single cohesive vision abounding in vibrant light and colour. The shapes emerge through the use of dense, highly-textured patches of paint, which obscure and drown out any lines of contour. The refracted sunlight enlivens the colours of the silk and brings out the translucent airiness of the lace in the figures’ rococo clothing, while the deep green of the plants and the shimmering water in the fountain create an almost palpable impression of a hot summer day.

      Spørgsmål og svar

      Er "In the Bower" af Aleksander Gierymski et maleri, en tegning eller et tryk?

      "In the Bower" af Aleksander Gierymski er klassificeret som WallArt. Kategorien beskriver den type kunstværk, som originalen er.

      Er "In the Bower" af Aleksander Gierymski i det offentlige domæne?

      "In the Bower" af Aleksander Gierymski er i det offentlige domæne – ophavsretten er udløbet. Denne status bestemmer, hvordan billedet af værket må reproduceres.

      Kan jeg se et røntgenbillede af "In the Bower" af Aleksander Gierymski?

      Røntgenoptagelse-siden til "In the Bower" af Aleksander Gierymski er en interaktiv viewer, der lader dig glide gennem elleve optiske lag af værkets billede, herunder en visning i røntgenstil.

      Quick facts and art quiz

      Kunstquiz

      Der er kun ét korrekt svar på hvert spørgsmål.

      Spørgsmål 1:
      What artistic movement is Aleksander Gierymski’s ‘In the Bower’ considered to be a precursor of?
      Spørgsmål 2:
      The painting depicts a scene from which historical period?
      Spørgsmål 3:
      What is the dominant technique employed by Gierymski in ‘In the Bower’?
      Spørgsmål 4:
      The painting's atmosphere aims to convey what emotion?
      Spørgsmål 5:
      Why was Gierymski’s approach to painting ‘In the Bower’ considered innovative for his time?
      About Aleksander Gierymski
      Aleksander Gierymski

      Aleksander Gierymski

      1850 - 1901, Poland

      Kunstnerbiografi

      Early Life and Artistic Formation

      Aleksander Gierymski, born in Warsaw in 1850, emerged as a pivotal figure in Polish painting during a period of significant social and artistic transformation. Unlike many artists of his era who embraced grand historical narratives, Gierymski dedicated himself to capturing the realities of everyday life, particularly the struggles and dignity of Warsaw’s working class. Initially drawn to the study of law, he soon abandoned legal pursuits to wholeheartedly embrace art, a decision that would define his legacy. His formal training began with brief stints at the Kraków Academy of Fine Arts, followed by private lessons under the tutelage of Jan Matejko, a celebrated Polish historical painter. However, Gierymski’s artistic vision diverged sharply from Matejko's monumental style; he gravitated towards realism, finding inspiration in the works of French masters like Gustave Courbet and Jean-François Millet. These influences instilled in him a commitment to portraying life with unflinching honesty and a focus on the lives of ordinary people. This early period was crucial in shaping his artistic identity, setting the stage for a career dedicated to documenting the social fabric of Poland.

      The Warsaw Years: Realism and Social Commentary

      During the 1870s and early 1880s, Gierymski immersed himself in the vibrant yet often harsh realities of Warsaw’s Powiśle and Old Town districts. He meticulously documented scenes of working-class life – laborers toiling away, street vendors hawking their wares, and impoverished families navigating daily hardships. His paintings from this period are characterized by a remarkable attention to detail and an empathetic portrayal of his subjects. Jewish Woman Selling Lemons (1881) stands as a prime example of his style; the painting isn’t merely a depiction of commerce but a poignant study of human resilience and dignity in the face of adversity. Similarly, Jewess with Oranges (1881), tragically stolen during World War II but later recovered, showcases Gierymski's ability to imbue everyday scenes with profound emotional depth. These works weren’t simply aesthetic exercises; they were social commentaries, offering a glimpse into the lives of those often overlooked by mainstream society. In the Arbour (1882), while seemingly depicting a more leisurely scene, demonstrates his mastery of light and shadow, creating an atmospheric quality that enhances the emotional resonance of the work.

      Evolving Style and Later Influences

      As the 1880s gave way to the 1890s, Gierymski’s artistic style began a subtle yet significant evolution. While remaining fundamentally committed to realism, he started experimenting with new techniques and exploring themes influenced by Impressionism and Symbolism. This period saw him venturing beyond purely social commentary, delving into landscapes and more introspective subjects. However, this creative exploration coincided with increasing personal challenges. Gierymski struggled with financial difficulties and bouts of mental illness, which undoubtedly impacted his artistic output. Despite these hardships, he continued to paint, producing a number of notable works that reflect both his evolving style and his inner turmoil. His later landscapes, for instance, demonstrate a growing interest in capturing the ephemeral qualities of light and atmosphere, moving beyond mere representation towards a more evocative and emotional expression.

      Legacy and Historical Significance

      Aleksander Gierymski is rightfully recognized as one of Poland’s most important realist painters. His paintings offer invaluable insights into working-class life in Warsaw during the late 19th century, providing a unique perspective on Polish social history. He wasn't merely documenting what he saw; he was offering a compassionate and critical examination of society, challenging viewers to confront uncomfortable truths. His commitment to portraying social realities with unflinching honesty, coupled with his skillful use of realism and evolving artistic techniques, has secured his place among Poland’s most celebrated artists.
      • Gierymski's work profoundly influenced subsequent generations of Polish painters.
      • He inspired them to explore themes of social realism and to depict the lives of ordinary people with empathy and authenticity.
      • His legacy continues to be celebrated in Poland today, with his paintings prominently displayed in major museums throughout the country.
      Gierymski’s art serves as a powerful reminder of the importance of social consciousness in artistic expression. He demonstrated that beauty and meaning can be found not only in grand historical events or idealized landscapes but also in the everyday lives of ordinary people, making him a truly significant figure in Polish art history.

      Quick facts about Aleksander Gierymski

      • Artistic Movement Or Style: Realism, Impressionism
      • Artists Or Movements Influenced By This Artist: ['Polish painters']
      • Artists Who Influenced This Artist:
        • Courbet
        • Millet
      • Date Of Birth: 1850
      • Date Of Death: 1901
      • Full Name: Aleksander Gierymski
      • Nationality: Polish
      • Notable Artworks:
        • Jewish Woman Selling Lemons
        • Jewess with Oranges
        • In the Arbour
      • Place Of Birth: Warsaw, Poland
      Aleksander Gierymski In the Bower () · With its frame: · Hand-painted in oil on linen

      Total

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