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Alfredo Guttero stayed in close touch with the Río de la Plata scene during his extended stay in Europe (1904–1927). He participated in local juried shows, supported attempts to modernize public art institutions, followed what was happening locally through publications and letters from fellow artists, sent local critics information about his works and exhibitions in France, Germany, and Italy, spent time with many of the young Argentine artists studying in Europe, and cofounded the Asociación de Artistas Argentinos en Europa. Two solo shows of his work were held in two of the many European cities where he lived, as well as numerous group shows and juried shows of both fine and decorative art. His production from the period between World War I and World War II partook of the “return to order” or “new sensibility” characterized by renewed interest in naturalist figuration. At stake in the variant of that movement to which he subscribed was a sensual approach to forms to yield highly decorative results. The idea was to produce novelty by recreating some aspects of different artistic and cultural traditions. Rendered in watercolor and graphite,

Kunstnerens biografi

Early Life and Artistic Development

Born: Alfredo Nicolás Guttero, May 26, 1882, Buenos Aires, Argentina.
Early Talent: Displayed artistic aptitude from a young age, initially focused on music before transitioning to visual arts.
Family Expectations: Initially pursued legal studies at his family's urging but ultimately chose to dedicate himself to painting, encouraged by Ernesto de la Cárcova and Martín Malharro.
Formal Training: Received a grant from the Argentinian government in 1904, enabling him to study art in Europe, primarily in Paris until 1916.
Parisian Influence: Studied with Maurice Denis during his time in Paris and actively participated in Salon exhibitions, absorbing key aspects of modernist artistic trends.

European Travels and Artistic Influences

Post-Parisian Exploration: Following his Parisian studies, Guttero traveled extensively throughout Europe, residing in Segovia and Madrid with shorter stays in Germany, Austria, and Italy.
Extensive Travel: Visited virtually every part of Western Europe, culminating in a major exhibition in Genoa.
Artistic Influences: Exposed to diverse artistic styles during his travels, including influences from Post-Impressionism, Symbolism, and early Cubism.
Development of Style: His European experiences significantly shaped the development of his unique artistic style, characterized by dynamic figures and landscapes with industrial elements.

Return to Argentina and Promotion of Modern Art

Return in 1927: After more than two decades abroad, Guttero returned to Argentina in 1927 and became actively involved in promoting modern art within the country.
Director of Plastic Arts: Served as Director of the "Plastic Arts" division of the local Wagner Society.
Hall of Modern Painters: Created the “Hall of Modern Painters,” a platform for showcasing works by emerging Argentinian artists, including Miguel Carlos Victorica and Demetreo Urruchúa.
Cursos Libres de Arte Plástico: Collaborated with Raquel Forner, Alfredo Bigatti, and Pedro Domínguez Neira to establish "Cursos Libres de Arte Plástico," free art courses aimed at fostering artistic education.

Major Achievements and Artistic Legacy

Exhibition in Baltimore: Exhibited his works at the First Baltimore Pan-American Exhibition of Contemporary Paintings in 1931, gaining international recognition.
Unique Painting Technique: Developed a distinctive painting technique utilizing "yeso cocido" (cooked plaster), applied to wood surfaces, contributing to the textural quality of his artworks.
Theatrical Decorations: Provided decorations for the Teatro Colón, demonstrating his versatility as an artist and his engagement with public art projects.
Artistic Significance: Guttero’s artistic legacy lies in his pioneering role in promoting modern art in Argentina and his development of a unique visual style that blended European influences with Argentinian themes.

Later Life and Historical Significance

Continued Artistic Activity: Remained actively involved in the Argentine art scene until his death.
Historical Significance: Recognized as a key figure in the development of modern Argentinian art, bridging the gap between European artistic trends and local artistic expression.
Influence on Subsequent Generations: His work influenced subsequent generations of Argentinian artists, inspiring them to explore new forms of artistic expression and engage with contemporary themes.
Died: Date unknown, Buenos Aires, Argentina.

alfredo nicolás guttero

1882 - 1932 , Argentina

Kort om kunstneren

Artistic Movement Or Style: Modernist painter
Artists Or Movements Influenced By This Artist:
- Miguel Carlos Victorica
- Demetrio Urruchúa
Artists Who Influenced This Artist: ['Maurice Denis']
Date Of Birth: May 26, 1882
Date Of Death: December 1, 1932
Full Name: Alfredo Nicolás Guttero
Nationality: Argentine
Notable Artworks: ['Yeso cocido paintings']
Place Of Birth: Buenos Aires, Argentina

Nude

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