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      Antiochus og Stratonice

      Fantastisk Barokmaleri af Antonio Bellucci! Udforsk denne overdådige 253x301 cm olie på lærreds komposition med dramatiske lys og følelsesladede detaljer – et ikonisk kunstværk fra Rococo-tiden.

      Antonio Bellucci (1654-1726) was an Italian Rococo painter renowned for grand-manner frescoes in England, Germany & Austria. Explore his mythological scenes, portraits, and religious works – a key figure of the Venetian artistic tradition.

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      Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion Skift til digitalt billede)

      Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
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      Antiochus og Stratonice

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      Om kunstneren

      The Grandeur of the Venetian Spirit

      Antonio Bellucci stands as a luminous figure within the Venetian artistic tradition, a master whose brush captured the transition from the dramatic intensity of the Baroque to the airy elegance of the Rococo. Born in 1654 in Pieve di Soligo, Italy, Bellucci’s early training under Domenico Difnico in Sebénico provided him with a rigorous foundation in classical principles. However, it was his arrival in Venice that truly ignited his creative spirit. By 1675, he was already making significant contributions to the city's sacred spaces, most notably through his monumental frescoes for San Pietro di Castello. In these works, depicting Saint Lorenzo Giustiniani’s fervent prayers during the plague of 1447, Bellucci demonstrated an extraordinary ability to weave together religious devotion and human emotion, creating a sense of divine drama that resonated deeply with the Venetian public.

      His talent was not confined to the spiritual realm; Bellucci possessed a versatile mastery over various genres, from the intimate tenderness of nativity scenes for the church of Ascension to the sweeping narratives of classical mythology. A defining characteristic of his development was his collaborative spirit. He worked in close harmony with the landscape painter Antonio Tempesta, where Bellucci’s skill in rendering human figures breathed life and narrative complexity into Tempesta's expansive vistas. This synergy between figure and landscape became a hallmark of his maturing style, blending movement and grace with structural depth.

      A Courtly Ascent and European Legacy

      As his reputation grew, Bellucci’s ambitions carried him far beyond the borders of the Venetian Republic, leading him to the heart of European power. His periods in Vienna during the late seventeenth and early eighteenth centuries marked a pinnacle in his career, as he secured the prestigious patronage of the Habsburg court. Under the gaze of Emperor Charles VI, Bellucci undertook monumental projects that showcased his technical prowess on an imperial scale. The four altarpieces he created for Klosterneuburg serve as enduring testaments to his ability to command large-scale religious compositions with both majesty and clarity.

      The zenith of his architectural painting is perhaps best exemplified by the breathtaking ceiling frescoes at Palais Liechtenstein. In depicting the Triumph of Hercules, Bellucci utilized the grand manner to create an immersive experience, where mythological heroism meets the sophisticated aesthetics of the burgeoning Rococo era. This ability to synthesize classical grandeur with a lighter, more decorative touch allowed him to navigate the changing tastes of the European aristocracy with ease.

      Beyond his individual achievements, Bellucci’s historical significance is cemented by his role as a mentor and an influential force in the lineage of Italian art. Through his instruction of talented students such as Antonio Balestra and potentially Jacopo Amigoni, he ensured that the sophisticated techniques of the Venetian school would endure and evolve. His legacy remains etched in the ceilings of palaces and the altars of cathedrals, representing a period of unparalleled artistic splendor where light, movement, and myth converged to celebrate the human and the divine.

      Antonio Bellucci

      Antonio Bellucci

      1654 - 1726 , Italy

      Hurtige fakta

      • Artistic Movement Or Style: Rococo
      • Artists Or Movements Influenced By This Artist: ['Venetian Art']
      • Artists Who Influenced This Artist: ['Domenico Difnico']
      • Date Of Birth: 1654
      • Date Of Death: 1726
      • Full Name: Antonio Bellucci
      • Nationality: Italian
      • Notable Artworks:
        • St Lorenzo Giustiniani Praying
        • Nativity
        • Hercules Triumph
      • Place Of Birth: Pieve di Soligo, Italy
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