Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printversion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Da dette er håndmalet, kan kunstneren ved en anden form på størrelsen male lidt mere rundt om billedet eller skære lidt væk — det er op til dig. Vi sender dig et digitalt mockup til godkendelse, før maleriet påbegyndes. Billedet, der vises på denne side, viser ikke det endelige resultat — det er kun mockuppet, der gør.
Levering i hele verden () på 3-4 uger i stedet for de standard 5 uger. (22 oktober). Ingen kompromiser med kvaliteten.
Lake Starnberg
Reproduktionsstørrelse
Aurél Bernáth (born Makó, Hungary in 1895 – died 1982) was a prominent Hungarian painter and art theorist. He received his foundational artistic training at Nagybánya, studying under the guidance of István Réti and János Thorma. This early exposure to the Nagybánya school of plein-air painting would significantly shape his approach to landscape and color.
Bernáth’s life was marked by the upheaval of the First World War, in which he served as a soldier. Following the war, in 1921, he relocated to Vienna, Austria. It was during this period that his artistic style began to be heavily influenced by the burgeoning German Expressionist movement.
A pivotal moment in Bernáth’s career came with an invitation from Herwarth Walden to exhibit his work at the renowned Sturm Gallery in Berlin between 1922 and 1924. This exposure placed him amongst some of the most avant-garde artists of the time, solidifying his commitment to Expressionist principles.
In 1926, Bernáth returned to Hungary and became a leading figure in the Képzőművészek új társasága (New Society of Artists), commonly known as KUT. He was particularly associated with the Gresham Circle during the 1930s, a group of artists who challenged traditional artistic norms and explored new forms of expression.
Bernáth dedicated much of his life to education, teaching at the Hungarian Academy of Fine Arts from 1945 to 1974. He also contributed significantly to art discourse as an editor for the journal Hungarian Art from 1948 to 1949. After 1947, his writings on art theory gained considerable popularity and influence within Hungarian artistic circles.
Aurél Bernáth’s work represents a crucial link between Hungarian art and the broader European Expressionist movement. His contributions as both an artist and a theorist helped to shape the development of modern art in Hungary. He is referenced in several key art encyclopedias, including the Benezit Dictionary of Artists and the Vollmer Encyclopedia.
1895 - 1982 , Hungary