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      Coat

      Experience the timeless elegance of Cristobal Balenciaga’s ‘Coat’ reproduction. A striking white coat on mannequin – a classic study in form & fabric. Hand-painted art for your home.

      Cristóbal Balenciaga: En revolutionerende spansk designer kendt for sin elegante og innovative haute couture. Udforsk hans unikke værker og arv!

      Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

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      Eksempler på tilpasningsmuligheder: Udskift ansigt med kundens eget foto; Tilføj kæledyr (f.eks. udskift kat med hund); Inkluder en skjult besked i baggrunden; Ændr baggrundslandskab eller elementer.
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      Samlet pris

      Dkr 1765

      Coat

      Reproduktionsmateriale

      Reproduktionsstørrelse

      -

      Samlet pris

      Dkr 1765

      Kort om værket

      • Influences: Naive art
      • Location: The Metropolitan Museum of Art
      • Title: Coat
      • Movement: Post-impressionism
      • Dimensions: 50 x 100 cm
      • Medium: Painting

      Kunstquiz

      Der er kun ét korrekt svar på hvert spørgsmål.

      Spørgsmål 1:
      What material is the white coat described as being made from?
      Spørgsmål 2:
      Against what type of background is the coat and mannequin displayed?
      Spørgsmål 3:
      Which famous designer referred to Balenciaga as 'the master of us all'?
      Spørgsmål 4:
      In which year was the featured coat created?
      Spørgsmål 5:
      Where was Cristóbal Balenciaga born?

      The Form and Composition of the Garment

      A white coat is positioned centrally on a mannequin against a neutral gray background. The composition follows a vertical orientation, with the straight lines of the garment contrasting against the slight diagonal formed by a corner in the room. The lighting is soft and diffused, originating from above and slightly in front of the subject, which produces gentle shadows within the folds of the fabric. This light defines the structured silhouette and the geometric shapes present in the construction. The color palette remains monochromatic, consisting of shades of white and gray. Subtle variations in tone create depth across the surface of the coat. The texture of the material appears smooth, while the gray wall behind it has a matte finish.

      Construction and Materiality

      The garment is a product of 1960, reflecting an era of experimentation through its architectural approach to clothing. It is constructed from ivory wool gabardine doublefaced gabardine, a material selected for its specific weight and ability to hold shape. The design emphasizes a sculptural quality, utilizing the properties of the fabric to manipulate form. The lines are clean and defined, particularly in the shoulder area where the construction minimizes seams to maintain structural integrity. This method of building the garment allows for a unified silhouette that avoids conventional waistlines. The use of ivory wool twill or similar heavy fabrics provides a certain stiffness that supports the intended shape of the coat.

      Context and Visual Intent

      The presentation of the coat as an object of study focuses on the intersection of fashion and sculptural art. The subject matter is presented with a minimalist aesthetic, stripping away decorative elements to focus on the interplay between volume and negative space. This approach draws from influences such as Surrealism and Cubism, where the emphasis lies on conceptual rigor and the distortion of traditional silhouettes. By placing the white garment against a plain gray backdrop, the viewer's attention is directed solely toward the construction and the way the fabric drapes. The simplicity of the monochromatic scheme contributes to a sense of calm and understated luxury, presenting the clothing as a study in restraint and precision.

      Spørgsmål & svar

      Hvorfor er ophavsretsstatus for "Coat" som den er?

      Ophavsretsstatus for "Coat" - stadig beskyttet af ophavsret - følger af kunstnerens død i 1972.

      Findes der værker, der ligner "Coat"?

      Siden Lignende værker for "Coat" af Cristóbal Balenciaga præsenterer relaterede kunstværker.

      Hvordan mødes stilart og epoke i "Coat" af Cristóbal Balenciaga?

      "Coat" tilhører Other-retningen, og dets skaber arbejdede i Moderne tid-æraen.


      Om kunstneren

      Cristóbal Balenciaga Eizaguirre: The Architect of Elegance

      Cristóbal Balenciaga Eizaguirre, simply known as Balenciaga, stands as a towering figure in the history of fashion – a true master who redefined women’s silhouettes and left an indelible mark on the world of haute couture. Born in 1895 in the small Basque fishing village of Getaria, Spain, his journey from humble beginnings to international acclaim is a testament to his innate talent, relentless dedication, and profound understanding of materials and form. Balenciaga's legacy isn’t merely about beautiful clothes; it’s about a revolutionary approach to design, one that prioritized structure, precision, and an almost sculptural quality rarely seen before him. His influence continues to resonate today, inspiring designers who seek to create garments with both timeless elegance and groundbreaking innovation.

      Early Life and Artistic Foundations

      Balenciaga's early life was deeply intertwined with the world of textiles and craftsmanship. Growing up in Getaria, he spent much of his childhood assisting his mother, a seamstress, learning the fundamental skills that would later become the bedrock of his extraordinary career. This formative experience instilled within him an unparalleled respect for materials – their weight, drape, and potential – a characteristic that set him apart from many of his contemporaries. At the age of twelve, he apprenticed with a tailor in San Sebastián, a coastal city renowned for its artistic community and burgeoning fashion scene. It was here that he began to hone his skills, absorbing techniques and developing an eye for detail that would become hallmarks of his designs. A pivotal moment arrived when the Marchioness de Casa Torres, a prominent figure in Spanish society, recognized Balenciaga’s exceptional talent and became his patron, sending him to Paris for formal training – a crucial step that opened doors to the heart of the fashion world.

      Parisian Innovation and Influences

      Balenciaga's arrival in Paris marked the beginning of an era of experimentation and groundbreaking design. He quickly established himself as a formidable force within the Parisian couture scene, working under Jacques Doucet at the prestigious Au Louvre department store. It was during this period that he began to develop his signature style – characterized by its dramatic volumes, sharp angles, and masterful manipulation of fabric. He drew inspiration from a diverse range of sources, including Spanish Renaissance art (particularly the works of Diego Velázquez), flamenco dance, and the traditional attire of Spanish matadors. These influences manifested in his designs through bold color combinations, intricate embellishments, and a distinctly sculptural aesthetic. Crucially, Balenciaga’s work was profoundly shaped by Coco Chanel, with whom he maintained a close friendship and mutual respect – a relationship that further solidified his position as a leading innovator.

      The Sculptural Silhouette and Revolutionary Designs

      Balenciaga's most significant contribution to fashion lies in his radical reimagining of the female silhouette. He moved away from the prevailing hourglass shapes popularized by Christian Dior’s “New Look” after World War II, instead favoring fluid lines, dramatic volumes, and a focus on architectural form. His designs were often described as "sculptural," with garments that appeared to be constructed rather than draped. Key innovations included the “barrel line,” which created a powerful shoulder line; the sack dress, a deceptively simple yet revolutionary design that eliminated the waistline; and the baby doll dress, a playful yet sophisticated creation that redefined feminine elegance. These designs were not merely fashionable; they were statements – bold declarations of Balenciaga’s artistic vision and his unwavering commitment to pushing the boundaries of couture.

      Legacy and Enduring Influence

      Cristóbal Balenciaga's career spanned over five decades, during which he consistently challenged conventions and elevated the art of fashion. His influence extends far beyond the garments he created; it permeates contemporary design, inspiring generations of stylists, designers, and artists. The Musée Cristóbal Balenciaga in Getaria serves as a poignant reminder of his humble origins and a testament to his enduring legacy. His meticulous approach to construction, his masterful use of materials, and his unwavering pursuit of perfection continue to be studied and admired by fashion professionals worldwide. Balenciaga remains not just a designer, but an architect of elegance – a true visionary who forever changed the landscape of haute couture.
      Cristóbal Balenciaga

      Cristóbal Balenciaga

      1895 - 1972 , Spanien

      Hurtige fakta

      • Artistic Movement Or Style: Avantgarde kunst / Surrealisme
      • Artists Or Movements Influenced By This Artist:
        • Christian Dior
        • Coco Chanel
      • Artists Who Influenced This Artist: ['Hubert de Givenchy']
      • Date Of Birth: 21. januar 1895
      • Date Of Death: 23. marts 1972
      • Full Name: Cristóbal Balenciaga Eizaguirre
      • Nationality: Spansk
      • Notable Artworks:
        • Study 'Song of Songs IV'
        • Trærod
        • Akrobat
      • Place Of Birth: Getaria, Spanien
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