Se i rummet
Del som kort
Del
Detaljer
Guide
Download
Lignende værker
Røntgenundersøgelse
Diasshow
Q&A
StatistikkerIn a Fog
1897
123.0 x 184.0 cm
Vis mere
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Standardstørrelse
speciallavet
CM
INCH
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Loading sizes...
bredde
højde
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (29 oktober)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
100 dages returret ved fabrikationsfejl
100% fuld returret
Mængderabat ved flere køb
Glasmulighed er kun tilgængelig i størrelser under 110 cm
In a Fog
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
Dkr 461
The painting "In a Fog" by David Farquharson is a beautiful depiction of animals in a field with trees in the background. Created in 1897, this oil on canvas painting measures 123 x 184 cm and is currently located at the Tate Britain in the United Kingdom.
To discover more about David Farquharson and his work, visit Wikipedia at https://en.wikipedia.org/wiki/David_Farquharson.
Composition and Style
The composition of the painting is serene and peaceful, capturing the beauty of nature and the harmony between humans and animals. The use of warm colors and soft brushstrokes creates a sense of calmness, drawing the viewer into the scene. The painting features several cows scattered throughout the field, some standing close to each other while others are more spread out. A horse can also be seen grazing on the grass near the center of the image.Artist and Museum
David Farquharson was a Scottish painter known for his landscape paintings. His work is characterized by its attention to detail and use of light and color. The Tate Britain is a renowned museum in the United Kingdom, housing a vast collection of British art from 1500 to the present day. To learn more about David Farquharson and his work, visit /art/list/?Filter=AQZDKJ-David-Farquharson-In-a-Fog.- The painting "In a Fog" is a prime example of landscape painting from the late 19th century.
- The use of oil on canvas creates a sense of depth and texture in the painting.
- The Tate Britain is one of the largest and most visited museums in the United Kingdom, with a collection of over 70,000 artworks.
To discover more about David Farquharson and his work, visit Wikipedia at https://en.wikipedia.org/wiki/David_Farquharson.
Spørgsmål og svar
Hvor kan jeg se en forhåndsvisning af "In a Fog"?
For at se en forhåndsvisning af en reproduktion af "In a Fog" af David Farquharson, skal du åbne værkets Forhåndsvisning-side.
Hvor harmonisk er farvevalget i "In a Fog" af David Farquharson?
Farverne i "In a Fog" af David Farquharson udviser en Discordant Palette harmoni. Harmoni beskriver, hvordan farverne relaterer sig til hinanden.
Hvor mange ser "In a Fog"?
Siden Besøgsstatistik for "In a Fog" af David Farquharson præsenterer statistikker over offentlige besøg: månedlige besøg af dette kunstværk, en sammenligning med kunstnerens mest sete værker og hvor de besøgende kommer fra.
Kunstnerbiografi
David Farquharson (1839–1907): A Master of Atmospheric Highland Landscapes
David Farquharson, born in Blairgowrie, Perthshire, Scotland, in 1839, emerged as a singular figure in late nineteenth-century Scottish landscape painting. Largely self-taught despite exhibiting at the Royal Scottish Academy from 1868, he developed a distinctive artistic vision characterized by tonalism—a technique heavily influenced by Gustave Courbet and Eugène Corot—that captured the sublime beauty of Scotland’s Highland terrain with remarkable sensitivity. His oeuvre reflects not merely visual observation but an emotional engagement with the natural world, conveying mood and atmosphere as much as topographical accuracy.- Early Life & Training: Farquharson's formative years were spent in Perthshire, where he absorbed the rugged landscapes of his surroundings. Unlike many artists of his time who pursued formal academic training, he honed his skills through independent experimentation and tireless dedication to his craft.
- Career Progression: He began exhibiting at the Royal Academy from 1877, steadily gaining recognition for his evocative depictions of Scottish highlands and valleys. His election as Associate in 1905 marked a significant milestone, acknowledging his established reputation within the artistic community. Subsequently, he moved to Sennen Cove, Cornwall, continuing to revisit Scotland and maintaining an active studio practice until his death in 1907.
Style & Technique: The Influence of Corot and Tonalism
Farquharson’s artistic style is undeniably rooted in the principles of tonalism, a movement championed by Courbet and Corot that prioritized capturing the essence of light and shadow to convey emotion rather than striving for photographic realism. He achieved this effect through layering thin washes of pigment—often muted browns and greys—to create subtle gradations of tone that enveloped his subjects in an ethereal haze. This approach wasn’t merely stylistic; it reflected Farquharson's profound belief in the expressive power of color and texture to communicate psychological states. The resulting paintings possess a palpable sense of stillness and contemplation, inviting viewers to immerse themselves in the mood of the scene.- Color Palette: Farquharson favored a restrained palette dominated by earthy hues—ochres, browns, greys—that mirrored the muted tones of Highland peat mosses and misty landscapes.
- Brushwork: His distinctive brushstrokes were loose and expressive, conveying movement and texture without resorting to meticulous detail.
Notable Works & Landscapes
Farquharson’s artistic output encompassed a diverse range of subjects, primarily focusing on Highland landscapes—particularly the hills and moors of Perthshire—river valleys in England and Holland, and views bathed in atmospheric conditions. Among his most celebrated paintings are “In a Fog,” “The Forest of Meiklour, Perthshire” and “Early Morning on Beer Common, South Devon.” These works exemplify his mastery of tonalism and demonstrate his ability to capture the sublime beauty of nature with profound emotional resonance. The Royal Academy recognized his talent by showcasing his paintings repeatedly from 1877 to 1904.Historical Significance & Legacy
David Farquharson’s contribution to Scottish landscape painting is considerable. He stands apart as a self-taught artist who successfully assimilated the stylistic innovations of Corot and Courbet into his own distinctive vision, establishing himself as one of Scotland's foremost painters of the Victorian era. His paintings continue to inspire admiration for their atmospheric quality and emotional depth, securing his place within the canon of Romantic art and cementing his reputation as a champion of tonalism—a technique that profoundly impacted subsequent generations of artists.Further Resources
David Farquharson
1839 - 1907 , United Kingdom
Kort om kunstneren
- Full Name: David Farquharson
- Nationality: Scottish
- Date Of Birth: 1839
- Date Of Death: 1907
- Place Of Birth: Perthshire, United Kingdom
- Notable Artworks:
- In a Fog
- The Forest of Meiklour, Perthshire
- Early Morning on Beer Common, South Devon
- Artistic Movement Or Style: Romanticism; Tonalism; Corot influence
- Artists Who Influenced This Artist:
- George Caleb Bingham
- Jean-Baptiste Camille Corot