Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (31 oktober)
Bird Land-Chrysler
Størrelse på reproduktion
In the vibrant and often dreamlike realm of contemporary Korean art, Kim Joon stands as a master of digital storytelling, weaving intricate tapestries of desire and memory. His work, Bird Land-Chryslam, is a breathtaking testament to this ability, presenting a visual feast that defies the boundaries of reality. At first glance, the viewer is swept into a kaleidoscopic universe where the distinction between the organic and the manufactured begins to dissolve. The canvas is alive with a rhythmic dance of creatures—fish gliding through unseen currents, birds poised in mid-flight, and horses captured in moments of grace—all set against a striking palette of deep blues and fiery reds. This chromatic tension creates an immediate emotional pull, drawing the eye into a complex landscape where every corner holds a new discovery.
The composition is a masterful exercise in controlled chaos. Scattered throughout this menagerie are various bottles, their diverse shapes and sizes acting as anchors within the swirling motion of the animals. These objects introduce a layer of domesticity and stillness that contrasts sharply with the kinetic energy of the fauna. This juxtaposition is a hallmark of Kim Joon’s unique aesthetic; he possesses a singular talent for taking disparate elements—from Western pop culture icons to delicate porcelain motifs—and fusing them into a cohesive, albeit surreal, narrative. The presence of these vessels suggests a sense of containment or perhaps a collection of memories, much like specimens preserved in time, inviting the viewer to contemplate the fragility of the beauty on display.
While the visual impact of Bird Land-Chrysler is profoundly painterly, its soul resides in the precision of digital printing. Kim Joon utilizes the digital medium not merely as a tool for reproduction, but as a primary site of creation. This allows for an unprecedented level of detail, where the subtle textures of a feather or the glint of light on glass can be rendered with hyper-realistic clarity. The artist’s ability to manipulate imagery enables him to construct "fabricated compositions" that feel both impossible and intensely tangible. By layering digital elements, he achieves a depth of field that mimics the complexity of a classical oil painting while embracing the limitless possibilities of the modern age.
For the discerning collector or interior designer, this piece offers more than just visual splendor; it provides a profound intellectual engagement. The artwork serves as a bridge between tradition and modernity, echoing the delicate elegance of historical porcelain through a lens of contemporary digital innovation. It is a work that demands attention in any space, acting as a sophisticated focal point that sparks conversation and invites deep introspection. Whether placed in a minimalist gallery setting or a richly textured residential interior, Bird Land-Chrysler radiates an aura of curated wonder, making it an exquisite choice for those looking to infuse their environment with the spirit of contemporary Korean mastery.
Med sin Playful stemning foreslås "Bird Land-Chrysler" til et Coworking.
"Bird Land-Chrysler" er udført i Digital og måler 2100 x 1200 cm i sin oprindelige form.
Kim, Joon skabte "Bird Land-Chrysler" i en alder af 42. Kunstneren blev født i 1966, og værket er dateret 2008.
1966 - , South Korea