Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Køb håndmalet maleri
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (9 november)
Barter
Størrelse på reproduktion
Milton Viola Fernandes’ 1979 work, "Barter," is more than just a charming cartoon; it's a vibrant snapshot of Brazilian culture and a testament to the artist’s keen observational humor. Measuring 97 x 100 cm, this piece immediately draws the eye with its bold color palette and whimsical depiction of two figures engaged in what appears to be a transaction within the confines of a swimming pool setting. The scene, rendered with a distinctly naive yet engaging style, captures a moment of negotiation – a man offering a fish to a woman wielding a spear – instantly inviting contemplation about value, exchange, and perhaps even survival.
Born in Rio de Janeiro in 1923 as Milton Viola Fernandes (later adopting the moniker “Millôr”), Fernandes was a pivotal figure in Brazilian satirical art. His career, spanning from the late 1930s through 2012, was deeply intertwined with the spirit of dissent and social commentary that flourished during Brazil’s turbulent mid-20th century. Fernandes' work frequently appeared in publications like *O Cruzeiro* and *A Cigarra*, establishing his reputation for ironic wit and sharp observation. Crucially, he was a co-founder of *O Pasquim*, a groundbreaking satirical newspaper that challenged the authoritarian regime of Getúlio Vargas and later, during the military dictatorship, became a vital voice of opposition. “Barter,” with its playful depiction of exchange, aligns perfectly with this tradition – a subtle yet pointed critique of power dynamics and the necessity of adaptation.
The artwork’s execution is characterized by a loose, cartoon-like style, typical of Fernandes' approach. Bold lines define the figures and their surroundings, while vibrant colors contribute to the overall sense of energy and playfulness. The artist skillfully employs perspective to create depth within the confined space of the pool, drawing the viewer into this miniature world. The inclusion of several fish – both large and small – adds a layer of visual interest and subtly reinforces the theme of exchange and abundance. The two birds perched strategically in the composition further enhance the artwork's narrative quality, adding to its overall charm.
"Barter" transcends a simple depiction of a poolside scene; it’s laden with symbolic weight. The man offering the fish can be interpreted as representing vulnerability and resourcefulness, while the woman with the spear embodies strength and protection. The act of bartering itself speaks to fundamental human needs – survival, security, and perhaps even social status. The mountainous backdrop provides a sense of scale and grandeur, grounding the scene in a broader context. Ultimately, "Barter" evokes a feeling of gentle amusement mixed with a quiet contemplation on the complexities of human interaction and the enduring need for negotiation. This piece is a beautiful example of Millôr Fernandes' unique artistic voice and his ability to capture both the humor and the heart of Brazilian society.
"Barter" tilhører Cartoon Illustration-retningen, og dets skaber arbejdede i Moderne tid-æraen.
"Barter" af Milton Viola Fernandes kombinerer Acrylic On Canvas-teknikken med Cartoon Illustration-stilen. Teknik og stilart beskriver værkets fremstilling og æstetiske udtryk.
"Barter" blev skabt i 1979 som et værk inden for Cartoon Illustration-bevægelsen. Datoen og stilen forankrer kunstværket i kunsthistorien.
1923 - 2012 , Brasilien