Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (26 oktober)
Ensemble
Reproduktionsstørrelse
Born in Porterville, California, in 1961, Richard Saturnino Owens – often simply known as Rick Owens – isn’t merely a fashion designer; he's a sculptor of atmosphere, a weaver of unsettling beauty. His work defies easy categorization, existing somewhere between avant-garde experimentation and a deeply rooted fascination with the primal, the melancholic, and the inherently human. From his early days immersed in the gritty art scene of Los Angeles to his current residence and atelier in Paris – a former home to President Mitterrand – Owens has cultivated a singular aesthetic that continues to challenge and provoke.
Owens’s artistic journey began with formal training in art and pattern-making, experiences that instilled in him a profound understanding of construction and form. However, he quickly rejected the conventional dictates of the garment industry, eschewing mass production and embracing a philosophy of “antifashion.” This wasn't simply about rejecting trends; it was a deliberate attempt to strip away the superficiality and commercialism of contemporary style, revealing instead a raw, almost brutal honesty in his designs. His early work, characterized by deconstructed silhouettes and stark contrasts, immediately signaled a departure from established norms.
Owens’s signature aesthetic is instantly recognizable: voluminous, often draped garments that seem to defy gravity; the deliberate use of asymmetry and negative space; and a consistent palette dominated by black, grey, and deep burgundy. These elements aren't merely stylistic choices; they are carefully considered tools for creating a specific emotional response in the viewer. He frequently incorporates unconventional materials – felt, leather, wax – lending his creations a tactile quality that invites touch and exploration. His designs often evoke images of ruins, forgotten rituals, and a haunting sense of solitude.
Crucially, Owens’s work is deeply influenced by his personal life and experiences. His mother, a Mexican immigrant, instilled in him a respect for tradition and craftsmanship, while his upbringing in a conservative Catholic household fostered a fascination with the darker aspects of human existence – themes that consistently surface in his collections. The collaboration with Michèle Lamy, his partner and muse, has been instrumental in shaping his creative vision, bringing a countercultural sensibility and an unapologetic embrace of the unconventional.
The move to Paris in 2003 proved pivotal for Owens’s career. The city's rich history of artistic experimentation and its vibrant underground culture provided fertile ground for his creative explorations. He established a home and studio within a historic building, creating a space that mirrored the atmosphere he sought to convey through his designs – a blend of decay, grandeur, and unsettling beauty.
Beyond clothing, Owens has successfully diversified his brand, venturing into furniture design, diffusion lines (such as DRKSHDW and SLAB), and collaborations with artists like Salvia. These ventures demonstrate a broader artistic ambition, reflecting his desire to create a holistic environment that embodies his unique aesthetic vision. His furniture line, in particular, showcases the same meticulous attention to detail and sculptural sensibility found in his clothing.
Rick Owens’s impact on contemporary fashion is undeniable. He has consistently pushed boundaries, challenging conventional notions of beauty and style. His work has been embraced by a diverse range of influential figures – from Kate Moss to Rihanna – solidifying his position as a leading voice in avant-garde design. In 2017, he received the CFDA Lifetime Achievement Award, recognizing his enduring influence and artistic integrity.
Currently, Owens continues to explore new creative avenues, demonstrating an unwavering commitment to his distinctive vision. His retrospective exhibition at the Triennale di Milano in 2017, “Subhuman Inhuman Superhuman,” offered a comprehensive overview of his career, underscoring his profound impact on fashion and art alike. Rick Owens remains not just a designer, but a provocateur – an artist who compels us to confront our own perceptions of beauty, darkness, and the enduring mysteries of the human condition.
1961 - , United States of America