What is the thematic context of Being With (Être Avec)?

surrealism, freud, war anxieties, social critique, abstract expressionism

Is Being With (Être Avec) under copyright?

Yes, this artwork is still under copyright.

What topics does Being With (Être Avec) explore?

surrealism, architecture, sexuality, anxiety, figures, maze, 1946

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Roberto Matta
Being With (Être Avec)

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Being With (Être Avec)

Acrylic On Canvas
WallArt
Surrealist Abstraction
1946
Contemporary
221.0 x 457.0 cm
Metropolitan Museum of Art

Roberto Matta's "Being With" (1946) is a surrealist masterpiece depicting labyrinthine architecture and unsettling figures, reflecting societal anxieties of the post-war era.

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Explore the surreal world of Roberto Matta (1911-2002)! Discover his biomorphic art, Chilean heritage & influence on Abstract Expressionism. A 20th-century icon.

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Detaljer om indgraveret bronzetavle

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

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The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

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This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Being With (Être Avec)

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Year: 1946
Notable elements: Labyrinthine structure
Influences:
- Freud
- Magritte
Title: Being With
Movement: Surrealism, Abstract Expressionism
Artistic style: Biomorphic abstraction
Artist: Roberto Matta

Kunstquiz

Der er kun ét korrekt svar på hvert spørgsmål.

Spørgsmål 1:

What is the primary subject depicted in Roberto Matta’s ‘Being With’?

A serene landscape with a single figure.

A labyrinthine architectural structure and distorted humanoid figures engaged in sexual activity.

An abstract representation of human emotions.

Spørgsmål 2:

In what year was Roberto Matta’s ‘Being With’ painted?

1939

1946

1952

Spørgsmål 3:

According to the description, what societal crisis influenced Matta’s ‘social morphologies’?

The rise of consumerism.

The aftermath of World War II.

Technological advancements.

Spørgsmål 4:

What architectural style is referenced in the description as influencing Matta’s work?

Baroque

Surrealism and Le Corbusier

Art Deco

Spørgsmål 5:

What is the approximate size of ‘Being With’?

221 x 457 cm

100 x 200 cm

300 x 600 cm

Beskrivelse af samlerobjektet

The Labyrinthine Psyche: Exploring Roberto Matta’s “Being With”

Roberto Matta's "Being With" (1946) isn’t merely a painting; it’s an immersion into the fractured, dreamlike landscape of the subconscious. Painted during his formative years in New York City – a period deeply influenced by the anxieties and transformations following World War II – this monumental canvas pulsates with a potent blend of Surrealist imagery, architectural distortion, and unsettling human forms. Matta, a Chilean artist who navigated the currents of European avant-garde movements before establishing himself as a key figure in American Abstract Expressionism, crafted a work that speaks directly to the societal unease of the time, reflecting on the very act of “being” within a world grappling with profound change.

A Symphony of Architectural Distortion

The painting’s immediate impact is one of overwhelming complexity and disorientation. A dense, labyrinthine structure dominates the composition – a chaotic assemblage of towering buildings, bridges, and fragmented walls that seem to both contain and simultaneously repel the viewer. These aren't recognizable architectural forms; rather, they are warped, elongated, and interwoven in a manner reminiscent of Escher’s impossible geometries. Matta masterfully employs perspective to create an illusion of depth, drawing us into this claustrophobic world where scale is distorted and spatial relationships defy logic. The yellow wall serves as a stark backdrop, amplifying the sense of unease and highlighting the figures within.

The humanoid figures scattered throughout the scene are rendered in a deliberately ambiguous style – often partially obscured, contorted, or engaged in unsettling, almost ritualistic interactions. These aren’t portraits; they represent archetypal anxieties about human connection, isolation, and perhaps even the loss of identity within a rapidly changing world. Their positions suggest a struggle for agency amidst this overwhelming architectural maze.

Surrealism, Social Commentary, and the “Social Morphologies”

Matta’s work during the mid-to-late 1940s, collectively known as "social morphologies," represents a significant shift in his artistic approach. He moved beyond purely personal explorations of the subconscious to address broader societal concerns – specifically, the psychological impact of war and the anxieties surrounding the rise of modernity. “Being With” embodies this shift perfectly; it’s not just a dreamscape but a visual metaphor for the collective trauma experienced by humanity after World War II. His engagement with Surrealism provided him with the tools to express these complex emotions through symbolic imagery and distorted forms, while his architectural background informed the painting's intricate structure.

The Emotional Resonance of a Fragmented Reality

“Being With” is profoundly unsettling yet undeniably captivating. It evokes a sense of claustrophobia, disorientation, and perhaps even dread – mirroring the psychological state of a world reeling from conflict and uncertainty. However, amidst this darkness, there’s also a strange beauty in the painting's complexity and its exploration of the human condition. The vibrant colors, combined with Matta’s masterful use of line and texture, create a dynamic visual experience that invites repeated contemplation. It’s a work that lingers in the mind long after it has been viewed, prompting viewers to confront their own anxieties about existence and the nature of reality. Reproductions capture only a fraction of this powerful emotional depth.

Kunstnerens biografi

Roberto Matta: A Surrealist Visionary

Born: November 11, 1911, Santiago, Chile
Died: March 23, 2002, Civitavecchia, Italy

Roberto Sebastián Antonio Matta Echaurren, known as Roberto Matta, was a Chilean painter and architect who significantly impacted abstract expressionism and surrealist art. His journey from architecture student to influential artist reflects a profound exploration of the subconscious mind and a unique artistic vision.

Early Life and Artistic Development

Education: Studied architecture at the Pontificia Universidad Católica de Chile, graduating in 1935.
European Influences: Travels to Europe exposed him to prominent artists like René Magritte, Salvador Dalí, André Breton, and Le Corbusier, shaping his artistic style.
Surrealist Engagement: Became a key figure within the Surrealist movement, embracing its exploration of dreams, the subconscious, and challenging conventional reality. His work was heavily influenced by Sigmund Freud's psychoanalytic theories.

Key Artistic Characteristics and Influences

Biomorphic Forms: Matta’s paintings are characterized by organic shapes and forms reminiscent of living organisms, a hallmark of his style.
Psychological Landscapes: His works often depict dreamlike landscapes that evoke psychological states and emotions.
Abstract Expressionism: While rooted in Surrealism, Matta's work significantly contributed to the development of Abstract Expressionism through its emphasis on gesture, color, and emotional expression. He collaborated with artists like Mark Rothko and Jackson Pollock.
Modernismo Influence: His connection to the Modernismo art movement is evident in his use of Latin and Greek mythology and medieval verses.

Major Works and Political Engagement

Notable Paintings: Being with, Invasion of the Night, and Verbo América are among his most recognized works.
Mural "The First Goal of the Chilean People": A large-scale mural painted in 1973 was later covered by the military regime of Augusto Pinochet. It was rediscovered and restored in 2008, now displayed at La Granja City Hall. This work demonstrates his political engagement and commentary on social issues.
Ceramic Vessels: Matta also explored ceramic art, creating vessels with surrealist imagery and ancient motifs (as seen in "Senza titolo").

Legacy and Historical Significance

Influence on Subsequent Artists: Matta’s innovative use of color, form, and psychological themes inspired generations of artists.
Museum Recognition: His works are held in prestigious collections including the Museum of Modern Art (MoMA) in New York City and the Butler Institute of American Art.
Continued Relevance: Matta’s exploration of the subconscious mind, his blending of surrealism and abstraction, and his engagement with political themes continue to resonate with contemporary audiences.

Roberto Matta

1911 - 2002 , Chile

Kort om kunstneren

Artistic Movement Or Style:
- Surrealism
- Abstract Expressionism
Artists Or Movements Influenced By This Artist: ['Abstract Expressionism']
Artists Who Influenced This Artist:
- Sigmund Freud
- André Breton
- René Magritte
Date Of Birth: November 11, 1911
Date Of Death: November 23, 2002
Full Name: Roberto Sebastián Antonio Matta Echaurren
Nationality: Chilean
Notable Artworks:
- Being with
- Invasion of the night
- First goal of Chilean people
- Snail’s Trace
- Verbo América
Place Of Birth: Santiago, Chile

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Kunstnerens biografi

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P805H $10

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P919G $10

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P959ZH $10

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W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

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W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

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Beskrivelse af samlerobjektet

The Labyrinthine Psyche: Exploring Roberto Matta’s “Being With”

A Symphony of Architectural Distortion

Surrealism, Social Commentary, and the “Social Morphologies”