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StatistikSuchness
Oil- WallArt
- Minimalism
1993- Contemporary
39.0 x 39.0 cm
Government Art Collection
A striking red and black geometric abstraction by Trevor Sutton from 1993 captures a profound sense of minimalist intensity, inviting you to explore the quiet power of this exceptional contemporary masterpiece.
Læs mere
Explore the evocative art of Trevor Sutton – a TopImpressionists artist known for his unique style and captivating imagery. Discover his evolving body of work.
Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Bestil håndmalet reproduktion Skift til digitalt billede)
Standardstørrelse
speciallavet
CM
INCH
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
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bredde
højde
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (16 oktober)
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Suchness
Giclée / Kunsttryk
Reproduktionsstørrelse
-
Samlet pris
Dkr 456
The Essence of Geometric Silence
In the realm of abstract minimalism, few works command attention with such quiet authority as Trevor Sutton’s Suchness. Created in 1993, this striking composition serves as a masterclass in the power of restraint. At first glance, the viewer is met with a vibrant, pulsating red field that seems to radiate warmth and energy from the canvas. Yet, anchored within this sea of crimson is a singular, profound focal point: a deep black square, meticulously framed by a crisp white border. This deliberate arrangement creates a visual tension that pulls the eye inward, inviting a meditative state of contemplation. The painting does not shout for attention through complexity; instead, it achieves a monumental presence through the sheer purity of its geometric forms.
The technique employed in Suchness reflects Sutton’s deep-seated engagement with architectural precision and the disciplined aesthetics of the late twentieth-century abstraction movement. The application of color appears seamless, creating a flat, almost infinite plane that challenges our perception of depth. By utilizing a stark white boundary to separate the black void from the red expanse, Sutton creates an optical phenomenon where the central square seems to hover, suspended in a state of eternal equilibrium. This interplay of light and shadow—or rather, the absence of traditional shading—relies entirely on color theory and edge definition to evoke a sense of three-dimensional space within a two-dimensional medium.
Symbolism and the Concept of Suchness
The title itself, Suchness, offers a profound window into the philosophical soul of the artwork. Derived from the Buddhist concept of Tathātā, it refers to the true nature of reality—the way things are, stripped of all mental projections, labels, and delusions. Sutton translates this metaphysical idea into a visual language of absolute clarity. The black square represents a void of pure potential, a centered stillness that remains unmoved by the surrounding intensity of the red background. To look upon this piece is to encounter a moment of unadulterated truth, where the complexity of the world falls away, leaving only the fundamental essence of form and color.
For the discerning collector or interior designer, Suchness offers more than mere decoration; it provides an emotional anchor for a space. Its bold, primary-adjacent palette makes it a commanding centerpiece in modern, minimalist, or contemporary settings, capable of stimulating intellectual dialogue while maintaining a sense of calm. Whether placed in a high-end gallery setting or as a focal point in a sophisticated residential lounge, the painting acts as a window into a more disciplined and focused way of seeing. It is an invitation to pause, to breathe, and to find beauty in the most fundamental elements of our visual existence.
Spørgsmål & svar
Hvad er den dominerende farvetone i "Suchness" af Trevor Sutton?
Den dominerende nuance i "Suchness" af Trevor Sutton er Amber to Saffron. Nuancen er den underliggende tone i farvepaletten.
Hvilken følelsesmæssig tone ledsager Minimalism-stilen i "Suchness"?
Den Reflective følelse i "Suchness" ledsager dens Minimalism stil.
Findes der et diasshow til "Suchness" af Trevor Sutton?
Et diasshow er tilgængeligt på siden Diaporama for "Suchness" af Trevor Sutton.
Om kunstneren
Trevor Sutton: Architect of Quiet Intensity
Trevor Sutton (born Romford, Essex, 1948) is a British painter and printmaker whose distinctive approach to abstraction—characterized by meticulous geometric forms and restrained color palettes—has garnered international acclaim. His work explores the relationship between perception and space, reflecting a profound engagement with architectural principles and a deep fascination for the subtle interplay of light and shadow. Sutton’s artistic journey began at Hornsey College of Art in 1967, where he honed his skills in drawing and painting before graduating from Birmingham Polytechnic in 1972. This formative period instilled in him a disciplined aesthetic sensibility that would permeate his subsequent explorations of visual language.- Early Influences: Sutton’s artistic vision was shaped by encounters with Minimalism and Conceptual Art, movements that championed simplicity and intellectual rigor. Artists like Josef Albers and Agnes Martin served as crucial models for his stylistic development, encouraging him to prioritize form over ornamentation and to distill visual ideas into their purest expressions.
- The Grid System: Sutton’s unwavering commitment to geometric abstraction is embodied in his use of the grid—a technique he adopted early in his career and continues to employ throughout his oeuvre. He sees the grid not merely as a compositional device but as a conceptual framework that embodies fundamental principles of spatial organization. “It stops me having to think,” Sutton has explained, “I want to describe it as a safety net.”
Exploring Spatial Dynamics: From Early Collages to Monumental Paintings
Sutton’s artistic evolution can be traced through a series of meticulously crafted collages and paintings that delve into the complexities of visual perception. His initial explorations focused on exploring the interplay between color and texture, utilizing layered materials—often paper and pigment—to create surfaces that evoke atmospheric depth and subtle shifts in tonal hue. These early works established his signature style: a quiet confidence in form and color combined with an unwavering attention to detail. Notable pieces include “Not One Thing II” (1995), which captures the mood of a stormy seascape through expressive brushwork, and “Wisbech” (1995), a circular oil painting that embodies celestial duality—a testament to Sutton’s ability to transform observation into evocative visual narratives.- Notable Exhibitions: Sutton's work has been showcased in prestigious galleries across Europe and North America, cementing his reputation as one of Britain’s leading contemporary artists. Solo exhibitions include Katsura Imperial Villa at AIS/Concept Space in Shibukawa, Japan; Blue Lightning at Cairn Gallery, Fife; Small World at Zuleika Gallery, Woodstock; and most recently, “Hidden Architecture” at Post Room gallery in London.
- Recognition: Sutton’s artistic achievements have been recognized by institutions such as Tate London, British Council, Arts Council England, Aberdeen Art Gallery, Sainsbury Centre UEA, Pallant House Chichester, Ballinglen Museum of Art Ireland, and Artothèque de Limousin France.
The Influence of Architecture and Observation
Sutton’s artistic practice is fundamentally rooted in his profound engagement with architectural spaces—both built environments and internal landscapes—and his meticulous observation of natural phenomena. He draws inspiration from the rhythms and patterns inherent in geological formations, urban vistas, and celestial skies, translating these sensory experiences into visual representations that prioritize clarity and understated beauty. His paintings are often described as “quiet,” reflecting Sutton’s belief that art should invite contemplation rather than demanding immediate attention. As he himself has stated, "I want to describe it as a safety net."Legacy and Continuing Exploration
Trevor Sutton's enduring contribution to contemporary art lies in his unwavering commitment to geometric abstraction—a stylistic choice that transcends temporal trends while simultaneously conveying profound emotional resonance. His meticulous technique, combined with his sensitivity to spatial dynamics and color harmony, ensures that his work continues to captivate audiences worldwide. Currently residing in London, Sutton remains actively engaged in artistic creation, exploring new visual vocabularies and pushing the boundaries of abstraction—a testament to his lifelong pursuit of aesthetic excellence.
Trevor Sutton
1948 -
Hurtige fakta
- Artistic Movement Or Style: Minimalism
- Artists Or Movements Influenced By This Artist: ['Geometric Abstraction']
- Artists Who Influenced This Artist:
- Kazimir Malevich
- Josef Albers
- Date Of Birth: 1948
- Full Name: Trevor Sutton
- Nationality: British
- Notable Artworks:
- Not One Thing II
- Wisbech
- Place Of Birth: Romford, Essex
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