Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (22 oktober)
Daughter
Reproduktionsstørrelse
In the evocative photograph titled Daughter, photographer Vibhor Yadav invites us into a moment of profound simplicity and unyielding joy. Captured in 2021 as part of the Wise Wall Project, this piece serves as more than just a portrait; it is a window into the heart of the Maasai community in Arusha, Tanzania. The subject, a young girl adorned in a vibrant purple dress, stands before the textured, earthy backdrop of a brick wall, her smile radiating a warmth that transcends geographical boundaries. Holding a stuffed animal close, she embodies a universal sense of childhood innocence, yet there is an underlying strength in her gaze that speaks to the resilience of rural communities facing the modern challenges of migration and shifting social landscapes.
Yadav’s mastery lies in his ability to utilize documentary photography as a medium for storytelling, blending the raw reality of life in Tanzania with a fine-art sensibility. The composition is grounded by the natural, unrefined textures of the dirt ground and the weathered masonry, creating a tactile experience for the viewer. Through his lens, the mundane elements of a village setting are elevated to something poetic. The interplay of light and shadow on the girl's face and the saturated hue of her clothing create a focal point that draws the eye inward, demanding an emotional connection with the subject’s quiet dignity.
Beyond the immediate visual charm, Daughter carries deep symbolic weight. The stuffed toy held by the child acts as a bridge between the harsh realities of rural existence and the soft, protected world of childhood dreams. It represents the preservation of hope amidst the struggle for basic amenities like water and education. As part of an initiative aimed at documenting the wisdom of marginalized villages, Yadav’s work functions as a visual archive of cultural heritage. The photograph captures a fleeting moment of peace that stands in stark contrast to the systemic challenges faced by the Maasai people, making the image a poignant commentary on the endurance of the human spirit.
For the collector or interior designer, this piece offers a sophisticated narrative for any curated space. It is an artwork that breathes life into a room, providing a conversation piece that is both culturally significant and aesthetically captivating. The earthy tones and the striking pop of purple allow it to integrate seamlessly into contemporary, minimalist, or rustic decors, offering a sense of groundedness and global perspective. To possess a reproduction of this work is to hold a fragment of a larger story—a story of community, strength, and the enduring beauty found in the most unexpected corners of our world.
Nej – kunstværket opbevares i udlandet. "Daughter" findes i World, mens Vibhor Yadav blev født i Indien.
Vibhor Yadavs gennemgående temaer inkluderer tanzanian rural life, maasai community culture, documentary storytelling, social reality documentation, community resilience; "Daughter" fokuserer på girl, purple dress, stuffed animal, brick wall, smiling, outdoor setting.
"Daughter" er udført i Photography i Contemporary Realism-stil.
1991 - , Indien