Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion
Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end billedet, så en størrelse med en anden form vil miste en del af motivet. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (24 oktober)
Fall, Assinibone River
Reproduktionsstørrelse
Walter Joseph Phillips (1884-1963) was an English-born Canadian painter and printmaker celebrated for his pivotal role in popularizing the colour woodcut technique within Canada. His work beautifully captures the essence of the Canadian landscape, particularly the lakes and prairies of Manitoba, and later, the majestic Rocky Mountains.
Born in Barton-upon-Humber, Lincolnshire, England, Phillips demonstrated an early aptitude for art. He received his foundational training at the Birmingham School of Art. His artistic journey then led him abroad, with studies in both South Africa and Paris, broadening his exposure to diverse artistic styles and techniques. Before immigrating to Canada, he worked as a commercial artist in England.
In June 1913, Phillips made the significant move to Winnipeg, Manitoba, where he would reside for over 28 years. This period marked a crucial phase in his artistic development. He quickly became fascinated with the Canadian landscape, particularly its vastness and unique light. Initially working in watercolour, he soon turned his attention to woodcut printing, inspired by the *Ukiyo-e* tradition of Japanese printmaking.
Phillips’ artistic style was profoundly influenced by Japanese woodblock prints. He admired their bold colours, simplified forms, and masterful use of line. However, he wasn't simply imitative; he adapted these techniques to reflect the Canadian environment, creating a distinctly Canadian aesthetic. His work is characterized by:
Phillips’ contributions to Canadian art were widely recognized during his lifetime. He exhibited extensively throughout North America and Great Britain. Some key achievements include:
Phillips spent his later years in Victoria, British Columbia, continuing to paint and print until his death in 1963. His ashes were scattered in the Rocky Mountains, a testament to his deep connection with the Canadian landscape. Today, Phillips’ work is held in numerous public and private collections across Canada and internationally.
Walter Joseph Phillips holds a significant place in Canadian art history as a pioneer of colour woodcut printing. He helped establish printmaking as a legitimate artistic medium within Canada and inspired generations of artists to explore the beauty and power of the Canadian landscape. His work continues to resonate with audiences today, offering a unique and compelling vision of Canada’s natural heritage.
1884 - 1963 , United Kingdom