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And Has Not Sawney Too His Lord and Whore., Design for an Engraving: Battle of Troy with the Trojan Horse

(1699 - 1773)

Hubert-François Gravelot: Life and Legacy

Early Life and Education

Hubert-François Bourguignon, commonly known as Gravelot (born March 26, 1699, Paris, France – died April 20, 1773, Paris), was a highly influential French engraver, illustrator, and drawing master. His early life wasn’t marked by immediate artistic success. He initially struggled as a student and a premature trip to Rome, financed by his father, proved unproductive. A subsequent commercial venture in Saint Domingue also failed. Eventually, he found guidance under Jean II Restout and later François Boucher, laying the foundation for his future career.

Career in London (1732-1745)

In 1732, Gravelot emigrated to London at the invitation of Claude du Bosc to work on engravings for an English translation of Bernard Picart’s *Ceremonies and Religious Customs of…the Known World*. This marked a turning point in his career. He quickly became central to introducing the Rococo style into British design, disseminating it through book illustrations and engraved designs. His work was noted by George Vertue for its “neat and correct” manner, reminiscent of Picart.

He became a key figure at Slaughter’s Coffee House and the St. Martin's Lane Academy, an informal precursor to the Royal Academy.
Gravelot served as a drawing master, notably teaching Thomas Gainsborough.

Artistic Style and Major Works

Gravelot’s style is characterized by its descriptive precision, elegant lines, and inventive compositions. He revitalized illustrative engraving in England and later influenced a group of engravers back in Paris to work in his manner. Some of his most significant works include:

Illustrations for Theobald's edition of the complete works of William Shakespeare (1740), featuring 35 frontispieces.
Illustrations for a French translation of Boccaccio’s *Decameron*** (1757), considered one of the most outstanding illustrated books of all time.

Illustrations for La Nouvelle Héloïse (1761) and the *Contes moraux* of Marmontel (1765).

French translations of Ovid’s *Metamorphoses*** (1767–71) and Torquato Tasso’s *Gerusalemme Liberata*** (1771).

Return to Paris and Later Life

Anti-French sentiment in London following the Battle of Fontenoy in 1745 prompted Gravelot's return to Paris in October of that year. He continued his work as a book illustrator, enjoying considerable success. He was known for being an avid reader and developed innovative techniques using articulated mannequins to aid in his illustrations.

Influence and Historical Significance

Gravelot’s influence extended beyond his immediate circle of students. He played a crucial role in shaping the visual culture of 18th-century Europe, bridging French artistic trends with British tastes. His work not only exemplified the Rococo style but also elevated book illustration to a higher art form. His meticulous attention to detail and elegant designs continue to be admired by scholars and collectors today. He is remembered as a master engraver who significantly impacted both French and English artistic landscapes.