Er William Davison's værker stadig beskyttet af ophavsret?

Nej, værker af denne kunstner er i det offentlige domæne.

(1808 - 1870) – Malerier, biografi & hovedværker

The Life and Works of William Davison

Born in 1808, William Davison was a British artist whose career spanned much of the first half of the nineteenth century. His life, which concluded in 1870, was defined by a quiet dedication to the medium of watercolour. He moved through the artistic landscape of his era, capturing specific moments of English life and scenery with a steady hand.

His output reveals a keen interest in both the pastoral and the maritime. In 1843, he produced a watercolour titled Covered Wagon by a stone mill, a work that suggests an eye for the intersection of rural industry and movement. He also turned his attention to the sea, as seen in his watercolour Boats off the Coast. These works reflect a painter preoccupied with the textures of the natural world and the simple, functional aspects of the landscape.

Covered Wagon by a stone mill (1843)
Boats off the Coast

Notable Artworks and Subjects

Davison’s brush captured the quiet dignity of his sitters, most notably in his portrait of Robert Lindley. This work, which later served as the basis for a mezzotint by J. P. Quilley, presents the subject in a three-quarter-length view. The composition finds Lindley seated, a posture that suggests both repose and readiness. In his left hand, he holds a cello, while his right hand is occupied with a pinch of snuff. The arrangement of the scene is completed by a table upon which his right arm rests, holding a bow, music, and a snuff-box.

Beyond his portraiture, Davison’s output included various studies of landscape and maritime life. His watercolors often focused on the intersection of nature and human industry, such as a scene featuring a covered wagon positioned near a stone mill. Other works captured the movement of the sea, including depictions of boats off the coast. These smaller-scale works demonstrate a technical range that extended from the formal requirements of portraiture to the more fluid demands of watercolor landscapes.