1988
Invocation (Alejandro Arango, 1988)
Invocation comes from the hand of Alejandro Arango (1950). It dates from 1988. It measures 170 × 170 cm.
- 1988
- 170 × 170 cm
Preview
Print
Send
Share
Fact sheet
Download
Similars
X-Ray
Diaporama
Q&A
StatsInvocation at a glance
- Title
- Invocation
- Artist
- Alejandro Arango (1950)
- Date
- 1988
- Dimensions
- 170 × 170 cm
More Impressionism paintings
Invocation, every brushstroke in high resolution
Download
Protected by copyright: these files are for personal reference, not a licence to republish.
Credit line
Alejandro Arango, Invocation (1988).
Colour-matched file
A digital expert matches the colours to the original and retouches the file, faithful to its light and brushwork.
Buy the colour-matched fileWhat you may wonder about Invocation
When was "Invocation" made?
"Invocation" dates from 1988. The date places the work within Alejandro Arango's career and its era.
What are the dimensions of the original "Invocation" by Alejandro Arango?
The original "Invocation" by Alejandro Arango measures 170 x 170 cm.
Can the image of "Invocation" by Alejandro Arango be freely reproduced?
The copyright answer for "Invocation" by Alejandro Arango: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
Who is the artist behind "Invocation"?
The artist behind "Invocation" is Alejandro Arango. The work is catalogued under Alejandro Arango's name.
How old was Alejandro Arango when creating "Invocation" in 1988?
Alejandro Arango was 38 years old when creating "Invocation" in 1988. The age is computed from the artist's birth year, 1950.
Alejandro Arango, the painter
1950
Alejandro Arango
A Life Immersed in Human Paradox: Alejandro Arango Alejandro Arango, a name resonating within the contemporary art world, is a Colombian-born visual artist whose work delves into the complexities of modern society through a uniquely perceptive lens. Born in 1975, Arango’s artistic journey has been one of continuous exploration—a quest to understand and portray what he terms “the paradox of the faceless.” His path wasn't direct; after initial studies in cinematography and art direction within the United States, he returned to his homeland to earn a degree in anthropology. This academic grounding profoundly shaped his artistic vision, providing him with the tools to dissect social structures and human interactions. Before fully dedicating himself to painting, Arango honed his skills through photography and advertising, experiences that instilled a keen eye for composition and narrative.
The life of Alejandro Arango The most celebrated paintings by Alejandro Arango