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      Marinha

      Dimensions
      33.0 x 46.0 cm

      A majestic wooden ship rests on a sandy shore under a moody cloudy sky in this 1902 maritime masterpiece by Antonio Parreiras, inviting you to bring the atmospheric beauty of Brazilian landscape painting into your home.

      Discover Antônio Parreiras: Brazilian painter famed for lush landscapes & evocative female nudes. Explore his plein-air style & European influences in Rio de Janeiro.

      Giclée / Art Print

      Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B $10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H $10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W $10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z $10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH $12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH $12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H $10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z $10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ $10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G $10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ $10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH $10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ $12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C $8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G $10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH $8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y $10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ $10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G $10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ $8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y $10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ $8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J $10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY $15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH $15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G $12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H $8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG $15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
      W953PJ $8

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      Total Price

      $ 70

      Marinha

      Giclée / Art Print

      Reproduction Size

      -

      Total Price

      $ 70

      Born in Niterói in 1860, Antonio Parreiras was a student at the Imperial Academy of Fine Arts (AIBA), where he had contact with several artists and painters who influenced his work, such as Georg Grimm (1846-1887) and Castagneto (1851-1900). His first solo exhibition took place in 1885 at the A Photographia store in Rio de Janeiro, soon after exhibiting the same works in his studio in Niterói. These two experiences paved the way for many solo exhibitions early in his career, not only in the state of Rio de Janeiro but also in other locations. Feeling the necessity to have access to the productions of other countries, manages to articulate the sale of his work

      Questions & Answers

      Who is the artist behind "Marinha"?

      "Marinha" was created by Antonio Parreiras. The information on this page describes Antonio Parreiras's original work.

      Where does "Marinha" stand among Antonio Parreiras's recurring subjects?

      Antonio Parreiras's recurring themes include georg grimm influence, plein-air painting style, brazilian maritime landscapes, nature and light focus, mastery of seascape; "Marinha" focuses on seascape, ship, coastline, maritime, sailing boat, nature, atmospheric sky.

      What kind of piece is "Marinha"?

      In the catalog, "Marinha" by Antonio Parreiras is filed as wall art. The category helps find similar works.


      Artist Biography

      Antonio Parreiras: A Pioneer of Brazilian Landscape Painting

      Antônio diogo da silva parreiras (1860 – 1937) stands as a monumental figure in Brazilian art history, recognized primarily for his masterful depictions of the lush landscapes of Rio de Janeiro and Portugal. Born into a family of goldsmiths, Parreiras’ artistic journey began formally at the Academia Imperial de Belas Artes in Rio de Janeiro but was swiftly redirected by an encounter with Georg Grimm, a German immigrant artist who championed plein-air painting – immersing himself in direct observation of nature as his primary source of inspiration. This formative influence would shape his entire oeuvre and solidify his reputation as one of Brazil’s foremost landscape painters.
      • Early Training & Influences: Parreiras' initial studies at the Academia Imperial exposed him to academic traditions, yet Grimm’s insistence on capturing light and atmosphere proved transformative. Grimm’s departure for the countryside spurred Parreiras’ autodidactic pursuits, fostering a deep connection with the Brazilian wilderness.
      • Recognition & Patronage: A pivotal moment arrived when Emperor Pedro II purchased one of his canvases, providing crucial financial support and bolstering his confidence. This patronage enabled him to resume his formal education in Venice under Filippo Carcano, further enriching his artistic vocabulary with European techniques and stylistic considerations.

      The Escuela del Aire & Artistic Evolution

      Recognizing the limitations of traditional academic instruction, Parreiras established “La Escuela del Aire” – The Open Air School – prioritizing outdoor painting as a method for fostering genuine artistic expression. He championed this approach amongst his students, mirroring Grimm’s own dedication to plein-air painting and emphasizing the importance of capturing the immediacy of natural light and color. This commitment to observation and experimentation became a hallmark of his artistic style throughout his career. His studio in Teresópolis served as a crucible for innovation, producing breathtaking landscapes that continue to captivate viewers today.
      • Commissioned Works: Parreiras excelled at executing monumental commissions for the government, notably “Allegory of Apollo and the Goddesses of the Hours” adorning the Palacio da Liberdade in Belo Horizonte – a testament to his ability to synthesize historical narrative with artistic grandeur.
      • Decorative Artistry: Beyond landscapes, Parreiras’ talent extended to decorative arts, crafting intricate murals and frescoes that showcased his versatility and artistic vision.

      A Celebration of Female Nudes & Romantic Style

      Parreiras' depictions of female nudes are particularly noteworthy for their sensitivity and elegance—characterized by meticulous anatomical detail combined with graceful poses and soft lighting. These works exemplify the Romantic style prevalent during his time, prioritizing emotional expression and idealized beauty. His ability to convey profound emotion through subtle gestures and nuanced shading distinguishes him from many of his contemporaries.

      Legacy & Recognition

      Throughout his prolific career, Parreiras garnered considerable acclaim, culminating in being named Brazil’s best artist by the readers of Fon-fon magazine in 1925—a prestigious honor reflecting the widespread admiration for his artistic achievements. He authored an autobiography and was inducted into the Academia Fluminense de Letras in 1933, cementing his place among Brazil's intellectual elite. His final exhibitions showcased a lifetime devoted to art, leaving behind a rich legacy of landscapes and portraits that continue to inspire artists and scholars alike.

      Further Exploration

      You can find more information about Antônio Parreiras’ work on platforms like TopImpressionists: TopImpressionists. Also, discover Pedro Alexandrino Borges dos Santos Fernandes and Carlos Paulo Martins Carneiro's contributions to Brazilian art history.
      Antonio Parreiras

      Antonio Parreiras

      1860 - 1937

      Quick Facts

      • Full Name: antônio diogo da silva parreiras
      • Nationality: Brazilian
      • Date Of Birth: 1860
      • Date Of Death: 1937
      • Place Of Birth: Rio de Janeiro, Brazil
      • Notable Artworks: ['Houses in Piana']
      • Artistic Movement Or Style: Romanticism, Plein-air painting
      • Artists Who Influenced This Artist: ['Georg Grimm']
      • Artists Or Movements Influenced By This Artist: ['École de Barbizon']
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