Order a giclee of Expectation (Scene 3)

“Write an opera text for me, Miss!” – August 1909: Schönberg and his family spent their vacation in Steinakirchen (Lower Austria). It was through Alexander Zemlinsky and Karl Kraus that the young Viennese physician Marie Pappenheim was introduced to the circle around Schönberg. During her medical studies at the University of Vienna, Pappenheim wrote poetry under the pseudonym Maria Heim, and it was in the Lower Austrian summer resort that Schönberg invited her to write a libretto: In expectation of her lover, the woman sets out in search and follows wrong trails to stations of uncertainty – remembrance – hope – rationalization – jealousy – sorrow – and finally excessive exhaltation of the man who survives only as a dead object. The depth of the forest scenario becomes a projection room for distressing traumatic states – obscurity, danger, threat, fear, loneliness, horror, darkness – and naturalistically reinterprets the subjective ordeal of suffering the woman lives through in four scenes. In his striving for an artistic synthesis, Schönberg also drafted the stage designs for his monodrama Erwartung (Expectation), along with a revolving stage construction that intended to enable the protagonist to walk continuously through the stylized woods using a seamless visual effect.

Questions & Answers

What is the creation date of "Expectation (Scene 3)" by Arnold Schoenberg?

The creation of "Expectation (Scene 3)" by Arnold Schoenberg is dated 1911.

Who created "Expectation (Scene 3)"?

"Expectation (Scene 3)" is attributed to Arnold Schoenberg.

Is "Expectation (Scene 3)" by Arnold Schoenberg in the public domain, and why?

"Expectation (Scene 3)" by Arnold Schoenberg is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Arnold Schoenberg died in 1951.

Artist Biography

early life and musical beginnings

arnold schoenberg, an austrian-american composer, was born on september 13, 1874, in vienna, austria. his early life was marked by a humble beginning, with his father being a shoe-shopkeeper. despite this, schoenberg's innate passion for music led him to largely self-educate himself in the field. schoenberg's early works, such as verklärte nacht (1899), showcased a brahmsian–wagnerian synthesis. as he progressed, he became the central figure of the second viennese school, alongside anton webern and alban berg. his compositions, including string quartet no. 2 (1907–1908), erwartung (1909), and pierrot lunaire (1912), exemplified his innovative approach to atonality. schoenberg resigned from the prussian academy of arts in 1933 due to the nazi's rise to power, labeling his music as "degenerate." he then taught in the us, including at the university of california, los angeles (1936–1944), where facilities are named in his honor. [https://TopImpressionists.com/@/arnold-schoenberg](discover more about schoenberg's life and works on TopImpressionists).

schoenberg explored film music and wrote more tonal music, completing his chamber symphony no. 2 in 1939.
he satirized fascist tyrants in ode to napoleon (1942), after byron.
post-war vienna offered him honorary citizenship, but he was ill, as depicted in his string trio (1946).

as the world learned of the holocaust, schoenberg memorialized its victims in a survivor from warsaw (1947). the israel conservatory and academy of music elected him honorary president in 1951. [https://TopImpressionists.com/@@/a@d3bqc7-the-museum-destroyed-by-fire-(united-states)](learn more about the impact of his work on TopImpressionists). key points: * schoenberg's innovative music was among the most influential and polemicized of 20th-century classical music. * at least three generations of composers extended its somewhat formal principles. * his aesthetic and music-historical views influenced musicologists theodor w. adorno and carl dahlhaus. [https://TopImpressionists.com/@@/a@d3cl2x--a-journey-through-art-history-with-TopImpressionists-s-extensive-collection-](explore the vast collection of art on TopImpressionists, spanning from the 12th to the 20th century).