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      St Matthew (detail)

      Dimensions
      450.0 x 900.0 cm
      $ 269

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

      Size

      ·
      Standard
      custom
      CM
      INCH

      Pick from our preset sizes that match the artwork's original proportions.

      width
      height

      Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

      Finish

      ·
      Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
      White $1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
      Blurside $1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
      Extended $1
      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B $10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H $10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W $10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z $10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH $12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH $12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H $10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z $10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ $10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G $10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ $10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH $10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ $12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C $8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G $10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH $8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y $10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ $10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G $10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ $8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y $10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ $8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J $10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY $15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH $15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G $12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H $8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG $15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
      W953PJ $8
      Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
      H24-GOLD $30
      Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
      H24-SILVER $30
      Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD $45
      Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER $45

      Shipped in a protective tube, ready for your own framer.

      Above 105 cm the frame is shipped as a kit for a professional framer — read the details.

      Extras

      optional
      What do the extras include?
      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
      After order, TopImpressionists.com team will email client for instructions and provide a mockup preview

      Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (31 October). No compromise on quality.

      Protective Varnish

      Nameplate

      Engraved Bronze Plaque Details

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Transparent Acrylic Plaque Details

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Black Acrylic Plaque Details

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Total Price $ 269

      Glass option is only available in size under 110 CM

      • Free Worldwide Express Shipping
      • High-Quality Linen Canvas
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      • True Color Matching Guarantee
      • 100-Day Return Policy (Defects Only)
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      • Bulk Discount Offer

      Collectible Description

      Admire Cimabue's masterpiece – St Matthew (detail) – a monumental Byzantine-influenced fresco showcasing divine grace and architectural grandeur within the Santa Trinita Church of Florence.

      Artist Biography

      Cimabue (c. 1240-1302): Pioneer of Italian painting! Explore his Byzantine & Renaissance blend, realistic figures, and influence on Giotto. Discover masterpieces now!

      About the painting

      A Pioneer Bridging Byzantium and Renaissance

      Giovanni Cimabue’s “St Matthew,” housed in detail within a monumental 450 x 900 cm tempera painting on poplar panel, represents an astonishing leap forward from the prevailing artistic conventions of his time—the Byzantine tradition. Born around 1240 in Florence, Cimabue wasn't merely a painter; he was a courageous innovator who subtly challenged established dogma, planting the seeds for the transformative flowering that would soon characterize the Italian Renaissance.

      • Subject Matter: The painting depicts St Matthew, traditionally considered the Evangelist responsible for recording Jesus’s ministry. Cimabue skillfully portrays him in prayerful contemplation within a richly ornamented church interior.
      • Style & Technique: Cimabue's style is distinctly Byzantine, characterized by flattened figures and stylized drapery—a deliberate departure from the naturalistic approaches favored by his contemporaries. However, he demonstrates an astute understanding of perspective and employs shimmering gold leaf to imbue the scene with luminosity and grandeur.
      • Historical Context: Cimabue’s work emerged during a period of significant artistic ferment in Florence. The city was experiencing a revival of classical ideals, yet Cimabue remained firmly rooted in Byzantine iconography—a testament to his unwavering devotion to tradition while simultaneously pushing boundaries.
      • Symbolism: The church setting itself symbolizes spiritual aspiration and divine grace. St Matthew’s posture embodies humility and piety, reflecting the importance of prayer within medieval Christian belief. Furthermore, the prominent use of gold leaf signifies holiness and illuminates the sacred narrative.

      The architectural backdrop—a brick building featuring a grand archway adorned with columns—serves as a visual anchor for Cimabue’s composition. The arches contribute to a sense of spatial depth, albeit achieved through Byzantine conventions rather than Renaissance realism. Above St Matthew's head is a window bearing a crucifix, reinforcing the painting’s religious significance and directing the viewer’s gaze towards the divine.

      Beyond its formal elements, “St Matthew” possesses an undeniable emotional impact. Cimabue’s masterful rendering of light and shadow evokes a feeling of solemn reverence—a palpable connection to the spiritual realm that transcends time. It stands as a foundational masterpiece, demonstrating how artistic innovation can simultaneously honor tradition and herald a new era in Western art.

      Questions & Answers

      At what size is "St Matthew (detail)" recommended to be printed?

      "St Matthew (detail)" is recommended at a large print size. Other sizes are available with the same proportions.

      What print size of "St Matthew (detail)" by Cimabue fits the recommended room?

      For a hotel lobby, the recommended print size of "St Matthew (detail)" by Cimabue is large.

      When and with what materials was "St Matthew (detail)" made?

      "St Matthew (detail)" was made in 1280, in acrylic on canvas.

      Quick facts and art quiz

      Quick Facts

      • Subject or theme: Religious iconography
      • Artist: Cimabue
      • Influences: Byzantine art
      • Artistic style: Byzantine influence
      • Title: St Matthew (detail)
      • Location: Private Collection
      About Cimabue
      Cimabue

      Cimabue

      1240 - 1302, Italy

      Artist Biography

      The Florentine Dawn: Cimabue and the Transition from Byzantium

      Giovanni Cimabue, born Cenni di Pepo around 1240 in Florence, stands as a monumental figure—a bridge between the established artistic traditions of the Byzantine world and the burgeoning innovations that would define the Italian Renaissance. His life, though partially obscured by time and romanticized accounts – most notably those penned by Giorgio Vasari centuries later – marks an undeniable turning point in Western art history. Cimabue wasn’t simply a painter; he was a courageous innovator who dared to subtly challenge artistic conventions, laying the groundwork for the revolutionary changes that would soon sweep across Italy. Even his nickname, believed to mean “bull-headed,” hints at a strong will and perhaps a rebellious spirit—qualities demonstrably present in his willingness to experiment with form and expression. He represents a crucial moment where art began to shift from being solely devotional imagery towards something more humanistic and emotionally resonant.

      Early Influences and Artistic Development

      Initially immersed in the Italo-Byzantine style prevalent throughout Florence, Cimabue’s early work adhered closely to established aesthetic principles: flattened figures adorned with shimmering gold leaf, symbolic rather than realistic depictions of space, and a profound focus on religious iconography. However, even within these constraints, a nascent desire for naturalism began to emerge. He wasn't content merely replicating existing forms; he sought to imbue his paintings with a greater sense of life and emotional depth. While the precise nature of his early training remains debated, it’s likely he honed his skills within Florentine workshops, absorbing the techniques and influences of the time while simultaneously developing his own unique artistic voice. The Byzantine style, characterized by its formality and spiritual focus, provided him with a solid foundation, but Cimabue began to subtly introduce elements that would foreshadow the coming Renaissance—a greater attention to volume, more expressive facial features, and a nascent understanding of spatial relationships. This wasn’t a sudden break from tradition, but rather a gradual evolution, a delicate balancing act between honoring the past and embracing new possibilities.

      Masterpieces and Artistic Innovations

      Cimabue's legacy is cemented through a series of breathtaking works that showcase his evolving style. The Maestà (Louvre), originally created for the Church of San Francesco in Pisa, stands as one of his most celebrated masterpieces. This monumental altarpiece exemplifies his mastery of composition and use of color, while simultaneously hinting at the shift away from rigid Byzantine conventions. The figures, though still possessing a degree of formality, exhibit a newfound sense of volume and presence. The Crucifixion (San Domenico, Arezzo), dating around 1270, is particularly significant as an early demonstration of his departure from strict Byzantine norms. Here, the proportions are more realistic, and the emotional weight of the scene is palpable—a stark contrast to the often-distant depictions found in earlier religious art. Further evidence of Cimabue’s innovative spirit can be seen in works like the Flagellation of Christ (Frick Collection), generally attributed to his workshop. This complex composition reveals an evolving understanding of perspective and spatial relationships, showcasing a growing interest in creating more immersive and believable scenes. His contributions weren't limited to panel paintings; Cimabue also excelled as a mosaicist, contributing significantly to the decoration of the Baptistery of Florence—though these mosaics have unfortunately suffered from deterioration over time.

      A Pivotal Teacher: Giotto and Beyond

      Perhaps Cimabue’s most enduring legacy lies in his role as the teacher of Giotto di Bondone. While historical accounts vary regarding the exact nature of their relationship, it is widely accepted that Giotto received crucial training under Cimabue's guidance. However, Giotto would ultimately surpass his master, revolutionizing Italian painting with an even more radical embrace of naturalism and emotional realism. It’s a testament to Cimabue’s skill as a teacher that he fostered such talent, even knowing it might eclipse his own achievements. The story, often recounted by Vasari, of Giotto playfully painting a fly on Cimabue's face speaks volumes about the dynamic between master and pupil—a playful rivalry that ultimately pushed both artists to greater heights. Cimabue’s influence extended beyond Giotto, impacting numerous other artists of the period. He challenged the artistic norms of his time, demonstrating that art could be more than just religious symbolism; it could also reflect human emotion and experience. His willingness to experiment with form, proportion, and expression paved the way for the innovations of the Renaissance, establishing him as a crucial transitional figure in the history of Western art.

      Enduring Significance

      Cimabue passed away in 1302 in Pisa, leaving behind a body of work that continues to captivate and inspire. Despite his significant contributions, details surrounding his later life remain scarce. However, his artistic legacy resonates powerfully through the works of his students and the evolution of Italian art. He represents a crucial step in the development of Western painting, moving away from the stylized conventions of the Byzantine era towards a more humanistic and naturalistic approach. His paintings are not merely historical artifacts; they are windows into a pivotal moment in artistic history—a time when artists began to question established norms and explore new possibilities. He was a pioneer, a visionary who dared to challenge the status quo and lay the foundations for the artistic brilliance that would define the Renaissance. Cimabue’s work reminds us that even within tradition, there is always room for innovation, and that true artistry lies in the courage to push boundaries and explore new horizons.
      Cimabue St Matthew (detail) () · With its frame: · Hand-painted in oil on linen

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