Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (21 October)
Snow shovelers
Reproduction Size
Edvard Munch's “Snow shovelers,” painted in 1912, transcends mere depiction; it embodies the profound anxieties and emotional depth characteristic of Expressionism. More than just capturing a wintry street scene, Munch delves into the psychological landscape of labor, camaraderie, and the quiet dignity found within facing hardship—themes that resonate powerfully even today.
Beyond its visual representation, “Snow shovelers” is laden with symbolic significance. The figures themselves embody resilience and fortitude—individuals united in confronting the bleakness of winter. Munch’s deliberate choice to depict men working together speaks to a broader humanist concern for solidarity and mutual support. The horses serve as powerful emblems of labor and perseverance, mirroring the human effort to overcome obstacles.
"Snow shovelers" isn't merely a record of a winter day; it's an exploration of human emotion—specifically, the quiet dignity found within facing hardship with courage and determination. Munch’s masterful rendering captures not only the physical exertion of shoveling snow but also the unspoken bond between the men involved. The painting invites contemplation on themes of perseverance, solidarity, and the enduring human spirit.
"Snow shovelers" by Edvard Munch combines snow shoveling, winter landscape, norwegian art, edvard munch, horse drawn plow, rural labor, psychological painting with a dramatic atmosphere.
"Snow shovelers" leans toward a green to violet spectrum tone.
To get a print of "Snow shovelers" by Edvard Munch, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.
Edvard Munch arrived in the world in 1863, born into the stark landscapes of Norway. His early years were defined by a heavy presence of grief that would later find its way onto his canvases. The deaths of his mother and his sister, Sophie, both taken by tuberculosis, left a deep mark on his young mind. These losses created a preoccupation with mortality and the fragility of life that stayed with him forever. He grew up in a household where the shadows of sickness were never far away.
His father, Christian, was a physician who struggled with intense religious devotion and mental instability. This atmosphere of dread and the vivid ghost stories told in his childhood helped shape his later visions. Munch did not merely paint what he saw; he sought to externalize his internal state. He called this approach soul painting. It was a way to translate psychological distress into visual form, using the colors and shapes of his own experience.
Munch began his formal studies at the Royal School of Art and Design in Kristiania, which is now known as Oslo. During this time, he moved within bohemian circles that challenged the strict rules of academic art. A significant influence was Hans Jæger, a nihilist who encouraged Munch to abandon conventional styles and instead focus on his own subjective emotions. This shift led him toward the development of Expressionism.
Travels through Europe brought new perspectives to his work. In Paris, he encountered the techniques of artists like Paul Gauguin and Vincent van Gogh, particularly their use of color. In Berlin, his connections with figures such as August Strindberg further pushed his investigations into psychological themes. He began to move away from naturalistic representation, opting instead for distorted forms and rhythmic lines that could communicate the tremors of human existence.
Much of his work belongs to a series he called The Frieze of Life, where he explored the recurring cycles of love, fear, death, and anxiety. Some of his most recognized paintings include:
Munch was a highly active printmaker, using techniques like etching, lithography, and woodcut to expand his reach. He possessed over one thousand paintings at the time of his death in 1944. His ability to confront the darker aspects of the human condition helped pave the way for later movements like German Expressionism. Today, much of his legacy is preserved in the Munch Museum in Oslo, where his work continues to speak to the complexities of the human psyche.
1863 - 1944 , Sweden