Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
Switch to Digital Image)
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (28 October). No compromise on quality.
Cornfields, st. martha's chapel
Reproduction Size
Edward Wilkins Waite occupies a significant and charming niche within the pantheon of British landscape painters, serving as a vital chronicler of the English countryside. Born in Leatherhead, Surrey, his artistic inclinations were not merely a solitary spark but rather a familial flame passed down through generations. He was born into a world steeped in visual creativity; his grandfather, William Watkin Waite, was a skilled miniaturist, and his father, the Reverend Edward Waite, was an amateur watercolourist. This nurturing environment, further enriched by three of his brothers—Charles, Harold, and Arthur—who also pursued the arts, established a profound foundation for his burgeoning sensibilities.
Before fully embracing his vocation, Waite’s path took a rugged detour far from the idyllic scenes he would eventually master. In 1874, he travelled to Ontario, Canada, to work as a lumberjack. This period of intense physical labour in the Canadian wilderness provided a stark contrast to the pastoral beauty of his native England, yet it may have instilled within him a deep-seated appreciation for the raw, unadorned beauty of nature and a sense of resilience that subtly informs the texture of his later works.
Upon his return to England, Waite transitioned from the rugged life of a woodsman to the dedicated life of a professional artist. He embarked on a prolific career marked by consistent exhibition at prestigious venues, most notably the Royal Academy in London, where he showed works from 1878 until 1919. His membership in the Royal Society of British Artists, achieved in 1893, further solidified his standing within the artistic community. His technical approach was distinctive; using oils and an impasto style, he set himself apart from contemporaries through a method that captured the landscape with both honesty and a tactile presence.
His subject matter remained deeply rooted in the landscapes of his youth. Waite focused his gaze upon the Surrey Weald, as well as the Sussex and Berkshire Downs, capturing rural scenes and vernacular architecture with a truthful eye. His paintings often reflect a sense of tranquility and seasonal change, ranging from the lushness of summer to the poignant beauty of autumn. Through his brush, the following elements of the English landscape were brought to life:
Though perhaps less immediately recognizable than some of his Victorian contemporaries, Waite’s work remains an essential historical record. His paintings serve as a window into a lost era, capturing the landscape of Surrey in its most pristine state before the growing sprawl of urbanization altered the face of the region forever. His ability to blend realism with a touch of impressionistic light allowed him to create works that are both documentary and deeply emotive.
The enduring value of his oeuvre lies in its ability to evoke the peaceful, timeless beauty of the English landscape. By focusing on the quiet majesty of the Surrey Weald and surrounding regions, Edward Wilkins Waite ensured that the tranquil essence of 19th-century rural life would be preserved for future generations to admire.
1854 - 1924 , United Kingdom