Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print
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This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Fanny Brate (1861-1940) was a Swedish painter known for idyllic genre scenes of family life & interiors, influencing Carl Larsson. Explore her watercolors, portraits, and depictions of 19th-century Swedish bourgeoisie.
1861 - 1940, Sweden
Born amidst the regal surroundings of Stockholm’s Arvfurstens palats, Fanny Ingeborg Matilda Brate entered a world where art was an omnipresent companion. As the daughter of Johan Frans Gustaf Oskar Ekbom, a clerk in the household of the future King Oscar II, her early years were steeped in the refined aesthetics of the Swedish court. This privileged upbringing provided more than just comfort; it offered a profound exposure to various artistic mediums that would later inform her delicate touch and keen eye for detail. From the age of ten, Brate began formal drawing and painting lessons, demonstrating an innate talent that would eventually lead her to the prestigious Royal Swedish Academy of Fine Arts.
Her educational journey was marked by a relentless pursuit of mastery. After studying at the Arts and Crafts School, known as Konstfack, she sought further refinement under the guidance of master August Malmström. However, it was her transformative period in Paris that truly reshaped her artistic soul. Supported by a travel scholarship from the Royal Academy, Brate immersed herself in the vibrant atmosphere of the French capital, attending the Académie Colarossi and encountering the revolutionary works of the Impressionists. This encounter with light, movement, and loose brushwork infused her Swedish sensibilities with a new, luminous vitality, allowing her to bridge the gap between traditional realism and modern impressionistic flair.
While Paris provided the technical vocabulary, Brate’s heart remained anchored in the quiet, evocative landscapes of her homeland. She became a premier chronicler of 19th-century Swedish bourgeois life, specializing in genre paintings that captured the tender, often overlooked moments of domesticity. Her canvases serve as windows into a bygone era, portraying mothers tending to children, families gathered around meals, and the serene stillness of sunlit interiors. There is a palpable warmth in her work—a sense of affection and stability that transcends mere representation.
Her technical evolution saw her master both oil and watercolor, using each to different ends. In her oils, she often employed nuanced tonal variations and meticulous realism to ground her scenes in reality, while her watercolors allowed for a more ethereal, light-filled quality. Notable works such as Namnsdag (1902) exemplify this ability to capture a tranquil moment of family celebration with timeless elegance. Through her eyes, the mundane became monumental; a simple afternoon outdoors or a quiet corner of a room was elevated to a study in peace and familial bond.
The historical significance of Fanny Brate extends far beyond her individual achievements. She is frequently cited as a vital precursor and inspiration for the legendary Carl Larsson, whose iconic depictions of Swedish domestic life share a profound spiritual kinship with her own work. Her ability to romanticize the everyday without sacrificing its truth laid the groundwork for a specific brand of Scandinavian genre painting that celebrates national identity through the lens of the home.
Throughout her career, Brate achieved significant recognition, including the prestigious Royal Medal in 1885 for her painting Art Friends (Konstvänner). This work itself stands as a testament to her skill, depicting a plein-air scene of children gathered around an artist at work, blending her love for nature with her dedication to the craft. Her legacy is defined by several key contributions:
Today, Brate’s work continues to resonate, offering modern viewers a nostalgic and deeply moving connection to the enduring values of family, light, and the quiet beauty found within the walls of home.
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