2003
Hamadan comes from the hand of Robert Wolfe (1935–2003). It dates from 2003. It is kept at Musée Des Beaux in Québec City, Canada. It measures 50.3 × 65.5 cm.
Québec City, Canada
A Bastion of Quebecois Identity: The Soul of the MNBAQ Nestled within the historic embrace of the Plains of Abraham in Québec City, the Musée national des beaux-arts du Québec (MNBAQ) stands as far more than a mere repository for fine arts; it is a vibrant, breathing testament to the cultural soul of a province. Since its establishment in 1933, the museum has undergone a profound metamorphosis, evolving from a provincial archive and natural science museum into a premier sanctuary for artistic expression. To walk through its doors is to embark on a journey through centuries of creative evolution, where the very identity of Quebec is etched into every canvas and sculpted into every frame.
Robert Wolfe, Hamadan (2003), Musée Des Beaux.
You can see the original "Hamadan" at the Musée Des Beaux, Québec City, Canada.
"Hamadan" dates from 2003. The date places the work within Robert Wolfe's career and its era.
The recorded dimensions of "Hamadan" by Robert Wolfe are 65.5 x 50.3cm. Reproductions can be ordered in other sizes while keeping the same proportions.
The copyright answer for "Hamadan" by Robert Wolfe: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
The artist behind "Hamadan" is Robert Wolfe. The work is catalogued under Robert Wolfe's name.
Robert Wolfe was 68 years old when creating "Hamadan" in 2003. The age is computed from the artist's birth year, 1935.
"Hamadan" by Robert Wolfe is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 2003.
Yes - the artwork is kept in the artist's home country. Robert Wolfe was born in Canada, and the original "Hamadan" is held in a museum in Canada.
1935–2003, Canada
The Quiet Presence of Robert Wolfe Born in Montreal, Canada, in 1935, Robert Wolfe spent his years observing the world through a lens of stillness. His work does not shout; instead, it settles into a space, much like the objects he chose to paint. He worked with oils on masonite and acrylics on canvas, focusing on the way light and form occupy a room. There is a certain weight to his compositions, a sense of things being exactly where they belong, even when they appear slightly out of place.
The life of Robert Wolfe The most celebrated paintings by Robert Wolfe