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      Ethel Bartlett

      Harold Knight’s ‘Ethel Bartlett’ – a serene 1937 oil painting of quiet contemplation. Explore this masterpiece's realism, evocative lighting & timeless beauty at the Royal Academy.

      Explore the evocative landscapes & portraiture of Harold Knight (1874-1961). Cornish artist, member of the Newlyn School, known for realism & wartime conscientious objection.

      The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

      This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

      Giclée / Art Print

      Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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      Total Price

      $ 70

      Ethel Bartlett

      Giclée / Art Print

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      Total Price

      $ 70

      The painting Ethel Bartlett by Harold Knight is a masterpiece that exudes tranquility and peace. Created in 1937, this oil on canvas piece is a testament to the artist's skill in capturing the essence of his subjects. The painting is currently housed at the Royal Academy of Arts in the United Kingdom.

      The Artist's Inspiration

      Harold Knight was a British painter known for his portraits, landscapes, and genre paintings. He was born in 1874 in Nottingham, England, and studied at the Nottingham School of Art. His work is characterized by its attention to detail and ability to convey emotion through subtle expressions.

      The Painting's Significance

      The painting Ethel Bartlett depicts a woman lying in bed with her eyes closed, surrounded by a serene atmosphere. The use of soft colors and gentle brushstrokes creates a sense of calmness, drawing the viewer into the peaceful world of the subject. This piece is a prime example of Harold Knight's ability to capture the essence of his subjects and convey emotion through his art.
      • The painting's composition is characterized by its use of soft colors and gentle brushstrokes, creating a sense of calmness.
      • The subject's facial expression is calm and peaceful, conveying a sense of serenity.
      • The painting is a testament to Harold Knight's skill in capturing the essence of his subjects.
      TopImpressionists.com offers handmade oil painting reproductions of Harold Knight's works, including Ethel Bartlett. These reproductions are created by skilled artists who use high-quality materials to ensure that the final product is identical to the original. For more information on Harold Knight and his works, visit /art/list/?Filter=8XXB75-Harold-Knight-Ethel-Bartlett.
      To learn more about the Royal Academy of Arts and its collection, visit https://en.wikipedia.org/wiki/Royal_Academy_of_Arts.

      Questions & Answers

      What art movement does "Ethel Bartlett" by Harold Knight belong to?

      "Ethel Bartlett" is a work of Contemporary Realism. The movement indicates the artistic tradition the work is part of.

      How do I preview a reproduction of "Ethel Bartlett" by Harold Knight?

      The Preview page of "Ethel Bartlett" lets you preview the artwork before ordering.

      How is the palette of "Ethel Bartlett" by Harold Knight described?

      "Ethel Bartlett" by Harold Knight uses an earthy color palette. The palette summarizes the work's overall color character.


      Artist Biography

      Early Life and Artistic Training

      Harold Knight RA ROI RP RWA PNSA (1874–1961) was born in Nottingham, England, the son of William Knight, architect, and Elizabeth Symington. His upbringing instilled in him a disciplined spirit, contrasting sharply with his wife Laura Johnson’s vibrant personality—a dynamic that would shape their artistic partnership and influence throughout their lives. From a young age, Knight demonstrated an aptitude for art, attending Nottingham High School before embarking on formal training at Nottingham Municipal School of Art under Herbert Wilson Foster. It was here he encountered Laura Johnson, whom he married in 1903, marking the beginning of a lifelong collaboration that would produce some of Britain’s most celebrated paintings. The school's reputation as one of the finest provincial art schools ensured Knight received considerable encouragement and honed his skills amidst a cohort of talented peers, notably Wilson Foster himself, who championed realism and observation.

      Parisian Influences and Artistic Style

      Inspired by the Impressionist movement, Knight travelled to Paris in 1896, pursuing studies at Académie Julian alongside Jean-Paul Laurens and Benjamin Constant. This formative experience exposed him to groundbreaking artistic techniques and broadened his understanding of visual expression. He returned to Nottingham briefly before resuming his artistic pursuits, focusing on capturing the quiet dignity of domestic interiors and portraits—particularly those depicting women—with meticulous detail and subtle tonal gradations. Knight’s distinctive style prioritized realism and psychological insight, mirroring the sensibilities of artists like Vermeer, whom he greatly admired.

      The Newlyn School and Cornish Landscape Painting

      In 1907, Knight relocated to Staithes on the North Yorkshire coast with Laura Johnson, joining the burgeoning Newlyn School—a collective of artists dedicated to portraying the rugged beauty of Cornwall’s coastline. This move solidified his commitment to landscape painting, where he skillfully rendered atmospheric conditions and textural nuances using oil paints. The school's ethos championed direct observation and expressive brushwork, aligning perfectly with Knight’s artistic sensibilities.

      Conscientious Objection During the First World War

      Knight’s unwavering moral convictions led him to become a conscientious objector during World War I—a decision that profoundly impacted his life and career. Despite facing considerable disapproval from colleagues and former friends who championed military service, he steadfastly refused to participate in armed conflict, prioritizing ethical principles over societal expectations. This stance resulted in arduous labor conditions and strained relations with Laura Johnson, highlighting the personal cost of upholding one’s beliefs.

      Later Career and Recognition

      Following the war's conclusion, Knight and Laura returned to London, continuing their artistic endeavors while maintaining connections to Cornwall. He was elected a Fellow of the Royal Academy in 1937—a prestigious honor recognizing his contribution to British art—and remained an active exhibitor throughout his life. Knight’s paintings gained increasing acclaim in subsequent decades, particularly those depicting Laura Johnson and her family, cementing his legacy as one of Britain's foremost portraitists and landscape artists. His work is held in prominent collections across the nation, including the Tate Gallery and Penlee House Museum, ensuring that his evocative depictions of everyday life and Cornish scenery endure for generations to come.
      Harold Knight

      Harold Knight

      1874 - 1961 , United Kingdom

      Quick Facts

      • Full Name: Harold Knight RA ROI RP RWA PNSA
      • Nationality: British
      • Date Of Birth: 1874
      • Date Of Death: 1961
      • Place Of Birth: Nottingham, United Kingdom
      • Notable Artworks:
        • The Manicure
        • Ethel Bartlett
        • The Green Book
      • Artistic Movement Or Style: Realism
      • Artists Who Influenced This Artist:
        • Jean-Paul Laurens
        • Benjamin Constant
      • Artists Or Movements Influenced By This Artist: ['Vermeer']
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