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      Like to like

      Jacob Jordaens’ ‘Like to Like’ captures a vibrant 17th-century Dutch proverb scene with richly detailed figures and a bustling dining table. This Baroque masterpiece celebrates everyday life, offering a timeless depiction of human connection and social order.

      Discover Jacob Jordaens (1593-1678), a Flemish Baroque master renowned for his dynamic compositions, realistic depictions of everyday life, and influence on artists like Jan Steen. Explore his vibrant paintings & legacy!

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      Total Price

      $ 70

      Like to like

      Giclée / Art Print

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      Quick Facts

      • Influences:
        • Hieronymus Bosch
        • Bruegel
      • Title: Like to like
      • Notable elements: Proverb illustration
      • Movement: Flemish Baroque
      • Artist: Jacob Jordaens

      A Window into Flemish Wisdom: Jordaens’ “Like to Like”

      Jacob Jordaens' "Like to Like," painted in 1645, is more than just a group portrait; it’s a meticulously crafted visual sermon, a testament to the enduring power of proverb and social commentary within the vibrant world of Flemish Baroque art. Executed during a period when artists like Bosch and Bruegel had established the tradition of illustrating moral lessons through captivating scenes, Jordaens continues this legacy with remarkable clarity and detail. This particular work, measuring 21 x 13 cm, offers a poignant glimpse into the lives and values of a prosperous Antwerp family, inviting viewers to contemplate their own place within the social order.

      • Subject Matter: The painting depicts a gathering around a richly appointed dining table, populated by a diverse cast of characters – men, women, and children – each embodying a specific facet of societal expectation.
      • Composition: Jordaens’ masterful composition utilizes theatrical staging, with the figures arranged as if on a stage, their faces turned towards the viewer, drawing us directly into the scene.
      • Details: The inclusion of wine glasses, cups, and bowls adds to the sense of conviviality and abundance, while the presence of a boy and girl further emphasizes the theme of familial bonds and generational continuity.

      The Language of Proverbs and Symbolism

      At its core, “Like to Like” is an illustration of a fundamental proverb: "Stick with one’s own class." This message is powerfully conveyed through the carefully constructed groupings within the painting. Four distinct couples represent this principle – a friar and nun, an elderly married couple, young lovers, and a simple family – each pair visually reinforcing the idea of maintaining social standing and adhering to established norms. The artist's didacticism isn’t heavy-handed; rather, it’s subtly woven into the fabric of the scene, inviting contemplation rather than demanding obedience.

      Beyond this central theme, the painting is rich in symbolic detail. The vase positioned near the center adds an element of decorative elegance, while the presence of a boy and dog – or girl and doll – speaks to childhood innocence and the importance of nurturing young generations. Even the clothing worn by each figure contributes to the overall narrative, reflecting their respective social roles and status.

      A Masterful Exercise in Technique

      Jordaens’ skill as a painter is immediately apparent in the meticulous rendering of textures – from the velvet upholstery of the chairs to the folds of the fabrics worn by the figures. His use of light and shadow creates a sense of depth and realism, while his brushwork is both precise and expressive. The painting demonstrates a mastery of *alla prima* technique, applying paint directly to the canvas in broad strokes, creating a vibrant and dynamic effect. This approach, favored by Rubens himself, contributes significantly to the work’s energetic feel.

      Emotional Resonance and Lasting Appeal

      "Like to Like" transcends its historical context to offer a timeless meditation on social order, family values, and the enduring wisdom of proverbs. Jordaens' ability to capture human emotion – tenderness, affection, contemplation – ensures that this painting continues to resonate with viewers centuries later. This hand-painted reproduction offers an exceptional opportunity to own a piece of art history, bringing the richness and complexity of Flemish Baroque into your home or office.

      Questions & Answers

      What is the overall mood of "Like to like" by Jacob Jordaens?

      The overall mood of "Like to like" by Jacob Jordaens is earthy. The mood describes the general atmosphere of the work.

      What stage of Jacob Jordaens's development does "Like to like" represent?

      Within Jacob Jordaens's career, "Like to like" falls in the Mature Period. The phase helps compare it with the artist's other works.

      How old was Jacob Jordaens when creating "Like to like" in 1645?

      Jacob Jordaens was 52 years old when creating "Like to like" in 1645. The age is computed from the artist's birth year, 1593.


      Artist Biography

      A Flemish Master of Life’s Abundance: Jacob Jordaens

      Born into a prosperous Antwerp family in 1593, Jacob Jordaens emerged as one of the most significant and vibrant voices within the Flemish Baroque. Unlike many of his contemporaries who sought training in Italy, Jordaens remained rooted in his native Flanders, developing a uniquely robust and earthy style that celebrated the pleasures and realities of everyday life. His father, a successful linen merchant, provided him with a comfortable upbringing, allowing for an education befitting his social standing before he began his artistic journey under Adam van Noort – also the master of Peter Paul Rubens. This formative training instilled in Jordaens a foundation in meticulous technique and a keen understanding of composition, yet he quickly diverged to forge his own distinct path. In 1616, solidifying his connection to the established Antwerp art world, he married Van Noort’s daughter, Katharina.

      The Painter of Peasant Revelry and Baroque Grandeur

      Jordaens' artistic output was remarkably diverse, encompassing religious narratives, mythological scenes, allegorical compositions, genre paintings brimming with life, and even portraits. However, he is perhaps best remembered for his boisterous depictions of peasant festivals and tavern scenes – works that radiate a palpable energy and an uninhibited joy in earthly pleasures. Paintings like *The King Drinks* (also known as the Feast of the Bean King) exemplify this characteristic style: crowded compositions filled with robust figures engaged in lively revelry, rendered in warm, glowing colors and dramatic chiaroscuro. These scenes weren’t merely celebrations of merriment; they were often imbued with subtle moralizing undertones, reflecting the complex relationship between indulgence and restraint prevalent in 17th-century society. Yet, Jordaens was equally adept at handling grander, more formal commissions. His involvement in decorating the Huis ten Bosch palace near The Hague – alongside collaborations with Rubens – showcased his ability to create monumental allegorical works that seamlessly integrated painting and architecture.

      Influences and a Distinct Artistic Voice

      While Jordaens never traveled to Italy, he was deeply influenced by Italian masters like Jacopo Bassano, Paolo Veronese, and Caravaggio—artists whose work reached Flanders through engravings and paintings brought back by other artists. The influence of Caravaggio is particularly evident in his dramatic use of light and shadow, a technique known as tenebrism, which heightens the emotional intensity of his scenes. However, Jordaens didn’t simply imitate these influences; he synthesized them with his own Flemish sensibilities, creating a style that was uniquely his own. He differed from Rubens and Van Dyck in his preference for realism over idealism, embracing a more direct and unrefined approach to depicting the human form. His figures are often substantial, even corpulent, their faces flushed with health and vitality. This commitment to naturalism, combined with his masterful command of color and composition, set him apart from his contemporaries and established him as a leading figure in Flemish Baroque painting.

      Legacy and Enduring Impact

      Throughout his long and prolific career, Jordaens trained numerous pupils – fifteen were officially recorded by the Guild of St. Luke between 1621 and 1667— ensuring the continuation of his artistic legacy. His influence can be seen in the work of later artists like Jan Steen, who shared his penchant for depicting lively genre scenes. Beyond his direct impact on other painters, Jordaens’ classically inspired peasant themes had a lasting effect on the art world, challenging traditional hierarchies and celebrating the dignity of everyday life. Even today, his paintings continue to captivate audiences with their energy, vitality, and honest portrayal of human experience. His ability to blend realism with allegory, sensuality with morality, and grandeur with intimacy makes him one of the most compelling and enduring figures of the Baroque period. Discover more of Jordaens’ masterpieces and explore the rich artistic landscape of the Baroque era through resources available online, including detailed databases of his works and insightful analyses of his life and art.
      Jacob Jordaens

      Jacob Jordaens

      1593 - 1678 , Belgium

      Quick Facts

      • Full Name: Jacob Jordaens
      • Nationality: Flemish
      • Date Of Birth: 1593
      • Date Of Death: 1678
      • Place Of Birth: Antwerp, Belgium
      • Notable Artworks:
        • The Adoration of the Shepherds
        • Argus and Mercury
      • Artistic Movement Or Style: Baroque
      • Artists Who Influenced This Artist:
        • Jacopo Bassano
        • Paolo Veronese
        • Caravaggio
      • Artists Or Movements Influenced By This Artist: ['Jan Steen']
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