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      Tombstones

      Jacob Lawrence’s ‘Tombstones’ presents a dynamic, cubist meditation on mortality and community through flattened perspective and geometric forms, capturing the solemn reflection of 1942 Harlem. Discover this powerful Social Realism artwork and own a piece of art history.

      Discover Jacob Lawrence (1917-2000), a pivotal African American artist of the Harlem Renaissance. Known for his 'dynamic cubism' & powerful depictions of Black life, history, and social justice.

      The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

      This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

      Giclée / Art Print

      Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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      Total Price

      $ 70

      Tombstones

      Giclée / Art Print

      Reproduction Size

      -

      Total Price

      $ 70

      Quick Facts

      • Movement: Social Realism
      • Subject or theme: Death; Remembrance; Harlem community
      • Medium: Watercolor on paper
      • Location: Whitney Museum of American Art
      • Notable elements or techniques: Dynamic cubism; Layered color blocking
      • Year: 1942

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What artistic style does Jacob Lawrence utilize in 'Tombstones', blending it with Social Realism?
      Question 2:
      In the composition of 'Tombstones', what does the central staircase symbolically represent?
      Question 3:
      Which color palette best describes the mood of this artwork?
      Question 4:
      During which historical period was 'Tombstones' painted?
      Question 5:
      How does Lawrence approach perspective and texture in this piece?

      A Poignant Meditation on Mortality and Community

      In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to weave a tapestry of remembrance that feels both deeply personal and universally resonant. The scene unfolds with a sense of quiet dignity, where the presence of crosses and headstones does not evoke terror, but rather a meditative stillness—a communal space where memory is held sacred amidst the shifting tides of history.

      The composition is masterfully structured to guide the viewer through a cycle of existence. A central staircase dominates the frame, acting as a powerful metaphor for the human journey; its ascent suggests aspiration and the upward reach of the spirit, while the descent reminds us of the inevitable return to the earth. Lawrence employs a flattened perspective that eschews traditional depth in favor of a rhythmic, layered arrangement. Figures are positioned throughout this architectural landscape—some ascending toward the light of upper windows, others lingering near the gravesites below—creating a sense of a community bound together by shared history and the shared reality of loss.

      The Language of Line and Earthy Tones

      Technically, Tombstones is a triumph of precision and restraint. Executed in tempera, the artwork relies on the deliberate application of color blocking and sharp, defining lines to construct its world. Lawrence avoids the distraction of heavy textures or realistic shading, opting instead for a geometric clarity that lends the piece an enduring, monumental quality. The lines that delineate the stair railings, the building's silhouette, and the very tombstones themselves are rendered with an unwavering certainty, providing a sense of structural order to the complex emotional narrative.

      The color palette is intentionally muted, grounded in an earthy spectrum of browns, deep greens, ochre yellows, and somber blues. These tones evoke the soil and the weathered stone of a memorial site, reinforcing the theme of mortality. Yet, within this subdued field, Lawrence introduces subtle contrasts that breathe life into the composition, ensuring that the eye remains engaged by the interplay of light and shadow across the flattened planes. For the collector or interior designer, this palette offers a sophisticated versatility, providing a focal point that commands attention through its tonal depth and historical weight rather than through garishness.

      A Timeless Legacy for the Modern Collector

      To possess a reproduction of Tombstones is to hold a piece of American Social Realism. Lawrence’s ability to blend the avant-garde techniques of modernism with the urgent social realities of his time creates an artwork that remains strikingly contemporary. The painting does not merely depict a moment in 1942; it captures the eternal rhythm of community, resilience, and the cyclical nature of life. It is a piece that invites long periods of contemplation, making it an ideal acquisition for those seeking to infuse their spaces with intellectual depth and emotional resonance.

      Whether displayed in a curated gallery setting or as a cornerstone of a thoughtfully designed residential interior, this work serves as a bridge between the past and the present. It offers a window into the heart of Harlem and the enduring strength of the human spirit, making it an incomparable choice for art lovers who value works that possess both aesthetic mastery and a profound, lingering soul.

      Questions & Answers

      What are the date and style of "Tombstones" by Jacob Lawrence?

      "Tombstones" was created in 1942 as a work of the Social Realism movement. Date and movement anchor the artwork in art history.

      What are the reproduction rights of "Tombstones" at the Whitney Museum of American Art?

      The copyright status of "Tombstones" by Jacob Lawrence is clear: the work is still protected by copyright. Its presence at the Whitney Museum of American Art does not change that status.

      Which period of Jacob Lawrence's career does "Tombstones" belong to?

      Within Jacob Lawrence's career, "Tombstones" falls in the Harlem Renaissance. The phase helps compare it with the artist's other works.


      Artist Biography

      A Life Painted in Story: The World of Jacob Lawrence

      Jacob Armstead Lawrence, born in Atlantic City, New Jersey, in 1917, emerged as one of the most significant American artists of the 20th century. His life story is intrinsically woven into his art—a powerful narrative shaped by the realities of being African-American during a period of profound social change. Following his parents’ divorce in 1924, Lawrence experienced a childhood marked by movement and adaptation, spending time in foster care in Philadelphia before ultimately finding a home with his mother in Harlem during the vibrant years of the Harlem Renaissance. This immersion into the cultural heart of Black America would become the wellspring of his artistic vision. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, attending classes at Utopia Children’s House and later studying under Charles Alston at the Harlem Art Workshop—a formative experience that set him on a path to becoming a visual storyteller of unparalleled depth.

      Dynamic Cubism: A Style Born of Experience

      Lawrence didn't simply adopt artistic styles; he forged his own, famously describing it as “dynamic cubism.” This wasn’t an imitation of the European avant-garde but rather a unique synthesis of modernist principles and the lived experiences of his community. Influenced by the bold colors and flattened forms of African sculpture and Mexican muralists—artists who prioritized narrative and social commentary—Lawrence developed a visual language that was both strikingly modern and deeply rooted in Black culture. His paintings are characterized by strong, simplified shapes, vibrant color palettes, and a deliberate rejection of traditional perspective. This approach wasn’t merely aesthetic; it served to emphasize the emotional weight of his subjects and create a sense of immediacy and accessibility. He sought not to replicate reality but to distill its essence, capturing the spirit of a people and their history with unwavering honesty.

      Chronicling History & Everyday Life

      Lawrence’s artistic output is remarkable for its breadth and thematic consistency. He didn't focus on isolated portraits or landscapes; instead, he created sweeping series that tackled monumental historical events and the nuances of everyday Black life. His breakthrough came with The Migration Series, a powerful sequence of sixty panels depicting the Great Migration—the mass movement of African Americans from the rural South to the industrial North in search of opportunity and escape from Jim Crow segregation. This work, begun in 1940-41, catapulted Lawrence to national recognition, earning him accolades and securing his place as a leading voice in American art. But The Migration Series was just the beginning. He went on to create equally compelling series dedicated to figures like Toussaint L’Ouverture, Frederick Douglass, and Harriet Tubman—transforming historical narratives into accessible visual stories. Beyond these grand historical cycles, Lawrence also found beauty and significance in the ordinary: scenes of barbershops, diners, and domestic life became canvases for exploring themes of community, resilience, and identity. His painting Bar and Grill, a stark depiction of segregation within a New Orleans café, exemplifies his ability to distill complex social realities into potent visual statements. Similarly, Victory and Defeat, with its imposing wall of cannonballs, commemorates the pivotal siege of Yorktown, Virginia, offering a nuanced reflection on American history.

      Legacy & Enduring Influence

      Jacob Lawrence’s impact extends far beyond his impressive body of work. He was not only an artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his teaching, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as enduring testaments to the power of art to illuminate the human condition and inspire change. He left behind a legacy not just of beautiful images but of courageous storytelling—a visual chronicle of a people's journey toward freedom and self-determination.
      Jacob Lawrence

      Jacob Lawrence

      1917 - 2000 , United States of America

      Quick Facts

      • Full Name: Jacob Lawrence
      • Nationality: American
      • Date Of Birth: 1917
      • Date Of Death: 2000
      • Place Of Birth: Atlantic City, United States of America
      • Notable Artworks:
        • Bar and Grill
        • Victory and Defeat
        • Captain Skinner
        • Firewood 55
      • Artistic Movement Or Style: Dynamic Cubism
      • Artists Or Movements Influenced By This Artist: African-American artists
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