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      Memory N. 1

      Dimensions
      81.0 x 100.0 cm

      A vibrant abstract composition featuring a striking red circle and geometric shapes by the renowned Peruvian master Jorge Piqueras from 1958, offering a unique opportunity to bring mid-century modernism into your collection.

      Discover Jorge Piqueras: Peruvian artist renowned for geometric painting & sculptural innovation. Explore his legacy of Latin American art & European influence.

      The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

      This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

      Giclée / Art Print

      Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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      Total Price

      $ 70

      Memory N. 1

      Giclée / Art Print

      Reproduction Size

      -

      Total Price

      $ 70

      Quick Facts

      • Location: MAC-Lima, Lima
      • Artistic style: Abstract
      • Title: Memory N. 1
      • Subject or theme: Abstract composition with human figures

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What is the main focus of the painting 'Memory N. 1'?
      Question 2:
      What shapes are scattered throughout the artwork besides the large red circle?
      Question 3:
      How many people are visible within the painting?
      Question 4:
      In what year was 'Memory N. 1' created?
      Question 5:
      What is the size of the artwork?

      A Study in Form and Color

      In this 1958 composition, we encounter a visual language that leans heavily into the geometric abstraction defining much of the mid-century period. The canvas is dominated by a large red circle, its surface punctuated by white dots that create a rhythmic, almost celestial texture. This central figure acts as a gravitational anchor for the surrounding elements. Scattered throughout the space are smaller circles, some in deep blue, which drift around the primary red form. These shapes do not merely sit upon the surface; they interact, creating a sense of movement within a structured, mathematical order. Amidst this arrangement of spheres, two human figures emerge—one in the upper left and another toward the right. Their presence introduces a subtle tension, grounding the abstract geometry in a sense of lived experience or perhaps a fragmented recollection.

      The technique suggests a deliberate, controlled application of pigment. There is a clarity to the shapes that speaks to a disciplined approach to the medium. By balancing the weight of the large red orb against the lighter, scattered blue and white elements, the artist achieves a specific equilibrium. It is a work that asks for a quiet, sustained gaze to fully grasp the relationship between the organic presence of the figures and the rigid precision of the circles.

      The Geometry of Recollection

      The title, Memory N. 1, invites us to consider the painting not as a literal landscape, but as a mental architecture. The abstraction functions as a way to organize thought and sensation. The red circle, with its internal white points, feels like a focal point of consciousness, while the blue spheres act as drifting thoughts or peripheral sensations. The inclusion of the two figures suggests that memory is never purely abstract; it is always inhabited by the human element, even when that presence is reduced to a silhouette or a simplified form. This interplay between the mathematical and the personal is what gives the work its specific gravity.

      Created during a period of significant movement in Latin American art, this piece reflects an engagement with modernist principles. The work avoids the chaos of pure expressionism, opting instead for a structured, geometric clarity. It is a quiet exploration of how we perceive space and identity through the lens of simplified, essential shapes. The interaction of the primary colors and the scattered dots creates a visual rhythm that feels both intentional and spontaneous, capturing a moment of mental clarity within a vast, colored void.

      Questions & Answers

      Do the colors of "Memory N. 1" appear strong or soft?

      "Memory N. 1" by Jorge Piqueras shows a vivid color intensity.

      Is "Memory N. 1" by Jorge Piqueras in the public domain?

      The copyright answer for "Memory N. 1" by Jorge Piqueras: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

      Is a high-resolution download of "Memory N. 1" available?

      To get a digital file of "Memory N. 1" by Jorge Piqueras, order a high-resolution digital image download on its Digital Image page.


      Artist Biography

      early life and nationality

      jorge piqueras, a visual artist, was born in lima, peru in 1925. he held both peruvian and spanish nationality.

      artistic contributions

      piqueras is widely recognized as one of the most significant peruvian artists of the 20th century. his work encompasses a broad spectrum of materials and media, including sculpture, painting, collage, photography, and assemblage. he is particularly known for his distinctive sculptural production and his pioneering role in geometric painting among contemporary latin american artists.

      international presence

      piqueras lived and worked extensively in europe, with a notable presence in italy and france. his work has been showcased regularly in lima, peru since 2007. a retrospective of his geometric work from the 1950s was exhibited at the museum of art of lima in may 2011.

      notable exhibitions and collections

      - the butler institute of american art (united states): though not exclusively featuring piqueras, this institution is significant for its extensive collection of american art. - hastings museum and art gallery (united kingdom): similar to the butler institute, it represents a broader context of art appreciation.

      artistic style and influence

      piqueras' geometric work, as showcased in his 2011 retrospective, reflects his engagement with modernist movements. his use of diverse materials and media aligns with the experimental spirit of latin american art.

      legacy

      jorge piqueras passed away in lima, peru in 2020, leaving behind a legacy as one of the most influential peruvian artists of his time. his contributions to geometric painting and sculptural production continue to inspire new generations of artists.

      references:

      - jorge piqueras, artist profile, TopImpressionists - the butler institute of american art, institutional overview, TopImpressionists
      Jorge Piqueras

      Jorge Piqueras

      1925 - 2020 , Peru

      Quick Facts

      • Full Name: Robert Rauschenberg
      • Nationality: American
      • Date Of Birth: 1925
      • Date Of Death: 2020
      • Place Of Birth: Lima, Peru
      • Notable Artworks:
        • Canyon
        • Monogram
        • Rauschenberg Prints
      • Artistic Movement Or Style:
        • Assemblage
        • Neo-Dada
        • Pop Art
      • Artists Who Influenced This Artist:
        • Picasso
        • Pollock
        • Marcel Duchamp
      • Artists Or Movements Influenced By This Artist:
        • Jasper Johns
        • Robert Ryman
      Explore artworks organized by themes, styles, and characteristics.