Is Y yut mat under copyright?

No, this artwork is in the public domain.

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Artwork Description

The painting Y yut mat by Joseph Henry Sharp is a stunning example of the artist's skill and technique. Created in 1900, this oil on paperboard painting is a beautiful representation of a Native American man with long hair and a red bandana on his head. The subject's facial features are prominent, including his eyes, nose, mouth, and chin.

The Artist's Style

Joseph Henry Sharp was an American painter known for his portraits of Native Americans. He was born in Bridgeport, Ohio, and studied art in Europe before returning to the United States. Sharp's style is characterized by his use of bold colors and detailed brushstrokes, which are evident in Y yut mat. The painting is now part of the collection at the Smithsonian American Art Museum in Washington, D.C. Key Features of the Painting:

The subject's traditional clothing and adornments are meticulously depicted
The use of color and light creates a sense of depth and dimensionality
The painting's composition is well-balanced, with the subject placed centrally

The Smithsonian American Art Museum has an extensive collection of Joseph Henry Sharp's work, including Y yut mat. Visitors can view the painting in person or explore the museum's online collection, which includes works by other notable artists such as Henry Ossawa Tanner and Alice Pike Barney. For those interested in learning more about Joseph Henry Sharp and his work, https://TopImpressionists.com offers a range of resources, including information on the artist's life and style, as well as reproductions of his paintings. The website also features a collection of paintings by other artists, including Joseph Henry Sharp: Y yut mat and Henry Ossawa Tanner's Salome.
The painting Y yut mat is a significant work by Joseph Henry Sharp, showcasing his skill and technique as a portrait painter. Its inclusion in the collection at the Smithsonian American Art Museum is a testament to its importance and beauty.

Artist Biography

Early Life and Background

Born: September 27, 1859, Bridgeport, Ohio
Died: August 29, 1953
Parents: Irish immigrant parents; father was a merchant.
Early Fascination: Developed a strong interest in American Indians from a young age.
Hearing Loss: Nearly drowned as a boy, resulting in permanent hearing loss which significantly impacted his education and communication. He learned to read lips and carried a writing pad.
Early Work: Worked in a nail factory at the age of 12 to support his family after his father's death.

Education and Artistic Training

McMicken School of Design, Cincinnati: Briefly attended before financial constraints forced him to leave school.
European Studies (1881-1886): Traveled to Europe where he studied at the Royal Academy of Fine Arts in Antwerp, Belgium.
Return to Cincinnati & Mentorship: Returned to Cincinnati and worked alongside Henry Farny, though Farny discouraged painting Native Americans.
Royal Academy of Munich: Studied at the Royal Academy of Fine Arts (Munich) and later with Frank Duveneck in Italy.
Académie Julian, Paris: Furthered his studies at the Académie Julian in Paris, influenced by Barbizon painters and Impressionists.

Artistic Style and Subject Matter

Realism & Portraiture: Known for realistic portrayals of American Indians, focusing on their cultural life and individual characteristics.
Influences: Influenced by the Barbizon school and Impressionism, evident in his use of light and shadow and broad brushstrokes.
Key Subjects: Primarily painted portraits of Native American warriors, chiefs, and everyday people, as well as Western landscapes.
Commissioned Work: Received a significant commission from President Theodore Roosevelt to paint 200 portraits of Native American warriors who survived the Battle of Little Bighorn.
Absarokee Hut: Built a cabin (Absarokee Hut) on Crow Agency land in Montana, allowing him extended time to study and depict Native American life.

Major Achievements and Recognition

Taos Society of Artists Founding Member: A founding member of the Taos Society of Artists, considered its "spiritual father."
Smithsonian Institution Acquisition: The Smithsonian Institution purchased eleven of his portraits in 1901.
Phoebe Hearst Patronage: Received significant support from Phoebe Hearst, who acquired over 150 of his works.
Thomas Gilcrease Collection: A large portion of his work and personal collection were purchased by Thomas Gilcrease, now housed at the Gilcrease Institute.
Recognition for Ethnographic Value: Recognized by curator W.H. Holmes for the accuracy with which he portrayed Native American physiognomy and costumes.

Historical Significance

Documenting Native American Culture: Sharp's work provides valuable documentation of Native American life during a period of significant cultural change and displacement.
Early Western Artist in Taos: One of the earliest European-American artists to establish a presence in Taos, New Mexico, contributing to its artistic development.
Influence on Southwestern Art: His focus on Native American subjects helped shape the direction of Southwestern art and influenced subsequent generations of artists.
Preservation of Portraiture: Created a significant body of portraiture that captures the likenesses and dignity of individuals from various Native American tribes, preserving their memory for posterity.

Joseph Henry Sharp

1859 - 1953 , United States of America

Quick Facts

Artistic Movement Or Style: Realism
Artists Who Influenced This Artist: ['Frank Duveneck']
Date Of Birth: September 27, 1859
Date Of Death: August 29, 1953
Full Name: Joseph Henry Sharp
Nationality: American
Notable Artworks:
- Apache Camp in Hondo Cañon
- Blackfoot Girl
- Chief Spotted Elk
- Quinnah
- Chief American Horse
Place Of Birth: Bridgeport, Ohio

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W940BG $15

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H24-GOLD $40

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H36-GOLD $60

H36-SILVER $60

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