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Self-Portrait

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Self-Portrait

Oil On Canvas
WallArt
Baroque
1635
Early Modern
72.0 x 65.0 cm
National Gallery of Art

Discover Judith Leyster's 'Self-Portrait,' a captivating Baroque masterpiece showcasing her artistic skill and confident spirit as a pioneering female painter.

Judith Jans Leyster (1609-1660) was a pioneering Dutch Golden Age painter known for lively genre scenes, portraits & still lifes. Rediscovered in 1893, her work offers insight into 17th-century life and challenges traditional art history narratives.

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While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.

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Add Glossy Varnish (enhances colors, protects against light/moisture) + $15

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Engraved bronze plaque displaying artist name and translated painting title. Size: 9x2 cm. + $10

Transparent acrylic plaque with black UV-engraved artwork informations and QR code. Size: 10x15 cm. + $30

Black acrylic plaque featuring white engraved text with artwork informations and QR code. Size: 10x15 cm. + $30

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Self-Portrait

Giclée / Art Print

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ExclamationCircle For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a ready-to-assemble kit. This method ensures safe delivery and prevents damage during transport.

All solid wood bars are included, precisely cut to size.
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Glossy Varnish (enhances colors, protects against light/moisture)

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Quick Facts

Artist: Judith Jans Leyster
Dimensions: 72 x 65 cm
Subject or theme: Artist self-portrait
Title: Self-Portrait
Year: 1635

Art Quiz

There is only one correct answer for each question.

Question 1:

Who is the artist of the self-portrait described?

Frans Pietersz de Grebber

Judith Jans Leyster

Jan Willemsz Leyster

Question 2:

What year is the painting generally dated to?

1629

1635

1654

Question 3:

What objects are depicted in the painting that suggest the subject's profession?

A musical instrument and a book

A ruffled collar and a palette

Two men conversing in the background

Question 4:

What significant achievement did Judith Jans Leyster accomplish regarding professional guilds?

She was the first female painter to sell a work abroad.

She became a member of the Haarlem Guild of St. Luke.

She invented a new type of oil paint.

Question 5:

What detail in the background suggests an element of social life or patronage?

The subject's bun hairstyle

The presence of two men, one playing music

The detailed rendering of the ruffled collar

Collectible Description

A Glimpse into Genius: Judith Leyster's Self-Portrait

To stand before this self-portrait of Judith Jans Leyster is to encounter not merely a likeness, but a declaration of artistic intent. Painted around 1635, this work captures the essence of a pioneering spirit in an era that often sought to confine female genius. The subject gazes out with an intelligence and poise that transcends the conventions of portraiture from the Dutch Golden Age. She is presented as both the creator and the creation—a masterful self-examination rendered with breathtaking technical skill.

The Artist at Her Station: Symbolism and Subject

Leyster has thoughtfully included the tools of her trade, transforming the act of painting into a central narrative element. In one hand, she delicately holds a brush, poised as if pausing mid-stroke; in the other, rests an artist's palette, suggesting a recent or imminent burst of color and creativity. Her attire, featuring a meticulously rendered ruffled collar, speaks to the fashionable yet structured life of Haarlem society. Yet, it is her bearing that commands attention. Beyond herself, two male figures occupy the background, their engagement—one perhaps playing a musical instrument—adds a layer of social context, suggesting that art was not merely an indoor pursuit but a vibrant part of public life and intellectual discourse.

Mastery in Brushwork: Technique and Detail

The technical brilliance evident in this piece is remarkable. Leyster demonstrates a sophisticated handling of light and shadow, giving depth to the folds of her clothing and lending lifelike dimensionality to her features. The detail captured in the rendering of the background figures and the texture of the palette speaks to an advanced understanding of oil painting techniques popular during the 17th century. One can almost feel the viscosity of the paint and observe the subtle gradations of tone that bring the scene to such vivid life, making it a superb example of Dutch realism.

A Window into History: Context and Impact

Understanding Judith Leyster requires acknowledging her historical context. As one of the first documented female artists to join the prestigious Haarlem Guild of St. Luke, her very existence as a professional painter was an act of defiance and achievement. This portrait, possibly even serving as a presentation piece for the guild itself, is therefore imbued with significance far beyond its surface beauty. It speaks to ambition, perseverance, and the quiet revolution of female artistic autonomy during the Dutch Golden Age.

Bringing Genius Home: Owning the Artistry

For the collector or designer seeking an object that whispers tales of intellectual vigor and unparalleled craftsmanship, this reproduction offers a profound connection to art history. It is more than decoration; it is a conversation piece that celebrates female achievement in the arts. The rich narrative woven into every visible thread and painted highlight ensures that owning this work brings not just beauty, but a deep resonance with the enduring spirit of artistic genius.

Artist Biography

early life and training

judith jans leyster, a pioneering female painter, was born in july 1609 in haarlem, netherlands. she was the eighth child of jan willemsz leyster, a cloth maker who later became a brewer. while her training is not well-documented, it's believed that she learned painting from frans pietersz de grebber, a respected artist with a workshop in haarlem.

artistic career

leyster's first known signed works, serenade and jolly topper, date back to 1629 when she was just twenty years old. by 1633, she became a member of the haarlem guild of st. luke, making her one of the first female artists to be part of this prestigious organization.

notable works and collaborations

some of leyster's notable works include:

self-portrait (c. 1633), now at the national gallery of art, washington, d.c., which may have been her presentation piece to the guild.
two illustrations in a book about tulips from 1643, showcasing her versatility.
a portrait from 1652 and a still life from 1654, discovered in a private collection in the 21st century, demonstrate her enduring skill.

collaborations with jan miense molenaer: leyster married jan miense molenaer, a more prolific artist, in 1636. they worked together, sharing a studio in haarlem, and had five children.

legacy and rediscovery

despite being highly regarded by her contemporaries, leyster's work was largely forgotten after her death in 1660. it wasn't until 1893 that she was rediscovered, and scholars began to correctly attribute her works. today, her paintings are recognized as significant contributions to the dutch golden age.

explore more of leyster's works on TopImpressionists.com.
learn about the dutch golden age and its notable artists at wikipedia.
discover other female artists from the era on the dutch golden age art movement page.

conclusion

judith jans leyster's trailblazing career as a female painter in the 17th century netherlands has left an indelible mark on art history. her rediscovery and recognition serve as a testament to her enduring talent and the evolving perception of women in the art world. museum name: national gallery of art, washington, d.c.