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      Woman with cap

      Dimensions
      41.0 x 33.0 cm

      A captivating portrait of quiet intensity from Pablo Picasso's 1901 transition between the Blue and Rose Periods, this oil on canvas masterpiece invites you to explore a pivotal moment in art history.

      Co-founder of Cubism and creator of Guernica. Discover the revolutionary works of Pablo Picasso today.

      The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

      This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

      Giclée / Art Print

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      Total Price

      $ 70

      Woman with cap

      Giclée / Art Print

      Reproduction Size

      -

      Total Price

      $ 70

      Quick Facts

      • Year: 1901
      • Medium: Oil on Canvas
      • Artistic style: Cubism
      • Subject or theme: Portraiture
      • Dimensions: 41 x 33 cm
      • Influences: Impressionism

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What artistic movement is Pablo Picasso’s ‘Woman with Cap’ considered to be a precursor of?
      Question 2:
      The painting utilizes what medium for its depiction, contributing to its realistic appearance?
      Question 3:
      During Picasso’s artistic journey, ‘Woman with Cap’ marks a transition from which earlier style?
      Question 4:
      What is the primary focus of the man's gaze in 'Woman with Cap'?
      Question 5:
      The hat’s fur trim symbolizes what aspect of Picasso’s artistic exploration?

      A Window Into Picasso’s Early Vision

      In the vast, revolutionary trajectory of Pablo Picasso’s career, certain works serve as quiet, profound thresholds between eras. “Woman with Cap,” painted in 1901, is precisely such a masterpiece. At a mere 41 x 33 cm, this intimate oil on canvas does not rely on grand scale to command attention; instead, it captures the nascent brilliance of an artist on the precipice of greatness. This piece marks a pivotal moment of transition, where the heavy, melancholic shadows of Picasso’s Blue Period begin to yield to the burgeoning warmth and light that would eventually define his Rose Period. To gaze upon this portrait is to witness a young genius navigating the delicate balance between classical tradition and the experimental spirit that would later dismantle the very foundations of Western art.

      The composition presents a subject of striking, quiet intensity. The sitter, adorned with a hat featuring a tactile fur trim, looks toward the viewer with an expression that is both direct and enigmatic. Picasso’s technique here is a masterclass in controlled realism; he employs meticulous layering of oil paints to achieve a lifelike texture, particularly in the soft contours of the face and the rugged detail of the attire. Yet, for the discerning eye, there are subtle whispers of the avant-garde hidden within the brushwork. A slight flattening of the torso and a gentle disruption of conventional perspective hint at the artist's growing fascination with abstraction—a precursor to the fractured, multidimensional worlds of Cubism that would follow decades later.

      The Emotional Resonance of a Changing Era

      Beyond its technical prowess, “Woman with Cap” carries a profound emotional weight that continues to captivate collectors and art enthusiasts alike. The painting exists in a state of beautiful tension; it possesses the somber, introspective depth characteristic of Picasso’s early years in Paris, yet it breathes with a newfound vitality. The inclusion of textural elements, such as the fur on the cap, serves not merely as decoration but as an anchor to reality, grounding the subject in a tangible, sensory world even as the artist begins to experiment with more expressive, less representational forms.

      For those looking to bring a piece of art history into a contemporary space, this work offers unparalleled versatility. Its intimate dimensions make it an ideal focal point for a curated gallery wall or a sophisticated study, while its rich, earthy palette provides a sense of timeless elegance. Whether viewed as a historical document of Picasso’s evolution or as a standalone triumph of portraiture, “Woman with Cap” remains an evocative testament to the power of transformation. It is an invitation to look closer, to feel the texture of history, and to experience the moment a legend began to redefine the limits of human vision.

      Questions & Answers

      What does "Woman with cap" by Pablo Picasso depict?

      "Woman with cap" by Pablo Picasso depicts: man, hat, furtrim, expressionism, realism, portraiture, early20thcentury.

      What technique and size is the original "Woman with cap" by Pablo Picasso?

      "Woman with cap" was made in oil on canvas and measures 41 x 33 cm in its original form.

      Which room is "Woman with cap" by Pablo Picasso recommended for, given its colors?

      Considering its earthy colors, "Woman with cap" is suggested for a living room.


      Artist Biography

      The boy from Málaga

      A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.

      By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.

      Shifting palettes and fractured forms

      The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.

      In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:

      • Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
      • Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.

      A life of constant change

      His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.

      In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.

      Pablo Picasso

      Pablo Picasso

      1881 - 1973 , Spain

      Quick Facts

      • Full Name: Pablo Diego José Ruiz Picasso
      • Nationality: Spanish
      • Date Of Birth: 1881
      • Date Of Death: 1973
      • Place Of Birth: Malaga, Spain
      • Notable Artworks:
        • Les Demoiselles d'Avignon
        • Guernica
        • The Old Guitarist
        • La Vie
        • Family of Saltimbanques
      • Artistic Movement Or Style: Cubism, Surrealism
      • Artists Who Influenced This Artist:
        • Velázquez
        • Goya
        • Matisse
      • Artists Or Movements Influenced By This Artist:
        • Cubism
        • Modern art
      Explore artworks organized by themes, styles, and characteristics.