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StatsSelf-Portrait
- 44.0 x 36.0 cm
Explore Paul Cézanne's revolutionary 'Self-Portrait,' painted in 1887! This Post-Impressionist masterpiece exemplifies form, color & Cézanne’s groundbreaking vision—a cornerstone of modern art history.
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Post-Impressionist master Paul Cezanne bridged Impressionism and Cubism with Mont Sainte-Victoire. Explore his revolutionary works today.
Giclée / Art Print
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Self-Portrait
Giclée / Art Print
Reproduction Size
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Total Price
$ 70
The Gaze of a Visionary
In this profound 1887 masterpiece, Paul Cézanne invites us into an intimate encounter with his own soul. The subject is unmistakable: the artist himself, captured in a moment of quiet, heavy contemplation. Adorned with a hat featuring a delicate feather, Cézanne presents a face marked by a serious expression, a mustache, and a goatee that lend him an air of rugged intellectualism. His gaze is direct, almost piercing, yet it carries an unmistakable weight of introspection. Behind him, the world recedes into muted tones; two figures linger in the background, less defined and secondary to the central presence, serving merely as anchors to a composition that prioritizes the psychological depth of the man over the mere depiction of a scene. This is not simply a likeness, but an exploration of the artist's internal landscape, rendered with a gravity that demands the viewer's full attention.
The Architecture of Color and Form
Beyond the immediate likeness, this self-portrait serves as a manifesto of Post-Impressionism. Having moved past the fleeting, light-drenched experiments of his Impressionist contemporaries, Cézanne sought something more permanent—the underlying structural framework of reality. This is achieved through a meticulous technique characterized by repetitive, deliberate brushstrokes that build planes of color with architectural precision. There is no superficiality here; instead, each stroke contributes to a sense of volume and weight. The way the light interacts with the textures of his clothing and the subtle shadows on his face demonstrates a mastery of form that would eventually pave the way for the fragmented revolution of Cubism. Through this method, Cézanne transforms the canvas from a window into a world into a constructed object of profound stability and permanence.
A Timeless Presence for the Modern Collector
For the discerning collector or interior designer, this work offers more than just aesthetic beauty; it provides an intellectual anchor for any space. The painting’s ability to command attention through its serious, contemplative energy makes it a perfect centerpiece for a study, a library, or a sophisticated gallery wall. It embodies a quiet intensity that transforms a room, offering a window into the very moment modern art was being reborn. To feature a high-quality reproduction of this caliber is to bring a piece of history into the contemporary home—a testament to the enduring power of an artist who dared to look beneath the surface to find the eternal structure of the world. It is a piece that does not merely decorate a wall, but enriches the very atmosphere of the environment it inhabits.
Questions & Answers
In what year was "Self-Portrait" by Paul Cézanne created?
"Self-Portrait" by Paul Cézanne was created in 1887.
What technique was used for "Self-Portrait", and when was it created?
The medium of "Self-Portrait" by Paul Cézanne is oil on canvas, and the work is dated 1887.
What technique and size is the original "Self-Portrait" by Paul Cézanne?
The original "Self-Portrait" by Paul Cézanne is an oil on canvas work measuring 44 x 36 cm. Technique and size describe the original object.
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Artist Biography
The Architect of Form
Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.
The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.
A New Way of Seeing
Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.
His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.
- The Bathers (Les Grandes Baigneuses)
- Mont Sainte-Victoire series
- Still Life with Apples and a Pot of Primroses
- Portrait of Émile Zola
- The Card Players
A Lasting Influence
By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.
Paul Cézanne
1839 - 1906 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism
- Artists Or Movements Influenced By This Artist:
- Cubism
- Fauvism
- Pablo Picasso
- Henri Matisse
- Artists Who Influenced This Artist:
- Paul Gauguin
- Georges Seurat
- Full Name: Paul Cézanne
- Nationality: French
- Notable Artworks:
- The Pond at Jas de Bouffan
- Portrait of Émile Zola
- Mont Sainte-Victoire series
- Bathers
- Place Of Birth: Aix-en-Provence, France
- Date Of Birth: 1839
- Date Of Death: 1906
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